11 Best Camera Stabilizers in 2024 (For Any Budget)

Filmmakers in big studio movies to art house cinemas use camera stabilizers to steady their shots. That’s because capturing steady and balanced footage with a moving camera is one of the hardest parts of capturing quality video.

The FLYCAM Redking is the best camera stabilizer we’ve come across. The build quality is excellent, with a solid aluminum structure. And the quick-balance weights make it easy to find the perfect balance, giving you smoother shots in no time.

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The Best Camera Stabilizers

Here’s a quick look at the our list of the best camera stabilizers. We’ll look at each stabilizer in more detail in the section after. And finally, we’ll look at the difference between camera stabilizers and gimbals (scroll to the end).

11 Best Stabilizers in Detail

Before you buy anything, think about the equipment you already have. Are you using a mirrorless or DSLR camera? What is the weight of your camera? And what is your budget? We cover all the bases in this list. So here are our top picks for the best camera stabilizers in a bit more detail.

The FLYCAM Redking stabilizer is a solid piece of equipment. And it has some excellent features that make it one of the best stabilizers you can buy. It isn’t the cheapest, but it offers good value.

It’s a handheld stabilizer with an aluminum frame. There are X-Y adjustments for horizontal balancing. And there’s a dovetail quick-release plate for rapid mounting and dismounting your camera.

The telescopic central shaft makes vertical balancing faster and easier. You get the weight disks at the bottom for precise counterbalancing. And the head has a 3-axis gimbal for 360-degree panning.

It’s a sturdy handheld stabilizer, holding a camera up to 5 kg in weight. That’s easily enough for professional-level DSLR cameras and smaller video cameras.

The main problem is the weight. The unit weighs 7 kg without a camera. So when you mount up your shooter, single-handed operations are practically impossible.

The CAME-TV P06 is one of the best handheld stabilizers on the market. It’s lightweight and compact. And it works very well for a piece of kit in this price range.

The body is made of carbon fiber, and the unit weight is only 1.65 kg. It’s strong, too, and able to carry a load of 2.8 kg. That’s enough for most DSLRs and mirrorless cameras.

You have a quick-release camera plate. So you waste no time mounting or dismounting your camera. And it comes with six counterweights with a combined weight of 680 g.

The weights act as the stabilizer’s legs when they are all attached. Then you can use the stabilizer as a tripod for static shots and still photos.

You can adjust the length of the central rod, giving you a range from 38.9 to 47.5 cm. And balancing your camera is easy with the main padded handle. It’s incredibly easy to use, allowing you to respond to the camera’s movements.

The YELANGU S60T is a simple yet highly effective camera stabilizer. It has an uncomplicated design. And it achieves a level of stability not found in some more complex models.

The body is made of carbon fiber. It weighs 800g without the balancing weights. And it can support a DSLR camera weighing up to 2.5 kg. Plus, the central bar is telescopic. So you can easily adjust the length for comfort and balance.

It’s comprised of two connection arms and one arm for shock absorption. You can attach it to a stabilization vest if you have one. But it produces good results when used on its own.

The YELANGU S60T keeps your camera steady for a reasonable price. It’s simple, effective, and excellent value for your money.

The Zeadio Handle Grip gives you a sense of control and smooth footage. And it’s excellent value too. It’s a simple stabilization solution. And it gives you surprisingly good results.

You can use the handle with Mirrorless or DSLRs. You can also attach flashes and monitors using the hotshoe connector. And the cushioned grip also means it’s comfortable to hold, allowing you to shoot for long periods.

The handle is lightweight, weighing only 344 g. And it gives you great mobility for low-angle shots. So it’s perfect for action or sports photography, especially skateboarding, biking, and skiing.

The handle is the only thing between you and your camera. So the handle grip doesn’t remove all unwanted movements. But it does effectively reduce camera shake when you’re filming. Overall, it’s a simple solution for amateur shoots and won’t cost you much.

The Glidecam XR-PRO, much like the HD-PRO, is a serious piece of camera equipment. They both have a strong frame and sturdy composition. But the XR-Pro is more geared towards larger video cameras.

The foam handle is comfortable and gives you a good range of motion. And the head has a 3-axis gimbal, giving you smoother footage than most other handheld stabilizers.

The central post is telescopic, ranging from 35 to 63.5 cm. This variation in length is excellent for finding the precise balance. And you get 16 weights for the base plate to counteract the weight of your camera.

Like the HD-Pro, the Glidecam XR-PRO is heavy. It weighs 3.5 kg without a camera attached. So if you’re shooting for long periods, your arms will feel it.

The Roxant Pro camera stabilizer has an unorthodox design. But it works well as a single-handed camera stabilizer for shooting video.

When attached, the padded handle sits directly below the camera. And the counterweights are connected below. This design gives you excellent control over what you’re shooting.

It’s designed for smaller cameras. And it is compatible with smartphones, GoPros, DSLRs, and mirrorless cameras. The weight limit is only 1 kg, so you are limited to lighter cameras.

The unit weight is just over 1 kg. So you can shoot for long periods without fatigue. And the counterweight system is simple. So you can balance the camera stabilizer in a couple of minutes.

The Roxant Pro is limited and is certainly not for professional videographers. But amateur filmmakers can make good use of it. And buying one won’t set you back much!

The Neewer camera cage is a fantastic rig for shooting video with a DSLR or mirrorless camera. It’s strong, stable, and has excellent build quality. But the aluminum alloy construction is lightweight. So you can shoot for hours without fatigue.

The camera cage has two handles, one on either side. The dual-hand grips give you stability when shooting at chest or eye height. And the top handle also lets you shoot lower angles with greater stability. This is popular with skateboard videographers.

You can easily attach your camera to the cage using the built-in screws. You don’t need any extra tools. And the padded mount protects your camera and keeps it in position.

Attaching extra equipment like microphones, lights, and monitors is easy. So you can transform the basic camera cage into a complete videography setup.

The Neewer camera cage is a simple and highly-effective solution for video stabilization. It’s an affordable starting point for your video production setup.

The Morros Pro DSLR movie rig is for serious video shooters. It’s the perfect base for a full-movie production setup. And you get smooth, shake-free footage when you use it for filming.

It’s a well-constructed piece of equipment. The main poles are aluminum. And they are both strong and lightweight. So it can hold a heavy DSLR or mirrorless camera. And it’s strong enough to support extra filming equipment. You can add lights, microphones, and monitors to the rig without issue.

The selection of handles makes it a versatile stabilizer. You can shoot at eye height with the shoulder pad for extra support. And you can use the overhead handle for low-angle shots. The camera also slides along the central poles, giving you dolly zoom options.

With the Autopilot stabilizer, we return to a more traditional design. It’s a heavy-duty piece of equipment. And it’s a good alternative to motorized stabilizers and gimbals for smooth video with your action camera.

This mechanical stabilizer is made of black aluminum, giving you a solid foundation to work with. At 2.4 kg, the weight is noticeable. But it can hold a camera weighing up to 2.7 kg.

The AutoPilot stabilizer uses a 3-axis gimbal for increased stability. So the gimbal bearing absorbs unwanted camera movement or shake. The motion bearings have a smooth action. And the padded handle gives you comfort and control.

The Autopilot is on the heavier side for a handheld camera stabilizer. But the price is quite reasonable for the build quality.

The CAMVATE camera cage is another way to support cameras when shooting video. Unlike many stabilizers, the CAMVATE Camera Cage doesn’t use a counterbalance to stabilize. But the dual-handle system does provide excellent stability when you’re filming.

You get a frame that you can screw your camera into. It’s compatible with the main models from Nikon and Canon. And it works with select Sony Alpha Series cameras, Panasonic G Series cameras, and the Samsung NX1. (Make sure yours fits.)

The frame securely holds the camera in place. And you have a handle above to hold and control the unit. Plus, there’s a wooden handle on the side for extra control.

Unloaded, the cage only weighs 370g. That’s lightweight, even when your camera is mounted. So you can shoot for hours. And the cage segments are aluminum, so it’s a solid rig.

This kind of stabilization system is more sensitive to bigger jolts and shakes. It won’t get rid of them completely. But it vastly improves your footage if you’re going from purely handheld shots.

The FLYCAM HD-3000 is another superb counterweight camera stabilizer. It’s strong and steady with aluminum construction. And it can take heavier loads than many other handheld stabilizers.

It’s compatible with all major camera brands of DSLR and mirrorless cameras. And with a max load capacity of 3.5 kg, it can handle all professional models with big lenses. The quick-release plate also saves you time when attaching and removing the camera.

The removable weights make it easy to find the perfect balance for smooth shooting. And there’s a 3-axis gimbal joint that reduces shake even more. So it’s easy to achieve cinema-smooth video production.

What is a Camera Stabilizer?

A camera stabilizer is a rig that you attach to your camera. It reduces and prevents unwanted movement, stabilizing your camera. It keeps any camera shake to a minimum, giving you smooth video footage.

Mirrorless and DSLR cameras are getting lighter as time passes, which is great for handheld photography. You can shoot all day without your arms falling off. But lighter cameras are more sensitive to movement when shooting video.

DSLR and mirrorless cameras have excellent video capabilities these days. But a lightweight mirrorless camera picks up the slightest jolt or shake while shooting handheld video.

These movements are even worse if you want to do walking or tracking shots. The camera is jerked and jolted with every footfall, making the footage unusable. That’s why a camera stabilizer is so important.

Camera stabilizers work by counteracting the camera’s weight. And every stabilizer is designed for cameras in specific weight categories. So it’s best to keep this in mind when purchasing a camera stabilizer.

Camera Stabilizer vs Gimbal

When talking about camera stabilizers and gimbals, things can get confusing. It’s easy to mix up one with the other. And sometimes, people use them as synonyms. But while there is some overlap, they are not the same thing!

A gimbal stabilizer is a camera mount that pivots, allowing the camera to rotate on a single axis. The gimbal keeps the camera balanced and counteracts any unwanted camera movements. An example is the Zhiyun Smooth Q3. It’s a phone gimbal and you can read our full review of it here. And there are GoPro gimbals, too.

Gimbals use motors to counteract the movement of the camera. And the camera is often held in a floating position. But stabilizers are purely mechanical, meaning you don’t have to worry about battery life or charging.

To complicate matters, some camera stabilizers use 3-axis gimbal technology. So there’s no wonder why people get confused between the two.

Some of the stabilizers we’ve looked at have gimbal features. But we have stuck to mechanical stabilizers in our list. You can look at our list of the best camera gimbals.

Conclusion

Camera stabilizers are a vital part of filmmaking. If you’re working on a professional commission or making home movies, you want your footage to be smooth and shake-free. That’s why you need the best camera stabilizer.

The Flycam Redking is our favorite camera stabilizer. It’s strong, reliable, and gives you exceptionally smooth footage. You don’t need a body suit or extra gear to get the most out of it. Just attach your camera, get the balance right, and start shooting!