Architecture – ExpertPhotography

How to Best Shoot Real Estate Photography: A Complete Guide

Nick Constant — Tue, 16 Apr 2024 14:36:59 +0000

Impressive real estate photography is hard to master, but it is achievable with a few key points in mind. The main goal in the real estate genre of photography is to make a building as appealing and idyllic as possible. The purpose is to sell or entice people to visit the building you photograph.

Today, we provide all the top tips surrounding real estate photography. We guide you through techniques and gear and even provide some legal information to remember. Each section links to an article that goes even more in-depth, so click these for more information.

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What Is Real Estate Photography?

Real estate photography involves taking professional photographs of properties for sale or rent. Clients then use these photos to market the properties. This gives potential buyers or renters the best visual representation of the spaces.

This section provides an informative look into real estate photography. We provide basic pointers for photographers. If you are a complete beginner, this is where you should start.

Anyone with a good eye can be a competent real estate photographer; it just takes time and skill. Unlike wildlife or street photography, your subject stays still, so it is about how you position yourself within the space.

The real difficulty comes from fine-tuning the position of every piece of furniture or other objects in the frame.

Our Guide to Take Real Estate Photos

Real estate photography is a lucrative niche for photographers. To take great property photos, start by learning the basics of interior photography. Crucial factors are using natural light when possible and paying close attention to composition.

As you improve your skills, aim to create magazine-worthy images. Work with the client to highlight the property’s best features. Wide-angle lenses are ideal for capturing entire rooms.

Editing is the final step in real estate photography. Adjust exposure, white balance, and angles to enhance your images. Avoid unrealistic effects that create false impressions.

Property photography is a rewarding field that combines technical skill and creativity. You can build a successful business and capture stunning real estate photos with practice. Use these links to jump to the section you need most:

Composition and lighting
Real estate photography niches
Shooting techniques
Recommended gear
Starting a real estate photography business

Composition and Lighting

Lighting is one of the most important elements in real estate photography. You want the viewer to see clearly into the space to better understand it. So, your exposure should contain no dark shadows and little bright light.

Natural light is ideal in this genre. Shooting exteriors at twilight is a great way to make beautiful real estate images.

But natural light can often cause harsh shadows inside buildings, especially in rooms with small windows. Thus, it’s best to add light to these dark spaces, using added flash and reflectors.

Lighting

Good lighting is essential for real estate photography. Natural light is the best source, so open the windows and curtains to let the sun in. Avoid shooting interiors at sunset when the light changes color quickly.

A bounced flash can reveal details in the shadows without producing harsh shadows elsewhere. Adjust camera settings for the correct exposure, then adjust flash power to only affect the shadows. These settings keep the main light from the window for a natural look.

Sometimes, light fixtures are a feature of the property. In these cases, merge multiple exposures into a single HDR image to maintain details in both highlights and shadows. Check out this in-depth guide to learn more about lighting for real estate photography.

Shoot at Twilight

Twilight real estate photography can make your listings stand out. To capture stunning twilight photos, turn on all the property’s lights before sunset.

Use a tripod to avoid any camera shake. And wait patiently for the perfect moment to balance the sky’s light with the artificial lighting.

Focus on capturing one great shot, then quickly take some secondary shots from different angles. Use a flash to brighten dark areas or HDR techniques to reveal more details in the highlights and shadows.

You can replace the sky in post-processing for a more dramatic look. Be sure to color-correct any mismatched lights and not overprocess the image.

Twilight real estate photography is an art that can help attract more clients, but it’s important to keep the final image realistic. We have a comprehensive guide available for those who want to learn more about twilight real estate photography.

Real Estate Photography Niches

Real estate photography is always in demand. Every agent is battling for homebuyers’ attention with the best property photos.

Shooting professional real estate photography can seem tricky at first. But with these simple tips, you’ll produce beautiful, consistent images that will have agents calling you back every time!

Use a wide-angle lens to capture tight spaces and make rooms look more spacious. A tripod stabilizes your camera and prevents motion blur. Strobes or flashes are essential tools, especially in poorly lit homes.

Declutter surfaces before shooting and use a flash to bounce light off walls for even illumination. Keep the camera straight to avoid distortion and shoot from about five feet for a natural, balanced look.

Correct distortion, adjust highlights and shadows, and make light temperatures consistent when editing. Real estate photography can be a reliable income stream if you maintain consistency in your process and practice.

Interiors

There are a few pointers to consider when creating magazine-worthy interior photography. One is to turn off all the lights to keep the light temperature even and avoid distracting shadows.

Another is to use layers by bracketing three to four exposures. Then, blend them for a natural HDR look. Also, avoid going too wide—stick to 24mm or tighter to emphasize design elements.

It is helpful to let composition guide your shots using principles like the rule of thirds, leading lines, and depth. Create depth by styling objects from foreground to background.

Clear away clutter and add small styling touches to make the space look its best. Fine details are noticeable in real estate photography. Use natural light as much as possible, bouncing or diffusing artificial light to maintain a natural look.

You may want to tether your camera to a laptop so your client can participate in the shoot. Before the shoot, you can also visit the location to plan the best shots and gear to bring.

Capturing beautiful interior photography takes time and attention to detail. But following these tips will help you identify the key points to consider.

Airbnb

Taking professional-looking Airbnb photos is important for getting more bookings. Start by tidying up the space and arranging items to make it look inviting. Open the curtains and shoot using natural light, preferably around sunrise or sunset.

Shoot from the corners of the room to show more details. Compose your shots using the rule of thirds or golden ratio. Make sure horizontal and vertical lines are straight.

Highlight any special amenities that make your listing unique, like a fireplace or included breakfast. Take photos of the building exterior and nearby attractions, but don’t include house numbers or street names. Use a tripod to keep your shots sharp and avoid heavy editing to keep things realistic.

Airbnb photography takes some practice, but with these tips, you’ll be on your way to stunning images to help your listing stand out.

Hotels

Hotel photography is all about selling an experience. Use a wide-angle lens to capture stunning hotel photos and shoot from creative angles. Pay attention to composition and use the rule of thirds to create appealing images.

Lighting is key in hotel photography. Use natural light when possible and avoid flash, which can create false impressions. Try “motivated lighting” to imitate natural light if you need artificial lighting.

Remember to photograph the hotel exterior and special amenities, like spas or stunning views. Through subtle branding elements and atmosphere, highlight the hotel’s unique personality.

By capturing inviting spaces and maybe including some human presence, your photos will make guests eager to book a stay. Check out our in-depth guide for more tips on creating incredible hotel photography.

Techniques

The main photographic technique you should familiarize yourself with is HDR. This technique uses different photos and exposures to ensure no highlight or shadow is too extreme. Pros stitch their images together in Photoshop, picking the right exposure for each image section.

Drones are being used much more in modern real estate photography. Aerial cameras are a great way to get beautiful scenic shots of the building and the surrounding areas. Drones are also helpful for taking videos, which is almost as important in high-end real estate photography.

HDR

HDR, or High Dynamic Range, is a technique for capturing a wide range of light in a single image. It works by blending multiple exposures to create a final photo that looks more like what the human eye sees.

This technique is especially useful in real estate and interior photography. In these genres, bright windows and dark shadows are often in the same shot.

To shoot HDR, start with a base exposure you have properly exposed for the scene. Then, take one or two darker exposures to capture the bright areas and one or two brighter exposures for the shadows.

Some photo editing applications have automatic HDR stitching abilities. If not, you must layer these exposures together and mask the parts you want visible from each layer in Photoshop.

When editing, be careful not to overdo it. Leave some natural contrast between the interior and exterior for a realistic look. HDR is a powerful tool, but you should use it in moderation.

If you’d like to explore HDR real estate photography further, we have a detailed guide that covers everything you need to know.

Drone

Drone photography takes real estate photos to new heights. Drones capture stunning aerial shots that give potential buyers a better view of the house and surrounding area. This unique view can make a property stand out and increase the chances of a sale.

To get started with real estate drone photography, you’ll need a high-quality camera drone. Look for a drone with at least 12 megapixels, 4K video, and good flight stability. Popular options include the DJI Phantom 4 Pro and DJI Mavic 2 Pro.

When shooting real estate drone photos, aim to highlight the property’s best features. Include shots of nearby parks, cafes, or other appealing facilities.

Capture the neighborhood layout and environment to give buyers a sense of the area. And don’t forget basic photography principles like composition and exposure.

Combining drone tech with solid photo skills lets you create compelling real estate images that grab attention. Check out our comprehensive guide to dive deeper into real estate drone photography.

Real Estate Photography Gear

We recommend a good camera for real estate photography, but the most important piece of kit is the lens. You can take real estate photos with basic lenses, even your iPhone. But you will soon realize the limitations.

A wide-angle lens is the best lens for real estate photography. You can use the wide-angle lens on your smartphone, but these lenses tend to converge the edges, making straight lines look curved.

In this section, we discuss the best real estate cameras and lenses in more depth. We have split the lens sections into the top three camera brands. From here, you can find a great lens for your camera, no matter what size sensor it has.

Best Cameras

Let’s now discuss some important points to consider when choosing the best camera for real estate photography.

Full-frame mirrorless cameras are ideal. Their larger sensors capture more light, which is important when photographing interior spaces. Full-frame cameras also work with high-end lenses that further improve image quality.

Look for a camera with at least 20 MP (megapixels). A higher resolution is good but not critical for real estate photos.

Built-in Wi-Fi is useful for quickly transferring photos to a smartphone, laptop, or tablet. These devices are a great way to get a bigger view of your shot. You can then fine-tune the composition and position of objects in the frame.

Video features are a bonus for real estate photographers who must also capture property videos. The ability to record 4K video is nice but not a must. Basic HD video is enough for most real estate needs.

The best camera for real estate photography depends on your budget and needs. But any recent Canon, Nikon, Sony, or Fujifilm camera should work well.

Our Top 3 Choices for Full-Frame Mirrorless Real Estate Cameras

Panasonic Lumix DC-S5

Sony a7R IV

Canon EOS R3

Best Lenses

When choosing a lens for real estate photography, a wide-angle zoom is ideal. It lets you capture entire rooms, even in tight spaces. The Canon EF-S 10-18mm f/4.5-5.6 IS STM is a fantastic option for beginners with a Canon APS-C camera.

This affordable lens has a 10mm focal length, perfect for shooting interiors. Built-in image stabilization ensures sharp images in low light, and the autofocus motor is fast and reliable.

The Nikon AF-S DX 12-24mm f/4G IF-ED is another excellent choice for real estate photography. It’s compatible with Nikon F-mount DX cameras and delivers edge-to-edge clarity. For Fujifilm users, the Fujifilm XF 10-24mm f/4 R OIS provides a lovely 10mm wide angle and effective optical image stabilization.

Lenses for real estate photography are crucial tools for capturing stunning property images. Investing in a quality wide-angle zoom will greatly improve your real estate photography.

Canon Lenses

The best Canon lenses for real estate photography offer sharpness at wide angles. They are versatile enough to showcase any property in its best light.

Our top pick is the Canon EF 17-40mm f/4L USM, praised for its sharpness at wide angles. The Canon RF 14-35mm f/4L IS USM is great for mirrorless users. It has crisp optics, image stabilization, and a constant max aperture.

Seven more EF and RF options are available. The EF series offers sharpness and longevity, while the RF lineup has cutting-edge technology. There’s a lens to fit every real estate photography need.

Read our article for more options for the best Canon lenses for real estate photography.

Our Top 2 Canon Lenses for Real Estate Photography

Canon EF 17-40mm F/4L USM

Canon RF 14-35mm F/4L IS USM

Nikon Lenses

The best Nikon lenses for real estate photography offer a wide field of view and sharp image quality. Our top pick is the Nikon Z 14-24mm f/2.8 S, which delivers exceptional clarity and versatility with its ultra-wide to wide zoom range. The constant f/2.8 aperture performs well in low light.

The Nikon AF-S 14-24mm f/2.8G ED is the best option for Nikon DSLR users. Photographers praise this popular lens for its flexibility and edge-to-edge sharpness. It has a durable build with weather sealing for outdoor use.

Other great Nikon lenses for real estate include the Z 20mm f/1.8 S prime, the compact Z 28mm f/2.8, and the Sigma 14-24mm f/2.8 DG HSM zoom. To learn more about the top Nikon lenses for real estate photography, we have an in-depth guide covering 10 of the best options.

Our Top 2 Nikon Lenses for Real Estate Photography

Nikon NIKKOR Z 14-24mm F/2.8 S

Nikon AF-S NIKKOR 14-24mm F/2.8G ED

Sony Lenses

The Sony E 10-18mm f/4 OSS is our top choice for real estate photography with Sony cameras. Its ultra-wide 10-18mm zoom range is perfect for capturing expansive interior spaces. The constant f/4 aperture ensures consistent exposure across the zoom range.

This lens delivers sharp images throughout its focal range, especially at the center. At just 225 grams, it’s also compact and lightweight, making it easy to carry between properties. The built-in Optical SteadyShot helps minimize camera shake in low-light situations.

Sony offers excellent camera lens options to capture stunning real estate images. Whether you need an ultra-wide perspective of 10-18mm or the versatility of 16-55mm, there’s a lens to suit your needs.

Our Top 3 Sony Lenses for Real Estate Photography

Sony E 10-18mm F/4 OSS SEL1018

Sony E 16-55mm F/2.8 G SEL1655G

Sony FE 12-24mm F/2.8 GM SEL1224GM

Real Estate Photography Business

If you have practiced real estate photography and want to start making money from it, this section is for you! We cover tips for getting jobs and certain steps you can take to approach clients.

We also describe and explain some legal forms required when practicing real estate photography. Finally, we will cover a difficult subject: pricing. Photographers always struggle with this, but our guide will help.

How to Start a Business

Starting a real estate photography business requires careful planning. Create a business plan with your vision and goals. Decide on your niche, like high-end properties or Airbnb photography.

Do market research to understand your competitors and target audience. Then, choose a memorable business name that reflects your brand.

You should also estimate your costs and income and decide your rates and services. Next, complete the legal paperwork, such as forming a business entity and registering for taxes.

Creating a website showcasing your best portfolio images is also good. Reach out to potential clients through networking events and cold calling. Be active on social media to attract clients. And ask for reviews!

To start a real estate photography business, you must invest time, money, and attention.

How to Make Money

Getting paid to take pictures of houses is a great way to turn your passion for photography into a career. To get started, research your area’s real estate photography market.

Find out what services are in demand and what rates are typical. Create a basic website showcasing your best work and outlining your services and prices.

Develop a smooth process for working with clients, from the initial contact to delivering the final photos. Use a simple contract that covers what you’ll deliver, your rates, and ownership of the photos. Offer quick turnaround times and an easy method for clients to view and download the images.

Attend real estate events to network with potential clients. Join local business groups and spread the word through friends and family. And share your work on social media to build your reputation as a real estate photographer.

With research, a professional workflow, and networking, you can build a successful business and get paid to take pictures of houses!

Property Release Form

A property release form is a written contract between a photographer and the owner. It gives the photographer permission to use images of the property. It can cover artistic, commercial, or editorial purposes.

The document protects both party’s rights. The form might include details like length of time, licensing regulations, and financial terms.

Also, a property release form needs both parties’ names, addresses, dates, and signatures to be legally binding. Landscape, street, and architectural photographers often need these forms for clients to use their images in magazines or ads.

While public spaces like shopping centers and city squares let people pass through, they are often privately owned. You generally need a permit to use these areas professionally, especially with a tripod.

Maybe you plan to sell your images through a stock photography website or use the area for a professional shoot with models. If so, a signed property release form is important to avoid legal issues.

A property release form is valuable for any photographer working in private spaces.

Marketing Techniques

We now provide some real estate photography marketing tips to get more customers. You may want to ask for referrals from friends, family, and clients. Also, ensure you have a great website with your portfolio ready. It’s best to have high-quality photos to impress potential clients.

Create targeted social media ad campaigns to attract your audience. Use spectacular photos like twilight shots for the cover image. Behind-the-scenes videos or before and after comparisons could also go viral.

Attend local business networking events to build valuable relationships. Bring business cards and flyers, and be prepared to present yourself well. Look for real estate agents or brokers interested in your services.

Real estate photography marketing requires a multi-faceted approach. By implementing these tips, you can attract more clients and grow your business.

Contract Ideas

A real estate photography contract is an important document. It outlines the terms and expectations for both the photographer and the client. It should include basic information like both parties’ names and contact details, the property address, and the shoot date.

The contract must clearly define the scope of the agreement. Details might include the number of photos to be delivered and any extra services, such as drone or twilight shots.

Payment terms are also crucial. It’s important to specify the deposit amount, final payment, and any extra fees for things like travel expenses or extra editing.

Another important point is the requirement that the property be clean and styled. It’s also vital to include image delivery details and photo usage rights. To be legally valid, both parties should sign and date the contract.

We have a detailed guide if you want to learn more about real estate photography contracts.

Pricing

Setting your real estate photography pricing can be challenging. Researching your local market and determining competitors’ rates is important. Consider the region you work in, as prices can vary between big cities and rural areas.

Talk to clients to explore their needs and decide if you want to focus on quality or quantity. You can streamline your process to do more standard listings or take more time with each shoot for high-end properties.

Set a limit for the number of photos your basic package includes. And charge more for extra images.

When setting prices, factor in all aspects of your business. Costs may include client communication, transport costs, gear, and post-processing. To differentiate yourself from competitors, offer a quick turnaround for an extra fee.

Read our complete guide to learn more about real estate photography pricing.

How to Take Architecture Photos: A Complete Guide

Nick Constant — Tue, 09 Apr 2024 14:44:52 +0000

Today, we are exploring the architectural photography genre. This complete guide will explain this genre and how to get the best results from your camera. We will also give you inspiration and wider points to consider when taking pictures.

Every photographer will want to explore architectural photography at some point in their photographic development. The genre spans a wide spectrum, from travel photography to editorial photography. Let’s now dive into this genre. Make sure you click each highlighted article to find out more.

What is Architecture Photography?

Architecture photography is simply taking photographs of buildings. Although this may seem simple, it takes work to execute like a professional. There are many elements to consider, such as simple elements like the background and its surroundings. Also, there are more complex ideas, such as the building’s personality or highlighting its unique features.

There are many photographic techniques and equipment that will aid architectural photography. Read our full guide on architecture photography to find out what these are and how you can use them to the fullest!

Guide to Architecture Photography

Architecture photography is all about capturing buildings, monuments, interiors, and exteriors. Use a low ISO, shoot in Raw, and edit your photos for the best results. Composition is key, so focus on using composition rules to make the building look its best.

Having the right camera gear helps you photograph different structures and scenes. A tripod keeps your camera still for sharp shots and long exposures. Accessories like graduated ND filters and cable releases are also useful.

Architecture photography is a great way to show off buildings in a unique way. Visit the same spot at different times of day to capture the building in various lighting conditions. Including people in your shots can add meaning and show the structure’s scale. With some practice and creativity, you’ll be taking stunning architecture photos in no time.

Understanding Architecture Photography

To understand architecture photography, you have to familiarise yourself with a few photographic concepts. The most important element comes from the composition of the building inside your frame.

You will want to use a narrow aperture to have as much in focus as possible. Using a tripod is advantageous as a narrow aperture will require longer exposures. A tripod will also make you consider the framing much more. You can make small changes to achieve the perfect composition.

Composition

Composition is key in architecture photography. With the right techniques, you can make your photos stand out.

Use a wide-angle lens to capture the bigger picture and add context to your shots. Include leading lines to create points of interest and direct the viewer’s attention. Add a sense of scale by including common elements like people or cars.

Don’t forget to focus on the details for a unique perspective. Look for reflections to add symmetry and contrast. Shoot during blue hour to capture vibrant colors in the sky. Experiment with angles and incorporate patterns for dynamic compositions. Including a human element can make your photos more authentic and relatable.

By using these architecture photography composition tips, you’ll be able to create stunning images of any building or structure.

Architecture Ideas

There are a few different ways you can approach shooting architecture. You can shoot singular buildings or shoot an entire cityscape. Each one of these approaches will require a different technical approach. Shooting singular buildings may require a wide-angle lens, whereas cityscapes benefit from a long lens.

Let’s now walk through different subject matter to consider when shooting architecture photography. The subject matter can range from the number of buildings, different times of day, or internal architectural elements.

Shooting in the City

Let’s explore some tips for taking great city photos. You should look for interesting details like street art, patterns, and colors. Cities are full of hidden gems if you keep your eyes open. Try shoot from different angles to capture unique perspectives.

You should use a wide-angle lens to photograph buildings and cityscapes. Visit popular spots at golden hour and blue hour for the best light. Capture the city’s energy by including people in your shots.

Reflections are everywhere in cities – look for puddles, fountains, and glass buildings. For more city photography ideas, check out this in-depth guide.

Cityscapes

A cityscape is a landscape that consists of buildings in urban areas. You will want to use a tripod to avoid camera shake and get sharp images. Consider keeping your ISO low to reduce noise. An aperture of f/8 or higher will give you a large depth of field.

You may want to shoot during golden hour just after sunrise or before sunset for soft, warm light. Blue hour is also a great time to capture cityscapes with water, as the ambient light creates beautiful reflections. Use long exposures at night to capture light trails from traffic for added drama.

Frame your shots using the rule of thirds for balanced compositions. Look for unique angles and use the foreground as a point of interest. If you want to learn more about cityscape photography, there are many great resources available here.

Night Time

Night time architecture photography can produce stunning results. To get started, you’ll need a stable tripod and a camera with manual settings. Use a wide aperture, low ISO, and long exposure to capture sharp, noise-free images.

Look for interesting compositions that highlight the building’s unique features. Incorporate light trails from passing traffic or reflections in puddles to add dynamic elements. You can also use the moon and stars to create moody, low-key images.

Experiment with different lenses to capture wide cityscapes or isolate small details. Black and white conversions can simplify chaotic scenes and emphasize patterns and shapes. With a bit of creativity, you can transform ordinary buildings into works of art. To learn more about nighttime architecture photography, check out this in-depth guide.

Staircases

Staircases offer unique opportunities for creative photography. Use stairs to lead the viewer’s eye and create a sense of curiosity. Straight lines in staircases can form interesting patterns, especially when you change your perspective or camera angle.

Spiral staircases are full of curves and twists that make for intriguing photos. Wide-angle lenses can accentuate the curves and add a dream-like quality. Look for symmetry in staircases, as the uniform lines and curves create symmetrical patterns.

Adding people to your staircase photos can create new points of interest and bring emotions to your shots. Use a long exposure to add motion blur, which can contrast with the lines of the stairs and add feelings like dizziness or loneliness. If you want to dive deeper into the world of staircase photoshoot, there are plenty of resources available to help you take your photography to the next level.

Best Gear

Professional architecture photography requires professional equipment. You can shoot architectural photography on standard stock equipment or even your smartphone! But, you will struggle to achieve the same compositions and views of the professionals.

This section will discuss the top equipment and accessories you may need in architecture photography. We will look at a wide range of camera and lens brands so you will have options to fit your current kit. Look at each article in detail to get the full list of equipment.

Cameras for Architecture

The best camera for architectural photography has a full-frame sensor. This allows you to capture more detail and shoot in low light. Mirrorless cameras are a great choice, with models like the Sony a7R V and Canon EOS R3 leading the pack.

DSLRs like the Nikon D850 are also excellent options. They offer robust performance and a wide range of lenses. Micro Four Thirds cameras like the Olympus OM-1 are smaller and lighter, making them easy to carry.

Smartphones have come a long way in recent years. The iPhone 15 Pro Max and Google Pixel 8 Pro have impressive cameras that can handle architectural photography in a pinch. To learn more about the camera for architectural photography, check out our in-depth guide.

Our Top 3 Choices for the Best Camera for Architectural Photography

Sony a7R V

Canon EOS R3

Nikon Z8

Lenses and Accessories for Architecture

Having the right gear and lenses is essential for capturing stunning architectural photos. A stable tripod is a must-have accessory. It allows you to take sharp photos in low light and use creative techniques like long exposure.

Wide-angle lenses are the most popular choice for architectural photography. Ultra-wide lenses like the Canon EF 17-40mm f/4L USM or Nikon AF-S 14-24mm f/2.8G ED offer striking views of interiors and exteriors. Tilt-shift lenses like the Canon TS-E 17mm f/4L are specialized options that help correct converging lines.

Other helpful accessories include remote shutter releases for reducing camera shake and circular polarizing filters for improving skies and reflections. With the right lens for architectural photography, you can take your images to the next level.

Our Top 3 Choices for the Best Gear for Architectural Photography

Canon EF 17-40mm F/4L USM

Nikon AF-S NIKKOR 14-24mm F/2.8G ED

Canon TS-E 17mm F/4L

Finding Inspiration

Architecture is all around us. If you live in a city, you will notice its unique persona through its architecture. If this is not the most inspiring for you, find elements or places that do. These could be a short drive away or a city halfway around the world.

Use unique architectural shapes and patterns to frame your view of the buildings around you. Photography has a unique ability to allow you to make your own art out of your existing environment. This next section will show you how previous artists have done this to give you inspiration for your photos.

Architecture

Looking at beautiful architecture photos is a great way to get inspired for your own projects. Alleyways are perfect for capturing the era in which they were built and make great leading line compositions. Castles offer settings for some of the best books and films, while churches showcase stunning details that make for amazing images.

Doors are gateways to hidden elements, with endless connotations. Filling the frame with an architectural subject makes it seem much bigger than it actually is. Grandeur buildings like parliaments and old banks provide a range of photographic opportunities, from details to wide-angle shots.

Industrial complexes are rich in shapes, forms, textures, and lines, making them ideal for photographic essays. Lighthouses, often located next to water, are great for showing the juxtaposition between nature and man-made structures.

By using light within architectural areas, you can emphasize details, form, and textures to create alluring images. Architecture photos are a fantastic way to capture the beauty and diversity of the built environment.

Famous Photographers

Let’s now look at some of the most famous architectural photographers you should know. Berenice Abbott captured stunning high contrast black and white photographs of New York during the Great Depression. Julius Shulman’s work glamorized modern California lifestyle and promoted modernism.

Lucien Hervé portrayed space, texture, and structure in a unique way that influenced modern architecture photography. Hilla and Bernd Becher spent 40 years documenting industrial architecture through typologies.

If you’d like to learn more about famous architectural photographers, there are many other influential photographers to discover. From early 20th century pioneers to contemporary masters, studying their work can provide endless inspiration for your own architecture photography.

Start Your Own Business

Once you have familiarised yourself with architecture photography, you may want to make it your full-time job! There are a few avenues you can take to make this happen. You can either join an architecture firm or a real estate company. You can also make your own art by photographing buildings that have significance to contemporary or historical issues.

If you take architecture photography further, there are a few points you want to consider. One of these is copyright law. You may also want to have people in the picture to show a public space. If you plan on selling your work, you must consider these points so amateurs don’t have to worry.

Copyright Law

Copyright law for photography can be tricky, especially when it comes to architecture. As a photographer, you automatically own the copyright to any photo you take. However, there are some important factors to consider when photographing buildings.

Public buildings constructed before December 1, 1990 are not subject to copyright protection and can be freely photographed. For buildings constructed after that date, you can still take photos without a release as long as the photo is taken from a public place. Private homes and interiors may require a property release to protect the homeowner’s privacy.

It’s also important to be aware of any unique design elements or artwork that may have their own copyright protection. To learn more about copyright law for photography, including how to protect your own work, be sure to check out our in-depth guide.

11 Best Gear and Lenses for Architectural Photography in 2024

Trevor Marshall — Mon, 29 Jan 2024 08:50:52 +0000

If you’re into architectural photography, you know that the right gear and lens can make all the difference. In this article, we’ll take a look at some of the best gear for architectural photography. We’ll help you find the perfect setup for your needs, whether you’re looking for something simple or more complex. So read on to find out more about these amazing products!

Our Top 3 Choices for the Best Gear for Architectural Photography

Vanguard Alta Pro 2+ 263AB 100

Canon TS-E 17mm F/4L

JJC Intervalometer & Shutter Remote

What Is the Best Gear for Architectural Photography?

We’ve chosen a range of accessories, including lenses, tripods, and remote shutter releases. All of them give you what you need to take your architectural photography to the next level.

Best Tripod

Vanguard Alta Pro 2+ 263AB 100

Made of lightweight and strong carbon fiber
Ball head offers lots of versatility
Lockable multi-position legs
Removable center column

Best Travel Tripod

Lightweight Aluminium Tripod for DSLR/CSC

Lightweight carbon fiber
Simple twist-lock legs
Folds to a compact size
Ball head with separate panning rotation

Best Mounting Clip

2-Pack Tripod Clip Clamp Mount Flash Reflector Holder

Lockable ball head
Two-pack for multiple mounting options
Strong clip for secure fixing
Can be used for cameras or accessories

Best Accessory Mounting Kit

Heavy Duty L-Bracket for Camera & Flash Mounting

Versatile mounting bracket
Takes flashguns and microphones
Can be used with a tripod
Great for videography

Best Canon Zoom Lens

Canon EF 17-40mm F/4L USM

Top-quality L-Series lens
Ultra-wide 17mm focal length
Constant maximum aperture
Weather-sealed body

Best Nikon Zoom Lens

Nikon AF-S NIKKOR 14-24mm F/2.8G ED

Very fast f/2.8 maximum aperture
Excellent optics give sharp photos
Very wide 14mm focal length
Extra-low dispersion elements to eliminate flare

Best-Value Prime Lens

Sigma 14mm f/1.8 Art DG HSM (Canon EF-Mount)

Very fast f/1.8 maximum aperture
Rear-mounted filter holder
Weather-sealed body
Very wide 14mm focal length

Best Tilt-Shift Lens

Canon TS-E 17mm F/4L

Adjustable in two planes
Top-quality L-Series lens
Perfect for correcting converging lines
Weather-sealed body

Best Remote Control

JJC Intervalometer & Shutter Remote

Best wired remote control
Perfect for time-lapse photography
Programmable intervals
Can also be used for video

Best Flash Trigger

YONGNUO Wireless Remote Flash Trigger Kit for Canon

Set of two transceivers
Can be linked to additional pairs
Transmission range of 330 ft (100 m)
Works as remote shutter release

Best Polarizing Filter

Hoya 77mm PRO1 Polarizer Filter

Filter rotates for convenience
Brings out detail in skies
Can be used to enhance or remove reflections
Available in a range of thread sizes

Choose a Stable Tripod or Clamp

Image stabilization in your camera and/or lens can do amazing things to prevent camera shake. But sometimes there’s no substitute for a solid support for your camera.

A tripod is useful for any form of photography, but it’s especially useful for architectural photography. That’s because it often requires long exposures in poor light. And using a tripod gives you more control over your camera settings in these situations.

Some people might even say that you should use a tripod for every architectural photo you take. But what exactly makes a tripod so useful for architecture photos?

- Sharpness—In architecture photography, you want your photo to be tack-sharp. Placing your camera on a tripod removes any chance that it will move during the exposure. Make sure your camera is in a steady location. Having your camera on a tripod will also allow you to manually focus through Live View. This is a better way to achieve sharp results.
- Bracketing—Using bracketing in architecture photography is a must in many scenarios. A tripod ensures the photos are lined up throughout your multiple exposures.
- Creativity—A tripod allows you to use long exposure in your photography. This gives you more creative control over your photo. If clouds are moving across the sky, you can use a tripod to capture that motion.
- Low light—There will be times when it’s too dark to use your camera handheld. This could be an evening photo or when you’re photographing indoors. In this scenario, a tripod is a must-have.

We’ve picked a couple of tripods as well as a couple of alternative ways to keep your camera steady.

1. Vanguard Alta Pro 2+

Brand	Brand Vanguard
Product Type	Product Type Tripod
Key Features	Key Features Quick-release plate, multi-angle central column, twist locks, bubble level
Best For	Best For Photographers looking for a tripod with lots of mounting options

The Vanguard Alta Pro 2+ is one of the most versatile tripods for architectural photographers. It offers a wide range of mounting options. We also like its build quality and durability.

It’s not the lightest tripod and wouldn’t count as a piece of travel kit. But that weight does help provide stability. And it is decently compact for its weight.

We love the removable central column. It is this tripod’s unique selling point. You can mount it vertically like a standard tripod. Or you can remove the column and remount it at diagonal angles. This gives you incredible versatility.

It’s easy to lock the legs at any height and the ball head allows easy adjustment. There’s also a separate panning plane for quick alterations.

The Vanguard Alta Pro 2+ isn’t cheap, but it’s worth every penny.

2. Manfrotto Befree Tripod for DSLR/CSC

Brand	Brand Manfrotto
Product Type	Product Type Tripod
Key Features	Key Features Twist-lock legs, compact size, ball head
Best For	Best For Anyone looking for a lightweight tripod that works for all types of photography

The Manfrotto Befree Advanced Travel Tripod is another very handy and stable tripod. It has twist-lock legs that allow you to lock them at any length. And you can adjust the leg angle with either hand. They also fold up over the head for easy transportation.

The ball head allows for precise positioning, no matter the terrain. And the separate pan adjustment makes changing angles easy. The carbon fiber construction means that the Manfrotto Befree Advanced Travel Tripod is light and strong. And that’s exactly what you need for architectural photography.

3. 2-Pack Tripod Clip Clamp Mount Flash Reflector Holder

Brand	Brand SLOW DOLPHIN
Product Type	Product Type Camera mounting clamp
Key Features	Key Features Ball head for easy positioning
Best For	Best For Mounting off-camera lighting in awkward places

The Slow Dolphin Tripod Clip Mount isn’t, of course, a tripod. It has a 1/4-inch screw for attaching a camera or accessory. And it looks like a giant bulldog clip. Although you could use it for a lighter camera, it’s probably more likely to be used to attach a lighting accessory. This clip is the type of accessory you might not use every day, but it will occasionally be worth its weight in gold.

4. Heavy Duty L-Bracket for Camera & Flash Mounting

Brand	Brand LS LIMO STUDIO LIMOSTUDIO
Product Type	Product Type Bracket
Key Features	Key Features Multiple attachment points for lights
Best For	Best For Mounting off-camera lights or offsetting your camera on a tripod

The LimoStudio Camera Bracket is an unusual beast. It is reminiscent of an old-school flash bracket. But it is more versatile than that. Its main purpose is to mount a flash or video light and microphone away from the body of the camera. And all while keeping it as part of one unit.

In architectural photography, this is useful for illuminating near detail. In this case, you can fit two different flashes on the bracket. But it also allows you to slightly offset your camera on a tripod. This can be useful when shooting in awkward places.

Picking the Right Lens for Architecture Photography

Wide-angle lenses are the most obvious choice for most architectural photography. Zoom or prime lenses are also very common. And you can add the specialist tilt-shift lens for even more shooting options.

A super-wide or ultra-wide lens will offer striking views of most interiors. And if they produce distortion, almost any editing software will have lens profiles to correct it. We’ve picked some fantastic lenses for you to consider.

5. Canon EF 17-40mm f/4.0L USM Zoom Lens

Brand	Brand Canon
Product Type	Product Type Wide-angle lens
Key Features	Key Features Constant f/4.0 aperture
Best For	Best For Tight interior shots that need an ultra-wide lens

You’ll need an ultra-wide lens for your camera for many interior shots. And if that camera is a Canon DSLR, then the Canon EF 17-40mm f/4.0L USM is a great choice. The wide 17mm is great for smaller spaces. It can also make large spaces seem huge. And its distortions can be easily corrected with the right lens profile.

The maximum aperture of f/4.0 isn’t that fast. But for architectural photography photo shoots, you’ll mainly use smaller apertures. And it really helps to have a constant maximum aperture. As you zoom in or out to frame the shot, your exposure won’t change.

Canon L-series lenses are renowned for their quality. Both in terms of build and image quality. And the Canon EF 17-40mm f/4.0L USM is no exception.

6. Nikon AF-S FX 14-24mm f/2.8 ED Zoom Lens

Brand	Brand Nikon
Product Type	Product Type Wide-angle lens
Key Features	Key Features Extremely sharp performance, fast maximum aperture
Best For	Best For Any full-frame Nikon user looking for an amazing ultra-wide lens

Some say the Nikon AF-S 14-24mm f/2.8G ED is the best ultra-wide zoom you can buy. It certainly impresses with its edge-to-edge and corner-to-corner sharpness. Its performance is especially impressive wide open. Although, of course, this is less likely to be so important in architectural photography.

Even though the widest focal length is 14mm, this lens keeps straight lines straight. And any distortion is easily corrected with lens profiles. This lens gives a field of view similar to a GoPro but without the stylized distortion those cameras bring.

There’s no doubt that the Nikon AF-S 14-24mm f/2.8G ED makes an excellent choice for architectural photography.

7. Sigma 14mm f/1.8 Art DG HSM Prime Lens for Canon EF-Mount

Brand	Brand Sigma
Product Type	Product Type Ultra-wide-angle lens
Key Features	Key Features Superfast f/1.8 maximum aperture
Best For	Best For Anyone who needs a fast, ultra-wide lens

The Sigma 14mm f/1.8 Art DG HSM is a beautifully made, fast, ultra-wide prime lens for Canon, Nikon, and Sony full-frame cameras. It offers remarkably low levels of distortion and excellent sharpness across the whole frame.

Sigma prides itself on the fact that all of its products are made in Japan. And there’s no doubting the quality of their products. This lens impresses with the quality of construction, the very effective multicoating, and the extremely low distortion levels.

If you are a Canon user, this Sigma lens has an adapter to let you use filters between the lens and the body. It’s about the only way of using a filter with such a wide-angle lens. I love Sigma Art lenses, and the Sigma 14mm f/1.8 Art DG HSM would be an excellent choice for your architecture photos.

8. Canon TS-E 17mm f/4.0L Tilt Shift Prime Lens

Brand	Brand Canon
Product Type	Product Type Tilt-shift lens
Key Features	Key Features Specialist lens for altering the plane of focus
Best For	Best For Striking architectural shots or stylized photos

The Canon TS-E 17mm f/4.0 is a highly specialized lens ideal for architectural photography. A tilt-shift lens allows you to alter the plane of focus. For example, you can get close to the ground and use the tilt mechanism to make the ground, from near to infinity, in focus.

Its best feature in architectural shooting is to prevent parallel lines from converging. So you can look up at a tall building and prevent it from tapering into the sky. Another creative use is to avoid appearing in a mirror in a photo. Place the camera out of view of the mirror, and use the shift feature. The photo will appear to have been taken in front of the mirror, but the camera isn’t visible!

It’s not a lens for most uses. But for the specialist architectural photographer, it’s a wonderful piece of gear. And the Canon TS-E 17mm f/4.0 is widely regarded as the best there is.

The Best Accessories for Architecture Photography

There are several accessories that will make a world of difference to your architectural photography. Some of them add tremendous help for very little money. And we know how rare that can be in photography!

9. JJC Intervalometer & Shutter Remote

Brand	Brand JJC
Product Type	Product Type Remote shutter release
Key Features	Key Features Can be programmed for time-lapses
Best For	Best For Firing the camera without causing camera shake

The JJC Intervalamoter & Shutter Remote is very handy. It’s good practice to use a remote trigger when using a tripod and long exposures. That’s because when you press the shutter on the camera body, it’s easy to shake the camera slightly. Another tip is to lock up your mirror on a DSLR to reduce vibration.

This remote has the added bonus of being an intervalometer. You can program it to take a series of photos at set intervals and for a set period of time. This is vital if you want to take time-lapse sequences.

10. YONGNUO Wireless Remote Flash Trigger

Brand	Brand YONGNUO
Product Type	Product Type Remote flash trigger
Key Features	Key Features Up to 330 feet of transmission range
Best For	Best For Placing interesting detail flashes

The YONGNUO Wireless Remote Flash Trigger allows you to place a flash away from the camera. This can be very handy in architectural photography. A distant nook or cranny can be subtly illuminated without overexposing brighter areas.

You can buy more than one pair to trigger multiple flash units. And as an added bonus, they come with a cable remote to fire the shutter remotely.

11. K&F Concept 77MM Circular Polarizer Filter HD

Brand	Brand K&F Concept
Product Type	Product Type Filter
Key Features	Key Features Rotatable polarizing field, available in various thread sizes
Best For	Best For Accentuating skies and removing or adding reflections

A circular polarizing filter (CPL) is a great accessory to keep handy. And the K&F Concept is a great choice. K&F’s filters have a deservedly high reputation.

This filter is ideal for making the sky look better for outdoor architectural shots. You can also use it to enhance or remove reflections in glass or water. It can make all the difference between a good shot and a great one.

Conclusion: The Best Gear For Architectural Photography

There are many accessories you’ll add to your kit as you develop your architectural photography portfolio. This selection is just a start. The most important piece of kit, of course, is the camera. So you should read our review of the best cameras for architectural photography.

After that, you will probably find yourself adding gear as you need it. A tripod is great for any type of photography and a good first accessory. The other items will suggest themselves as you go along.

Our Top 3 Choices for the Best Gear for Architectural Photography

Vanguard Alta Pro 2+ 263AB 100

Canon TS-E 17mm F/4L

JJC Intervalometer & Shutter Remote

The Best Camera for Architectural Photography in 2024

Trevor Marshall — Mon, 22 Jan 2024 08:35:51 +0000

If you’re looking for the best camera for architectural photography, you’ve come to the right place. In this article, we look at some of the best cameras for shooting architecture. We’ll also discuss some of the things you need to keep in mind when choosing a camera for this type of photography.

So whether you’re a seasoned pro or just getting started in architectural photography, read on for gear recommendations, helpful tips, and handy advice.

This article looks at all types of cameras that cater to all photography levels. The best camera for architecture photography will have a full-frame sensor. But there is a case to be made for other camera types as well.

Our Top 3 Choices for the Best Camera for Architectural Photography

Sony a7R V

Canon EOS R3

Nikon Z8

What Is the Best Camera For Architectural Photography?

We’ve looked at a wide range of camera types. Some are high-end (and expensive!) pro-level cameras. Others are much more accessible. If you’re looking for the best camera for architectural photography, there’s a camera for you on this list.

Our Top Pick

Sony a7R V

Excellent 61 MP sensor
Superb AF with 693 focus points
High dynamic range
In-body image stabilization

Best Canon Mirrorless Camera

Canon EOS R3

Incredible eye-controlled autofocus
Maximum ISO of 102,400
Large, clear touchscreen
In-body image stabilization

Best Nikon Mirrorless

Nikon Z8

Large 46 MP sensor
Excellent AF system
Maximum ISO of 102,400
30 fps burst rate

Best Nikon DSLR

Nikon D850

Large 45.7 MP sensor
Excellent range of Nikon lenses
AF system with 153 focus points
Robust weather-sealed body

Best Canon DSLR

Canon EOS 5D Mark IV

Superb 30.4 MP sensor
Maximum native ISO of 32,000
Touchscreen
Wi-Fi and GPS

Best APS-C DSLR

Canon EOS Rebel SL3 / 250D

Impressive 24 MP sensor
25,600 maximum ISO
Good dynamic range
Vast choice of EF and EF-S lenses

Best Micro Four Thirds Camera

Olympus OM System OM-1

Superb AF system with 1,053 focus points
20 MP sensor
In-body image stabilization
Maximum ISO of 25,600

Best Panasonic Lumix Camera

Panasonic Lumix DC-GH6

Impressive 25 MP sensor
25,600 maximum ISO
14 fps burst speed
Superb video capabilities

Best Camera Phone

Apple iPhone 15 Pro Max 512 GB Blue

48 MP main sensor
Ultrawide to 5x telephoto lenses
Impressive HDR capabilities
Sensor Shift image stabilization

Best Android Camera Phone

Google Pixel 8 Pro

50 MP main sensor
Ultrawide to 5x telephoto
Excellent in-camera editing
Image stabilization

Full-Frame Mirrorless Camera

The full-frame mirrorless camera is a strong candidate for the best architecture photography camera. In fact, the technological advances of mirrorless cameras have for most applications. Many experienced professional photographers have transitioned to this type of camera.

Sony led the way with mirrorless cameras, and Fujifilm has a strong selection. And in recent years, major manufacturers have stopped developing DSLRs. This is a big sign that the future is mirrorless.

For some years, the professional world paid little attention to the mirrorless camera. But now, the big producers are investing their research and development budgets into this type of camera.

That means that technological advances and new lenses are pretty much only to be found in the mirrorless world. And although, for instance, there is no RF-mount tilt-shift lens from Canon yet, it is easy to use their EF-mount with an adapter.

The increased dynamic range, ease of use, and excellent color screens all make mirrorless cameras a great choice for architectural photography. In fact, this is now the best camera for that purpose.

1. Sony a7R V

Released	Released 2022
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Sony FE
Megapixels	Megapixels 61 MP
Autofocus Points	Autofocus Points 693
Maximum ISO (Native)	Maximum ISO (Native) 32,000
Frame Rate	Frame Rate 10 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features Incredible 61 MP sensor for amazing detail
Best For	Best For Anyone looking for a great all-around performer

Sony is known for their excellent video and autofocus systems. But that doesn’t mean that the Sony a7R V isn’t good for architectural photography. Its huge 61 MP sensor lets you capture incredibly fine detail. And it is such a capable all-around performer that you won’t be limited to shooting buildings.

The a7R V has a very impressive dynamic range. This is important for both internal and external architectural photography. It allows you to capture both a shaded interior and some highlights, even if you don’t bracket your exposures. And the 16-shot Pixel Shift High-Resolution mode is an absolute gift for architectural photography.

This mode takes four groups of four shots, with a tiny shift in sensor position between the groups. The four shots in each group cancel out any Bayer pattern, as each pixel captures each color. And the four groups allow the camera to capture detail that otherwise falls between the pixels. The level of detail possible with this feature is incredible.

2. Canon EOS R3

Released	Released 2021
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon RF
Megapixels	Megapixels 24 MP
Autofocus Points	Autofocus Points 1,053
Maximum ISO (Native)	Maximum ISO (Native) 102,400
Frame Rate	Frame Rate 30 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features Amazing eye-controlled focus, superfast burst speed
Best For	Best For Anyone looking for a solid performer with all the Canon expertise

The Canon EOS R3 is possibly the best mirrorless camera in the world for the working pro. The incredible sensor is backed up by excellent in-body image stabilization (IS). Some users report pin-sharp handheld shots with a 50mm lens, even with a four-second shutter speed!

The eye-controlled AF is also a standout feature. I had an EOS 50E SLR with eye-controlled focus. There were only three focus points, and before I bought it, I thought it was a gimmick. But I loved it. The EOS R3 takes this many steps further. The whole image area is covered by focus points. So, when you look at your subject in the viewfinder, the camera focuses there. It does it so quickly that it seems like it’s reading your mind.

A late 2023 firmware update introduced a remarkable 195 fps burst speed option. Although it needs constant focus and exposure, it adds a new level of performance for capturing the exact moment in a fast-moving event.

3. Nikon Z8

Released	Released 2023
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Nikon Z
Megapixels	Megapixels 46 MP
Autofocus Points	Autofocus Points 493
Maximum ISO (Native)	Maximum ISO (Native) 102,400
Frame Rate	Frame Rate 30 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features 8K video, 120 fps burst speed
Best For	Best For Anyone looking for a superb camera that will handle any shooting situation

The Nikon Z8 is another professional-level camera. It gives you excellent optics and can focus down to -9 EV. That can be handy for shooting low-light interiors with natural light. And if video is your thing, it offers up to 8K video at 60p.

Other things that the Z8 does really well include very fast burst shooting. It can handle focus tracking and auto exposure at an astonishing 120 fps. This is limited to 11 MP images. But let’s be honest, that’s big enough for most cases. It even has pre-capture modes to record images from just before you press the shutter.

The autofocus is impressive as well. It can auto-detect the subject type and follow them accordingly. Unlike most other cameras, you don’t have to choose the subject type. This is another very useful feature.

The Nikon Z8 is probably the best mirrorless Nikon camera. It’s versatile, well-featured, and takes exceptional photos.

Full-Frame DSLRs

Full-frame DSLRs are still a strong choice for an architecture photography camera. They have the widest choices of lenses and the technology is tried and tested. And if you’re looking for a second-hand kit, there are more options to choose from.

With architectural photography, you have the advantage of not needing superfast autofocus or burst mode. Strong dynamic range and ISO invariance are more important. Not to mention great quality at high ISOs. And you’ll find all these features in the best DSLRs.

4. Nikon D850

Released	Released 2017
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Nikon F FX
Megapixels	Megapixels 45.7 MP
Autofocus Points	Autofocus Points 153
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 7 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features Impressive 45.7 MP sensor and excellent low-light sensitivity
Best For	Best For Anyone looking for a DSLR workhorse with excellent all-around capabilities

The Nikon D850 is one of Nikon’s most successful and best-loved DSLRs. And for good reason. It delivers exceptional performance across a whole range of shooting scenarios. The sensor is superb and its low-light performance makes it an ideal choice for architectural photography.

It’s a durable and rugged camera that will survive heavy daily use. And it has some thoughtful touches. For example, shooting indoors under some modern lighting can produce variable results. This is because the lights flicker, and if you happen to expose at the moment the light isn’t illuminated, your shot is ruined. This camera detects that and times the exposures to coincide with the lighting.

Other features, like the moveable screen, will help shoot architectural photography in awkward settings. The Nikon D850 is a great all-around camera and is a great choice for architectural photography.

5. Canon EOS 5D Mark IV

Released	Released 2016
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon EF
Megapixels	Megapixels 30.4 MP
Autofocus Points	Autofocus Points 61
Maximum ISO (Native)	Maximum ISO (Native) 32,000
Frame Rate	Frame Rate 7 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features Superb sensor performance, touchscreen, GPS and Wi-Fi
Best For	Best For Any Canon users looking for a superb workhorse camera

The Canon EOS 5D Mark IV is the latest (and probably last) 5D. It has quite a pedigree and built on the capabilities of the much-loved Mark III. Wi-Fi, GPS, and a touchscreen were some of the headline improvements. With such a wide range of lenses available, including some of the best tilt-shift lenses on the market, it’s a solid choice.

Although the 5D was never Canon’s flagship, plenty of pros have relied on it for years. They love its quality build, excellent sensor, and reliable AF. With the Mark IV, they refined the product with tweaks rather than leaps. But the overall result was a rock-solid performer.

Perhaps the biggest shortcoming for the architectural photographer is the fixed screen. An articulating screen is a real bonus for awkward angles—both low and high. Apart from this, the Canon EOS 5D Mark IV is a great choice for architectural photography.

APS-C DSLRs

Many people’s first DSLR will be one that comes with an APS-C sensor. This is often referred to as a crop sensor. These cameras do everything a full-frame dSLR does but with a cropped sensor.

Whilst there are many excellent cropped sensor cameras available, they are not as good as a full-frame sensor. This might not be a problem, especially if you’re not making gallery-sized prints. And they will be superior to most camera phones and compact cameras.

So don’t be discouraged. While the lenses available for this type of camera aren’t as good as those for full-frame cameras, you can still take great architecture photos.

These cameras are also much cheaper, and the equipment is lighter than a full-frame setup.

6. Canon Rebel EOS SL3 / 250D

Released	Released 2019
Sensor Format	Sensor Format APS-C
Lens Mount	Lens Mount Canon EF/EF-S
Megapixels	Megapixels 24 MP
Autofocus Points	Autofocus Points 9
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 5 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features Impressive 24 MP sensor, fantastic autofocus
Best For	Best For Anyone looking for a great-value DSLR

The Canon EOS Rebel SL3/250D has proven to be a very popular introduction to DSLRs. The 24 MP sensor is no slouch in terms of sensitivity or pixel count. It’s a great little performer and will serve well as an entry-level architecture photography camera.

Unlike the more expensive 5D Mark IV, this little beauty has an articulating screen. And it’s a touchscreen, which is a real bonus. And for architectural photography, the 250D’s main weakness—a sometimes less-than-perfect AF—isn’t a huge issue for architecture photography. You’ll be taking your time and probably using manual focus anyway.

There’s no denying the value for money that the Canon EOS Rebel SL3/250D offers. It’s a great starting point for getting into photography beyond what your phone can offer.

Micro Four Thirds Cameras

MFT sensors are smaller than an ASP-C camera. But you often get more control of the aperture and shutter speed. These cameras are also mirrorless, making them smaller and lighter.

They’re also less expensive than full-frame cameras.

7. Olympus OM System OM-1

Released	Released 2022
Sensor Format	Sensor Format Micro Four Thirds
Lens Mount	Lens Mount Micro 4/3
Megapixels	Megapixels 20 MP
Autofocus Points	Autofocus Points 1,053
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 10 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features 1,053 AF points, 20 MP sensor
Best For	Best For Building a Micro Four Thirds camera system

The OM System OM-1 has built a great reputation for the quality of its construction and the images it produces. A weather-sealed body holds the well-regarded 20 MP sensor. And the AF system has a head-turning 1,053 focus points. An articulating screen makes it easy to frame architectural shots in awkward places. It’s a great choice for a small-sensor camera.

You might be surprised at the quality of the images produced by such a physically small sensor. But they are truly impressive. Your architectural photos won’t benefit from the 50 fps burst speed. But you might find yourself using the in-camera focus stacking.

This feature is tremendously useful. Normally you’d merge images in post-processing on your computer. But the OM-1 does it all for you. You can capture both the closest and furthest details in a building’s interior, all without having to stop down to small apertures. The OM-1 takes care of it.

You can even do this while shooting handheld! That is partly because the OM System OM-1 has a hugely impressive in-body IS system. It’s easy to see why so many people love this little gem.

8. Panasonic Lumix DC-GH6

Released	Released 2022
Sensor Format	Sensor Format Micro Four Thirds
Lens Mount	Lens Mount Micro 4/3
Megapixels	Megapixels 25 MP
Autofocus Points	Autofocus Points 315
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 14 fps
In-body Stabilization	In-body Stabilization
Video	Video
Key Features	Key Features 5-axis image stabilization, 4K video
Best For	Best For Anyone looking for a camera with outstanding video capabilities

The Panasonic Lumix DC-GH6 has a remarkable 5-axis IS system. This makes it very popular with videographers. But it’s got lots of features that will help your architectural photography. These include a fully articulating screen and a 25.2 MP sensor.

Videographers love the built-in fan, which allows them unlimited recording. But there’s much to like for the architectural photographer too. If you don’t want to carry a tripod with you, you’ll appreciate the image stabilization. It’s rated to 7.5 EV, which is impressive.

Some users find the magnified image in Live View disappointing. And this can be significant, as it’s an important tool in the architectural photographer’s kit. But the mix of good high ISO performance and High-Resolution mode is a real bonus. The 100 MP Pixel Shift images take care of noise in the shadows. And it’s a feature that makes the Panasonic Lumix DC-GH6 a good choice for architectural photography.

Smartphone Cameras

Smartphones continue to advance in quality, with Google, Samsung, and Apple leading the way. The ability to use them on a tripod and even add additional lenses makes them more versatile than ever.

They also have a wide range of photography apps you can download. These allow you to upgrade your device for both shooting and editing photos.

So is a smartphone camera the best camera for architecture photography? No, but it has its uses.

9. Apple iPhone 15 Pro Max

Released	Released 2023
Sensor Format	Sensor Format 1/1.9-inch
Lens Mount	Lens Mount N/A
Megapixels	Megapixels 48 MP
Autofocus Points	Autofocus Points 100% focus pixels
Maximum ISO	Maximum ISO 1,100
Frame Rate	Frame Rate 24 fps
Key Features	Key Features 48 MP sensor, 5x telephoto lens
Best For	Best For Combining an excellent camera with a top-of-the-range smartphone

The Apple iPhone 15 Pro Max packs an awful lot into its slightly oversized frame. It has a 48 MP sensor, a very useful wide-angle lens, and impressive low-light performance. A professional architecture photographer is unlikely to rely on an iPhone as their main camera. But it will work for occasional use. And the LIDAR scanner can help you measure the architecture you are shooting.

The ultrawide 13mm lens is great for capturing interiors. And the in-phone lens corrections help to keep the shots looking natural. And once you get used to the controls, it’s simple to choose HDR or long-exposure shots.

Although there’s no articulating screen, you have the option of using an Apple Watch to trigger the shutter. This is useful and even allows you to see the shot before and after. The Apple iPhone 15 Pro Max is an incredibly impressive camera phone.

10. Google Pixel 8 Pro

Released	Released 2023
Sensor Format	Sensor Format 1/1.31-inch
Lens Mount	Lens Mount N/A
Megapixels	Megapixels 50 MP
Autofocus Points	Autofocus Points 100% focus pixels
Maximum ISO	Maximum ISO 10,666
Frame Rate	Frame Rate 24 fps
Key Features	Key Features 50 MP sensor, 5x telephoto lens
Best For	Best For Anyone looking for the best Android phone camera on the market

The Google Pixel 8 Pro goes head to head with the iPhone as the best camera phone you can buy. Google has probably the purest deployment of the Android OS. And in the Pixel 8 Pro, it is married to an excellent camera.

Perhaps one of its most eye-catching features is the in-camera editing. Like the iPhone, you’re not going to establish an architectural photography business using this phone. But it will produce some stunning shots.

One impressive feature of this device is the way you can easily fix group photos. Often, the best photo of one person is just as another one blinks. With the Pixel 8, that’s no problem. You simply tap on the face you want to replace, and it offers you others from the same group of photos and swaps them.

Comparisons with Apple’s phones will often come down to preferences. Some will prefer how the Pixel renders colors. For others, the iPhone will win. But there’s no doubt the Google Pixel 8 Pro is a superb camera phone.

Buyer’s Guide—What Is the Best Camera for Architectural Photography?

Perhaps the most important features for architectural photography are sensor size, ISO, dynamic range, and lens availability.

What About Lenses for Your Camera Body?

The camera body is only half of the camera. You’ll need a lens or two to go with it. When it comes to architecture photography, you’ll want at least a wide-angle lens. In an ideal world, you’d get a tilt-shift lens to go with that.

Is there a case for lenses with longer focal lengths? Yes. These lenses are great for when you need to shoot from far away or get close-up details.

Wide-Angle Lenses

You’ll often need a wide-angle lens to capture the whole scene. It’s especially useful when you’re photographing an interior. And you want to capture as much of the room you’re in as possible. They’re also handy if the structure you’re photographing is surrounded by nearby buildings.

This photo uses a wide angle lens, to avoid distortion a tilt-shift lens would be needed.

Tilt-Shift Lenses

The ideal architecture photography setup will be a wide angle and tilt-shift lens. You can use the tilt-shift lens when you want to photograph a wide scene without distorting the tall buildings.

Some wide-angle lenses perform well without too much distortion. But to be sure your lines are straight, you should use a tilt-shift lens.

Read all about tilt-shift lenses and how to use them here.

Conclusion—The Best Camera for Architectural Photography

The best architecture photography camera combination is a full-frame mirrorless camera, combined with a good tilt-shift and wide-angle lens. But that’s my opinion. There are other choices, and you may decide to go with another camera setup.

But whatever your preference, there’s a fantastic camera on this list for you.

Our Top 3 Choices for the Best Camera for Architectural Photography

Canon EOS R3

Nikon D850

Olympus OM System OM-1

9 Best Cameras for Real Estate Photography in 2024

Natalia Robert — Mon, 31 Oct 2022 11:39:01 +0000

“What’s the best camera for real estate photography?” is the one question I get most asked as a professional real estate photographer.

Your camera and lenses are your main tools, just like a hammer to a builder. At the top of our toolbox is the Canon 5D Mark IV. It’s a camera that is versatile, sharp, and up-to-date with its features.

Our Top 3 Choices for The Best Camera For Real Estate Photography

Canon EOS 5D Mark IV

Canon EOS R

Nikon D850

Best Camera for Real Estate Photography (Top 9)

Based on the aspects above, these cameras are the best for real estate photography.

Our Top Choice

Canon EOS 5D Mark IV

Quality sensor produces detailed and vibrant images even at high ISOs
Dual Pixel AF with eye detection
User-friendly touch-to-focus screen
900-shot battery life
Cinema-quality (DCI) 4K video

Best Mirrorless

Canon EOS R

Excellent autofocus system
Excellent ISO range
Ergonomic camera body
Responsive and articulating touchscreen

Highest Resolution

Nikon D850

Fantastic overall image quality
Excellent 3D continuous AF tracking
Long, 1,840-shot battery life
Durable, weather-sealed construction
Sharp 4K/30p Ultra HD video

Best Sony Choice

Sony a7 III

Quick and accurate 693-point AF
Wide ISO range with a low 50 setting
Outstanding dynamic range and low-light performance
Records stunning 4K video and has live stream capabilities

Best for Light Metering

Nikon D750

Excellent performance at high ISOs
Flip-up screen
Built-in Wi-Fi
Stereo microphone
6.5 fps continuous shooting

Highly Recommended

Canon EOS 6D Mark II

Fantastic image quality
Impressive 45-point AF system
Built well and nice to handle
Handy built-in Wi-Fi and GPS

Best APS-C

Panasonic Lumix DC-G9

High Resolution mode for detailed images of static subjects
Lots of custom button options and touchscreen functionality
An LCD screen on the top plate
Easy Wi-Fi and Bluetooth connectivity
Durable, weather-sealed body
Excellent 4K / 60p Ultra HD video

Great Value

Fujifilm X-T30 II

Affordable
High-quality images
Fast 30 fps with 1.25x crop
Small and light
Stylish retro, black-and-silver look

Best for Pros

Canon EOS 1D X Mark III

Excellent low-light capabilities
Dual Pixel AF and AI detection
Fantastic buffer for continuous shots
High frame rate for video recording
Great battery life

1. Canon 5D Mark IV

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon EF
Megapixels	Megapixels 30.4 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 61
Maximum ISO (Native)	Maximum ISO (Native) 32,000
Frame Rate	Frame Rate 7 fps
Video	Video
Screen Size	Screen Size 3.2"

This full frame sensor camera body has a 30.4 MP capacity and an ISO of up to 32,000. It can also capture 4K video. This makes it possible to create videos that will impress your clients.

One of the more unique features is the capture of Dual Pixel RAW images. It allows for what Canon calls “micro-adjustments.” This means that you can make small adjustments to the focus point after taking the photo. This depends on the lens you’re using. And the effect is minimal. But it’s a noteworthy feature nonetheless.

This Dual Pixel RAW capability also allows the correction of ghosting. It’s essential when you see sun flare. This happens when light hits the lens at a certain angle.

The Canon 5D Mark IV is also Wi-Fi-enabled. Syncing up to mobile devices or your computer for file transfers is a breeze. The Wi-Fi capability is fantastic for wireless tethering when on larger shoots!

One of the big advantages this camera holds over previous Canon 5D models? It handles low-light situations well. This makes it great for increasing your dynamic range in-camera. It’s especially useful when shooting video in low light.

2. Canon EOS R

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon RF
Megapixels	Megapixels 30.3 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 5,655
Maximum ISO (Native)	Maximum ISO (Native) 40,000
Frame Rate	Frame Rate 8 fps
Video	Video
Screen Size	Screen Size 3.2"

The EOS R is a newer mirrorless full frame camera from Canon. It offers many of the features of the 5D Mark IV. But it’s at a lower price point!

It’s important to note that it introduces a new lens mount. This affects the lenses you can use with this camera body. Canon does offer a mount converter. But it’s something to consider if you want to keep your gear list to a minimum.

Canon also introduced a line of RF mount lenses (for the new mount). And these seem to be of high quality. If you’re switching from one body to another, the mount is something to consider.

The RAW file format for this camera is also different. It’s called C-Raw. It reduces the file size by 40% from traditional RAW images. And there is minimal image quality loss.

The quality loss does become noticeable when you push your images a few stops. This may be something to take into account for interior photographs. We often push a stop or two to brighten shadows.

The Canon EOS R also offers 4K video capabilities. So it’s great for handling real estate video needs.

3. Nikon D850

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Nikon F FX
Megapixels	Megapixels 45.7 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 153
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 7 fps
Video	Video
Screen Size	Screen Size 3.2"

This full frame camera offers higher resolution images with 46 MP. But the most interesting appeal of this model is the sensor. The sensor in the Nikon D850 uses a new technology. It makes the edges of the sensor receive light better. This raises the peripheral image quality.

This translates to high-quality real estate photos in low-light conditions. And this can be handy when dealing with dark home interiors!

It’s capable of 4K videos for real estate video needs. And it has Wi-Fi. But it’s only usable via Nikon’s Bluetooth Snaprbridge app.

An advantage of shooting on a tripod? We’re not at the mercy of high ISOs to shoot in low light. The Nikon D850 has an ISO capability that goes down to 64. And the dynamic range at ISO 64 is fantastic!

4. Sony a7 III

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Sony FE
Megapixels	Megapixels 24.2 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 693
Maximum ISO (Native)	Maximum ISO (Native) 51,200
Frame Rate	Frame Rate 10 fps
Video	Video
Screen Size	Screen Size 3"

The Sony A7 III is a full frame mirrorless camera. It competes with traditional full frame DSLRs. The Sony a7III is my recommendation in place of the a7R III. It’s a significant price difference. But you don’t sacrifice quality.

The most notable difference is the resolution. The a7 III offers 24 MP. The a7R III offers 42 MP. But remember that the naked eye does not detect the difference in resolution.

The exception is if you enlarge your real estate photos to large-format murals. For common real estate photography needs? Anything 20 MP or higher serves your needs perfectly fine.

One of my favorite features of the Sony a7 series is the in-camera body stabilization. Traditional stabilization happens in the lens. But this gives stabilization regardless of the lens. This is especially useful for handheld low-light photos. Sometimes a property doesn’t have much natural light.

The Sony a7III also has an amazing dynamic range. It keeps noise to a minimum at high ISOs or when pushing the images a few stops. It is the best mirrorless camera I would suggest for real estate photography.

5. Nikon D750

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Nikon F FX
Megapixels	Megapixels 24.3 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 51
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 6.5 fps
Video	Video
Screen Size	Screen Size 3.2"

The Nikon D750 is an excellent option for those looking for a camera at a lower price point. At the same time, it still fulfills all your needs for real estate photography.

The Nikon D750 has a 24 MP resolution. It has a full frame sensor, built-in Wi-Fi, and video capabilities. Although, it doesn’t do 4K video. But real estate cameras don’t necessarily need 4K video resolution.

One other feature that may interest photographers with this model? The highlight-weighted metering. This feature allows the camera to meter light differently. It does so based on the highlights in the frame.

Having this feature allows for better control over bright areas. These are often part of interior space, such as the windows. Overall, this is an excellent choice for real estate photography. And it comes at a very reasonable price point.

6. Canon 6D Mark II

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon EF
Megapixels	Megapixels 26.2 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 45
Maximum ISO (Native)	Maximum ISO (Native) 40,000
Frame Rate	Frame Rate 6.5 fps
Video	Video
Screen Size	Screen Size 3"

The 6D Mark II is Canon’s entry-level full frame DSLR. With a 26 MP sensor, it’s not the highest in resolution. But it’s plenty for real estate photography needs.

This model is not known for having a great dynamic range. It’s ideal for shooting on a tripod and layering bracketed images in Adobe Photoshop.

It has built-in Wi-Fi. But it can’t shoot 4K videos. Although the video capabilities are certainly enough to shoot for real estate needs

Overall, this is Canon’s equivalent to Nikon’s D750. It’s a great mid-level camera. But it most likely needs to be updated in the not-too-distant future… when your skill level and client expectations go up!

7. Panasonic Lumix G9

Sensor Format	Sensor Format Micro Four Thirds
Lens Mount	Lens Mount Micro 4/3
Megapixels	Megapixels 20 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 225
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 20 fps
Video	Video
Screen Size	Screen Size 3"

Panasonic Lumix G9‘s mirrorless sensor offers some impressive features. And it sells at a lower price point. It has a 20 MP resolution. This is enough but not extraordinary these days.

But it offers in-body stabilization and built-in Wi-Fi. It can shoot 4K videos. Plus, it offers a high-resolution mode that essentially does focus stacking in-camera.

The high-resolution mode is excellent for real estate. It helps ensure that everything in the space looks crisp and sharp. The G9 offers a solid dynamic range. It allows you to push exposures a couple of stops in post-processing. And you can do so without seeing a noticeable loss in quality.

This is a fantastic camera to start with… especially when looking for a lightweight option that fits your professional needs!

8. Fujifilm X-T30 II

Sensor Format	Sensor Format APS-C
Lens Mount	Lens Mount Fujifilm X
Megapixels	Megapixels 26 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 425
Maximum ISO (Native)	Maximum ISO (Native) 12,800
Frame Rate	Frame Rate 30 fps
Video	Video
Screen Size	Screen Size 3"

The Fujifilm X-T30 II is a cropped sensor (APS-C) camera. And it is the lowest-priced camera on our list. But it offers loads of features that work well for real estate photography.

The X-T30 II offers a resolution of 26 MP, built-in Wi-Fi, and 4K video capabilities. It has good performance in high ISO settings. And the dynamic range is impressive for its price point. But it’s not so impressive compared to other models on this list.

Also, this camera does shoot in RAW and JPEG formats. And the JPEG format has exceptional color quality. I recommend the Fujifilm X-T30 II for professional real estate photography.

9. Canon 1D X Mark III

Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Canon EF
Megapixels	Megapixels 20.1 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 191
Maximum ISO (Native)	Maximum ISO (Native) 102,400
Frame Rate	Frame Rate 20 fps
Video	Video
Screen Size	Screen Size 3.2"

This camera is a very solid model. It will serve you for many years as you improve your skillset. The 1D X Mark III is one of the best full frame cameras with 20.1 MP resolution and 4K video capabilities. But it is a bigger investment.

One of the very impressive things about this camera? It retains high-quality images even in unfortunate lighting. When working with real estate photography, pushing the exposure is important… especially in the shadows.

It has great overall performance with all the key features. And it has a rock-solid build. It will deliver and be a reliable companion.

How to Choose the Perfect Camera for Real Estate

Cropped vs Full Frame Sensor

There are a few reasons to invest in a full frame camera versus a cropped sensor one. A larger sensor takes in more light. This is pivotal when capturing light in a space.

Full frame cameras also have a different mount than cropped sensor cameras. A full frame sensor will open up a world of higher-end lenses that you can use.

The lenses that you use have even more of an impact on your real estate photos than the camera body itself. Maybe you’re not ready to buy the best lenses. But it’s best to invest in a camera that prepares you for future needs.

Pairing the Correct Lens With Your Camera

We’ve just touched on the ability of full frame cameras to mount high-end lenses. One main feature of a real estate photography camera is to mount the best lens for real estate.

Even if you cannot invest in a full frame camera, choose a camera body that gives you the freedom to switch lenses. This is crucial in learning more about your needs when shooting real estate.

Also, real estate photography often includes architectural and interior photography. This pushes you to invest in high-quality lenses. If you can, it’s better to invest now for your long-term success. It keeps you from having to constantly upgrade and incur expenses.

Are Video Features Important for Real Estate Photography?

Not every real estate photographer will shoot videos. But it is something you may want to prepare for.

Real estate agents often look for someone who can deliver still photos and a video of the property. A camera that can capture both will serve you well as you expand your services.

Again, it’s about considering your needs now and in the future. Some cameras offer 4K video capabilities. But for real estate listing purposes, you don’t normally need high-quality video. This is a feature that I recommend seeking out but not breaking the bank for.

Conclusion

There are excellent quality cameras easily accessible for a not-so-big investment. The key is to get a camera that suits your specific needs. If your budget allows, invest in a camera that will serve you long-term.

As with any nice, you want to grow your skillset. And it all comes down to how you use the tools you have! A camera for real estate photography can guarantee great performance… no matter what house you’re shooting! We recommend buying the Canon 5D Mark IV. But we’ve listed various cameras you can choose based on your needs.

Our Top 3 Choices for The Best Camera For Real Estate Photography

Canon EOS 5D Mark IV

Canon EOS R

Nikon D850

12 Best Lenses for Real Estate Photography in 2024

Christopher Bryan-Smith — Tue, 18 Oct 2022 15:00:48 +0000

Finding the best lens for real estate photography has to be the top priority for any property photographer. Real estate photography poses a unique set of challenges. And finding the best lens goes a long way in overcoming those challenges.

Our top pick is the Canon EF-S 10-18mm USM lens. It’s a fantastic wide-angle zoom lens for Canon cameras. It delivers incredible results for interior and exterior shots for real estate photography.

Our Top 3 Choices for The Best Lens For Real Estate Photography

Canon EF-S 10-18mm F/4.5-5.6 IS STM

Nikon AF-S DX NIKKOR 12-24mm F/4G IF-ED

Fujifilm FUJINON XF 10-24mm F/4 R OIS

Find the Perfect Lens For Real Estate Photography

This post has our recommendations for the best lens for real estate photography. We’ve included crop sensor and full frame lens options. And we have lenses for Canon, Nikon, and Sony users. We’ve also included some tilt-shift lenses for professionals.

Pick the right section below to find the lens you need:

Crop Sensor Real Estate Lenses
Full Frame Real Estate Lenses
Tilt-Shift Real Estate Lenses

Best Real Estate Lens for Crop Sensor Cameras

This section looks at the best real estate lenses for crop sensor cameras. These are also known as APS-C cameras. The sensors are smaller than those found in full frame cameras.

It’s important to use a lens designed for an APS-C camera. Some lenses are compatible with full frame and crop sensor cameras. But you get a 1.6x crop factor when you use a full frame lens on an APS-C camera. That means you can’t get the wide angle you need for real estate photography.

Wide-angle lenses are ideal for real estate photography. They allow you to capture wide shots in confined spaces. You can shoot entire rooms even when space is tight. A wide-angle zoom also gives you shot variety. You can capture different rooms of the house without having to change your lens every time.

Best Canon EF-S Lens

Canon EF-S 10-18mm F/4.5-5.6 IS STM

Fantastic 10mm focal length for wide-angle shots
Built-in optical image stabilization for sharp images
Excellent value for a wide-angle lens

Best Nikon DX Lens

Nikon AF-S DX NIKKOR 12-24mm F/4G IF-ED

Compatible with Nikon F-mount DX cameras
Lens contains Extra-Low Dispersion (ED) glass elements
A good example of Nikon's dedication to lens quality

Best Fujifilm Lens

Fujifilm FUJINON XF 10-24mm F/4 R OIS

10mm focal length gives you fabulous wide-angle shots
Optical image stabilization keeps images sharp
Good compatibility with Fujifilm X-Series cameras

Best Third Party APS-C Lens

Tokina 12-28mm f/4.0 SD Zoom Lens for Nikon F-Mount

Fabulous build quality from Tokina
Wide focal length range for exteriors and interiors
Near-silent and fast AF system

Best Cheap Nikon DX Lens

Nikon AF-S DX NIKKOR 10-24mm F/3.5-4.5G ED

Excellent value wide-angle lens
The 10mm minimum focal length is perfect for interior real estate photography
The 24cm minimum focus distance is great for close ups

1. Canon EF-S 10-18mm f/4.5-5.6 IS STM

Brand	Brand Canon
Maximum Aperture	Maximum Aperture f/ 5.6
Focal Length Range	Focal Length Range 10-18 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 22 cm
Top Selling Points	Top Selling Points The 10mm wide-angle is perfect for tight interiors. The built-in stabilization gives you sharp images and it's an affordable real estate lens.

The EF-S 10-18mm is a good wide-angle lens for getting started with real estate photography. It is compatible with all of Canon’s APS-C DSLR cameras.

This lens has built-in optical image stabilization. It keeps your images sharp in low-light conditions. And the autofocus motor is fast and reliable for this type of photography.

The wide-angle image quality is superb. And the 22mm minimum focus distance means you can also get in close for detailed shots.

With pleasing results and a modest price tag, the Canon EF-S 10-18mm STM is an affordable way to get started with real estate photography.

2. Nikon AF-S DX 12-24mm f/4.0 IF-ED

Brand	Brand Nikon
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 12-24 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 30 cm
Top Selling Points	Top Selling Points Edge-to-edge clarity for distortion-free images. It's compatible with Nikon's APS-C DSLR cameras.

The Nikon AF-S DX 12-24mm f/4 is not the cheapest option on the list. But the build quality makes it the best lens for real estate photographers with a Nikon APS-C camera.

It’s compatible with all Nikon F-mount cameras with a DX sensor. These include everything from the Nikon D3500 to the Nikon D500.

Its focal range is ideal for real estate photography. It can handle broad exteriors or open-plan interiors. And the 11.8-inch (30 cm) minimum focus distance allows for creative composition in tighter spaces.

The chromatic aberration and distortion are kept at a minimum with two Extra-Low Dispersion (ED) glass elements. These special glass elements also improve the image quality further.

If you’re serious about real estate photography, then this Nikon wide-angle lens won’t disappoint. There’s no image stabilization, so you might need a tripod. But it’s a fantastic piece of equipment. And it’s one of the best lenses for real estate photography.

3. Fujifilm XF 10-24mm f/4

Brand	Brand Fujifilm
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 10-24 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 28 cm
Top Selling Points	Top Selling Points Shoot broad shots in tight spaces with the lovely 10mm wide angle. The image stabilization and constant f/4 max aperture give you good low light performance.

Real estate photographers with a Fujifilm camera need this XF 10-24mm f/4 lens. It has a beautiful construction with excellent optical quality. And it has the perfect focal length range for interior and exterior real estate photography.

The 10mm minimum focal length helps you capture interior shots. You can add space and air to small, poky rooms. And you can adjust it up to 24mm for larger spaces and exterior shots.

Its optical image stabilization is fantastic for real estate photographers. It keeps your image sharp, allowing you more flexibility with settings. This is helped by the constant f/4 max aperture. And it means you can travel from property to property without a tripod.

This lens is compatible with all Fujifilm X-mount cameras. These include the Fujifilm X-T30 II and the X-T4.

4. Tokina 12-28mm f/4.0 SD

Brand	Brand Tokina
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 12-28 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 25 cm
Top Selling Points	Top Selling Points Excellent image quality for a third-party lens, but it's still an affordable option for Nikon and Canon users.

This Tokina 12-28mm f/4 SD lens is compatible with Nikon APS-C cameras with an F-mount. But you can also get a Tokina 12-28mm lens for Canon cameras. Whether for Nikon or Canon, it’s an excellent value real estate lens.

This is a fantastic real estate lens from Tokina. Third-party lenses have come a long way over the last few years. And companies like Tokina provide affordable and reliable alternatives.

The build quality is excellent. It has 14 glass elements in 12 groups for incredible image quality. And the SD filter helps to reduce signs of chromatic aberration.

The autofocus motor uses a silent drive model. It’s quick, responsive, and near-silent in operation. You also have a one-touch focus clutch, so you can revert to manual focus by turning the focus ring.

5. Nikon AF-S DX 10-24mm f/3.5-4.5G ED

Brand	Brand Nikon
Maximum Aperture	Maximum Aperture f/ 4.5
Focal Length Range	Focal Length Range 10-24 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 24 cm
Top Selling Points	Top Selling Points It's an ultra-wide angle option for Nikon users. The fast f/3.5 aperture is helpful in low light situations.

The AF-S DX 10-24mm f/3.5-4.5G is another ultra-wide-angle lens for Nikon APS-C cameras. It’s another fantastic option for real estate photography. And it’s a more affordable option than the previous Nikon lens.

The 10mm max minimum is perfect for interior shots, especially if you’re working in tight spaces. And the fast f/3.5 aperture gives you plenty of natural light to work with. You can turn those dingy dens into palatial lounges.

The autofocus is fast and reliable. And there’s a minimum focus distance of 9.4 inches (24 cm) for close-up shots around the property. The build quality is excellent, as you’d expect from Nikon. And you don’t need to worry about distortion. It’s a brilliant lens for property and real estate photography.

Best Real Estate Lenses for Full Frame Cameras

If you have a full frame camera, you’ll need a full frame lens. You can use adaptors if you want to use APS-C lenses with a full frame camera. But these can affect the quality of your images. And you need perfect quality for real estate photography.

Chromatic aberration and distortion can be a problem with wide-angle lenses. But good quality lenses keep these imperfections to a minimum. You can correct aberrations in Photoshop, but it’s a time-consuming process. Buying a good lens for real estate photography is the best solution.

Best Full Frame Nikon Lens

Nikon AF-S NIKKOR 16-35mm F/4G ED VR

A brilliant partner for your full frame Nikon DSLR
Superb optical quality from the 17 glass elements
Nikon's vibration reduction image stabilizer

Best Full Frame Canon Lens

Canon EF 16-35mm F/4L IS USM

Smooth optical image stabilization
Beautiful 9-blade aperture diaphragm for smooth bokeh
Excellent focal length range for interior and exterior shots

Best Full Frame Sony Lens

Sony FE 12-24mm F/4 G SEL1224G

Ultra-wide-angle for a full frame lens
Precision engineering on the 17 glass elements
Fast DDS AF motor

Best Tokina Third-Party Lens

Tokina opera 16-28mm F/2.8 FF for Nikon F

Excellent value for a full frame lens
Available for Nikon and Canon DSLR cameras
Focus clutch mechanism gives you excellent focus control

Best Full Frame Sigma Lens

Sigma 12-24mm F/4 DG HSM | A for Canon EF

Sigma's best lens for real estate photography
Incredible optical quality with no distortion
Available for Nikon and Canon cameras

1. Nikon AF-S FX 16-35mm f/4 ED

Brand	Brand Nikon
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 16-35 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 29 cm
Top Selling Points	Top Selling Points Nikon's vibration reduction system gives you sharper images. The glass quality reduces aberration to a minimum.

The AF-S FX 16-35mm f/4 is the best real estate photography lens for full frame Nikon cameras. It has a beautiful wide angle with a minimum 16mm focal length. That’s ideal for interiors. And the 35mm focal length is perfect for exterior property photography.

The lens is quite heavy at 1.5 lb (680 g). That’s because it houses 17 glass elements. These include two ED glass elements and three aspherical elements. And they have a nano-crystal coating to reduce flare and ghosting. The extra weight is worth the additional optical quality.

This lens has the Nikon vibration reduction image stabilization system. It counteracts camera shake, keeping your images sharp. That’s a handy feature if you’re working in low light. You can also leave your tripod at home.

The Nikon AF-S FX16-35mm f/4 gives you splendid results. It’ll take your real estate photography to the next level, increasing house viewing and sales. It’s an investment worth making for Nikon users.

2. Canon EF 16-35mm f/4L IS USM Lens

Brand	Brand Canon
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 16-35 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 28 cm
Top Selling Points	Top Selling Points You get three stops of shake compensation from the stabilizer. The 9-blade diaphragm gives you a lovely bokeh effect.

The EF 16-35mm f/4L is the best real estate lens for full frame Canon cameras. It’s from the Canon L series. And that means it’s one of their superior lenses. It also means a higher price. But it’s a price worth paying if you’re serious about real estate photography.

The 16-35mm range is ideal for real estate photography. It’s wide enough to capture even a small space in full. And the 35mm zoom is perfect for larger spaces when you want a tighter composition.

The built-in optical image stabilizer is a fantastic feature for property shooters. It gives you 3 stops of shake compensation. You won’t need a tripod and you’ll have more freedom with settings.

This Canon lens uses a 9-blade diaphragm rather than the usual 7. That gives you less flare and glare. And it helps create a smooth soft focus when using a shallow depth of field.

The EF 16-35mm f/4L is a beautiful lens from Canon. It’s the best option for real estate photographers using full frame Canon cameras.

3. Sony FE 12-24mm f/4 G

Brand	Brand Sony
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 12-24 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 28 cm
Top Selling Points	Top Selling Points Wide minimum focal length for a full frame lens. Superb optical quality and one of the best AF motors for fast focusing.

The Sony FE 12-24mm f/4 G is the ultimate real estate lens for Sony users. It’s the perfect partner for your full frame Sony camera. And it’ll be a huge step forward for your real estate photography career.

The 12-24mm focal length range is ideal for real estate. You’ll be able to capture interiors and exteriors without changing lenses. 12mm is the widest angle available in the Sony EF lens series. So it’s your best option for real estate photography.

The build quality is superb. And the 17 glass elements work together to give you an image free of imperfections. There’s no flare or ghosting at any focal length. You also get a constant f/4 aperture throughout the focal length.

There’s no image stabilization in the lens. But the direct drive supersonic motor drives a fast and silent autofocus system.

The Sony FE 12-24mm f/4 G is an example of precision engineering from Sony. With its widest focal length and supreme optical quality, it’s the best real estate lens for Sony photographers.

4. Tokina AT-X 16-28mm f/2.8

Brand	Brand Tokina
Maximum Aperture	Maximum Aperture f/ 2.8
Focal Length Range	Focal Length Range 16-28 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 28 cm
Top Selling Points	Top Selling Points The constant f/2.8 aperture gives you excellent low light performance. It's available for Nikon and Canon full frame DSLRs.

Don’t let the third-party name tag put you off. The Tokina AT-X 16-28mm f/2.8 is excellent for real estate photography. It gives you options for interior and exterior shots. It’s available for Nikon and Canon full frame cameras. And it’s an absolute bargain.

The image quality is sharp throughout the focal length. And you can’t complain about the glass quality. It is quite a heavy lens. But that’s due to the 17 glass elements housed within. They also have a special multi-coating to help reduce flare, glare, and ghosting.

The f/2.8 aperture is fast for a wide-angle zoom lens. It gives you plenty of natural light to work with, helping brighten dark and dim rooms.

The autofocus is very reliable. And there’s a focus clutch mechanism. This allows you to switch from auto to manual focus by turning the focus ring.

The focal length range is exactly what you need for real estate photography. The 16mm focal length gives you the wide angle you need for interior photography. And you have the range for shooting every room in the house without changing the lens.

The Tokina ATX 16-28mm f/2.8 is available for Nikon FX and Canon EF cameras. It’s an affordable option for a budding real estate photographer.

5. Sigma 12-24mm f/4 DG HSM Art Lens

Brand	Brand Sigma
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 12-24 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 24 cm
Top Selling Points	Top Selling Points Excellent zoom range for interiors and lovely optical quality. It's available for Nikon and Canon cameras.

The Sigma Art lens series has changed the way people see third-party lenses. They aren’t there to make up the numbers. Now they’re true contenders. And the Sigma 12-24mm f/4 Art lens is a contender for the best lens for real estate photography.

The lens performs beautifully throughout its focal length. The image quality is a delight. And you’ll experience practically zero distortion or aberration.

It has 16 glass elements arranged in 11 groups. That makes it a heavy lens. But it includes low-dispersion glass that reduces imperfections even more.

The Art lens uses Sigma’s Hypersonic Motor (HSM) for it’s autofocus system. It’s one of the best AF systems around. And it gives you smooth, quick, and quiet focus.

The Sigma 12-24mm f/4 Art lens is available for Nikon and Canon full frame DSLR cameras. It’s a beautiful piece of equipment. And exactly what you need if you’re serious about real estate photography.

Best Tilt-Shift Lenses for Real Estate Photography

Tilt-shift lenses are specialty lenses. They’re made primarily for shooting building exteriors or anything with strong vertical lines.

With a tilt-shift lens, you can keep your camera perfectly level. And then you can adjust the upward and downward composition of your shot by raising or lowering the optics of the lens.

The real benefit is that the tilt-shift lens keeps all the vertical lines vertical. So it solves any aspect, perspective, or distortion problems in-camera. But is a tilt-shift the best lens for real estate photography?

Tilt-shift lenses are a bit on the pricey side. And they weren’t created specifically with real estate photography in mind. But more and more real estate photographers are turning to tilt-shift lenses. And more often than not, they aren’t turning back.

In the long term, a tilt-shift camera can save time and money because so little work is needed in post-production. The lens makes the corrections before the picture is even taken.

A tilt-shift lens is an investment for your real estate photography business. They’re overkill for amateurs. But they’re an incredible tool for professional real estate photographers.

Best Canon Tilt-Shift Lens

Canon TS-E 17mm F/4L

Excellent value for a tilt-shift lens
Ideal for architectural photography
Super-wide 93-degree viewing angle

Best Nikon Tilt-Shift Lens

Nikon PC NIKKOR 19mm F/4E ED

Glass elements have Nano Crystal and Fluorine coating
Incredible perspective control with tilt and shift features
Nikon's best lens for architectural photography

1. Canon TS-E 17mm f/4 L

Brand	Brand Canon
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 17 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 25 cm
Top Selling Points	Top Selling Points Full perspective control with the tilt and shift options. You get a wide 93-degree angle of view.

Canon’s 17mm f/4 L lens is the widest-angle tilt-shift lens you can find. The build quality is fantastic. And the tilt and shift operations work like magic. It’ll transform the way you shoot real estate photography.

This lens offers an angle of view of 93 degrees, which is ideal for interiors and cramped exteriors. And the specially coated glass minimizes chromatic aberration. The result is crystal clear, glare-free images.

The lens isn’t cheap. But it’s the perfect piece of equipment for architectural photography. The optical results are incredible. And once you start using one, you won’t know how you lived without it.

2. Nikon PC 19mm f/4 E ED

Brand	Brand Nikon
Maximum Aperture	Maximum Aperture f/ 4.0
Focal Length Range	Focal Length Range 19 mm
Image Stabilization	Image Stabilization
Minimum Focus Distance	Minimum Focus Distance 25 cm
Top Selling Points	Top Selling Points Full perspective control with the tilt and shift options. Incredible optical quality with no distortion or ghosting.

The Nikon PC 19mm f/4 is a masterpiece in precision lens building. It doesn’t come cheap. But for build and image quality, not much comes close.

It uses 17 glass elements. These include three ED and two aspherical glass elements. And each has a Nano Crystal or fluorine coating. You’ll find no signs of distortion or ghosting, even at the very edges of the image.

The 19mm focal length gives you the wide angle that real estate and architectural photographers need. And the tilt and shift capabilities redefine the possibilities. You have maximum perspective control.

The Nikon PC 19mm f/4 is for professional real estate and architectural photographers. The price will be a turnoff for amateurs. But professionals will see it as an investment worth making.

Our Verdict

The best real estate photographers need the best lens for real estate photography. The Canon EF-S 10-18mm f/1.8 USM is our top pick for the best real estate lens. It’s compatible with APS-C cameras. And it’s an absolute bargain wide-angle zoom lens.

The Nikon AF-S FX 16-35mm f/4 is the best real estate lens if you’re using a full frame DSLR camera. And the Canon EF 16-35mm f/4 L is perfect for full frame Canon users. You can also go for a tilt-shift lens if you’re serious about architectural photography.

Finding the best lens for real estate photography is the first step on the road to professionalism. You’ll see improved results immediately. And you’ll know that the best lens for real estate photography is money well spent.

Our Top 3 Choices for The Best Lens For Real Estate Photography

Canon EF-S 10-18mm F/4.5-5.6 IS STM

Nikon AF-S DX NIKKOR 12-24mm F/4G IF-ED

Fujifilm FUJINON XF 10-24mm F/4 R OIS

11 Most Famous Architectural Photographers You Should Know

Joe Taylor — Mon, 03 Jan 2022 09:03:20 +0000

If you’re passionate about photography, it’s likely that at some point you’ll want to try your hand at architectural photography. This type of photography can be very rewarding, as you have the opportunity to capture stunning images of buildings and other structures that often span for many acres. But it can also be challenging, as there are a number of things to consider when photographing architecture. Here are eleven of the most famous architectural photographers who have mastered the art form.

Famous Architectural Photographers: What is Architectural Photography?

It’s exactly what you think—pictures of buildings. Some photographers focus on pattern or texture. Others use block colors and clean lines for minimalist art. Still, others document the growth of a city skyline or create a typology of images. They all fall under architectural photography.

11 Famous Architectural Photographers You Should Know

To inspire you, here are eleven of our favourite architectural photographers of all time. You will find photographers in various eras. And not everyone featured on this list was active during the age of Instagram.

Berenice Abbott

Berenice Abbott first became a famous photographer for her portraiture during the 1920s. Under the tutelage of Man Ray, Berenice photographed people in high-class social circles. She returned to New York in 1929 to find the skyline was changing. So, she devoted herself to capturing it. You may not know it, but you will have seen some of her work. She made stunning high contrast black and white photographs of New York during the great depression.

Julius Shulman

Shulman’s photograph of the Stahl House (1960) glamorised the modern California lifestyle. He was key in promoting modernism. His work has tracked architectural changes throughout Los Angeles for 70 years. As his work featured buildings and inhabitants, it shaped views of Californian life. The Stahl House has since appeared in more books, advertising, and movies than any other. In 2004, he photographed Frank Gehry’s stunning design for the Disney Concert Hall.

Lucien Hervé

Lucien Hervé portrays space, texture, and structure in a way not seen before. Many consider him one of the great architectural photographers of our time. His influence shows up throughout modern architecture photography. And, his personal story is as fascinating as his photographs. Germans capture him during WW2. He escaped and earned a medal of honour from the French Foreign Legion.

Hilla and Bernd Becher

Hilla and Bernd Becher spend 40 years documenting industrial architecture. They presented their work as typologies—grids made up of photographs of the same thing. It is only when we see them together that the differences stand out. Water towers, blast furnaces, and factories feature in their award-winning work. They also founded the Dusseldorf School of Photography. In doing so, Hilland Bernd mentored a generation of world-class photographers.

Becher – Water Towers

Walker Evans

Walker Evans was an early 20th Century photojournalist. His work for the Farm Security Administration depicting the effects f the Great Depression is his most famous. As a large format photographer, Evans’ aim was to take photographs that are ‘literate, authoritative, transcendent’. A subject of retrospectives the world over, Walker Evans is undoubtedly one of America’s greatest architectural photographers. Helen Levitt, Robert Frank, Diane Arbus, Lee Friedlander, and Bernd and Hilla Becher al count Evans as an influence. As an originator of documentary-inspired work, Evans was able to see his present as if it were past, creating a visual encyclopedic of Depression-era America in the process.

Robert Adams

In over fifty books and exhibitions, American photographer Robert Adams documented the despair and hope of the American West. His upbringing across the country, made Adams think about parts of the Western region’s geography and architecture which required photographic exploration. Adams’ work examined a mixture of the human imprint on nature, as well as nature’s resilience to it—all within the context of western landscapes and architecture.

David Goldblatt

The South African photographer David Goldblatt was famous for his images depicting the country during apartheid. A photographer for some fifty years, Goldblatt’s work did not focus on the violence of the time. Rather, it showed the effects apartheid had on landscapes, society, and architecture of the time. Having never been photographed in color in his apartheid work, Goldblatt explained as being inconsiderate. In his later life, color was gradually introduced to his landscape photos.

Speculative development by a property developer in putatively ‘authentic Cape Dutch’ style, Agatha, Tzaneen, Transvaal (From South Africa: The Structure of Things Then) ©David Goldblatt

Ed Ruscha

Mostly known as a pop artist, Ed Ruscha’s series of Twentysix Gasoline Stations is an example of his unique take on architectural photography. Mostly without human presence, Ruscha’s work is meant to emphasise form and building placement over anything else. Aside from Twentysix Gasoline Stations, his Every Building on Sunset Strip is another example of artistic depictions of mid-century South Californian culture.

Carol Highsmith

Carol Highsmith has donated her body of work (42,000 photographs) to the US Library of Congress. Since 1980, she has documented landmark architectural works in all fifty states. In doing so, Highsmith has encapsulated the modern way of American life. Highsmith has documented all fifty US states, as well as Washington DC, and Puerto Rico. Aside from architecture, her work also includes landscapes, urban and rural life, and work environments. As one of the most contemporary photographers on this list, Carol Highsmith has become the seminal 21st-century photographer of American life.

Lewis Baltz

A vital figure in the New Topographies movement, Lewis Baltz images describe the architecture of the human landscape. By this, offices, shopping centres, parking lots, and other everyday buildings are featured throughout. Many of his images also feel with human interaction with landscapes—developments destructive to nature. Robert Adams and Bernd and Hilla Becher are just two of Baltz contemporaries with similar architectural photography styles and goals.

Stephen Shore

Known for images of banal scenes, Stephen Shore is one of the most famous architectural photographers of the twentieth century. He was also a vital member of the New Topographies movement that also counted Lewis Baltz and Robert Adams as members. A pioneer in the use of color in architectural photography, Shore was the first living photographer exhibited at the Metropolitan Museum of Art. Aside from this musem, Shore has also exhibited at the Guggenhein, Hammer Musuem (Los Angeles), Kunstehalle (Dusseldorff), and Jeu de Paume (Paris).

Conclusion: Famous Architectural Photographers

Success as an architectural photographer isn’t about photographing what other people see. It’s about showing others how you see the world, in shapes and lines, shadows and tones, or big blocks of color and space. The famous architectural photographers featured here give others a unique insight into the beauty of a space.
Architecture photography provides endless opportunities to be creative. Explore the artists here and take what you have learned to the streets.
Do you want to learn how to capture photos to rent and sell properties at higher prices? Check out our Picture Perfect Properties course!

16 Simple Cityscape Photography Tips for Breathtaking Scenes

Kav Dadfar — Tue, 09 Nov 2021 12:00:09 +0000

It’s no wonder that cityscape photography is so popular. New York, London, Paris. Think of any famous city around the world. Their iconic cityscapes will immediately come to mind.

The good news is that cityscapes aren’t hard to photograph. You will often find clear vantage points around a city and have a subject that won’t move!

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16 Simple Cityscape Photography Tips

Here are our top 16 tips for taking breathtaking cityscape photography.

1. Check the Weather for the Right Light and Mood

For stunning cityscape photography, you will need the right . Most outdoor photography relies on available natural light. It doesn’t mean you need beautiful sunshine.

Stormy skies or mist can add an extra dimension to your photos. But the weather will affect the kind of cityscape you will be shooting. You may have to revisit a location when the weather reflects your desired mood better.

2. Reduce Camera Shake with Hands-Free Options

Use both a tripod and hands-free shutter releases when you shoot cityscapes. They reduce camera shake and ensure sharper images. And for spaces where you can’t use a tripod, use a sock filled with rice as a homemade portable stabilizer.

Place your camera on the rice-filled sock so it doesn’t move! Then, use the self-timer function on your camera, a mobile camera app trigger, or a cable release to snap the shot.

(DepositPhotos)

3. Scout Locations for Unobstructed Views of the City

One of the most important things cityscape photographers need is the right location. What you need is an unobstructed view of the skyline. You can’t shoot the Empire State Building if you are at the Empire State Building.

It’s best to be far from the urban landscape you want to photograph. Google Street View is a helpful resource for scouting out these locations.

4. Take Cityscapes from Viewing Platforms or Rooftop Bars

Big cities around the world usually have tall buildings like towers or skyscrapers. And most of them have viewing platforms you can access. Some places require you to book ahead of time, so plan accordingly.

If you can’t find any viewing platforms, rooftop bars can also have great city views. Use a telephoto lens to get more focused details of other buildings and to create a nice separation from the background.

5. Adjust F-Stop and ISO for Sharp Images

In cityscape photography, you want to adjust a few camera settings. To keep the image sharp, use a maximum depth of field. Start with your aperture at around f/8 and work up (larger number, smaller aperture). This means that your image will be at its sharpest.

Keep your ISO as low as possible. The higher your ISO, the more noise you’ll see in your image. That will mean less sharpness. If you are shooting handheld, keep your shutter speed at a minimum of 1/125 s.

(Dreamstime)

6. Combine Framing Techniques for the Best Composition

Place subjects in your frame based on the rule of thirds. This composition rule creates a pleasing, balanced image. You can also play with where the horizon appears in your picture.

Another great way to view a city differently is to frame points of interest. Use windows, doors, trees, and other buildings to isolate singular buildings from the rest of the city. Combine techniques for the best result.

7. Use the Foreground as a Point of Interest

Your foreground is as vital to the overall composition of the image as your cityscape. Frame your shot using points of interest in the foreground. An excellent technique is placing your camera very low on the ground and tilting it upward slightly. A close-up of ground details can sometimes provide unique results.

(Dreamstime)

8. Avoid or Use Converging Lines With Buildings

Converging lines are when it looks like the building is falling backward. It occurs when you point the camera upwards at a structure. For the correct perspective, try to photograph cityscapes from further back. This distance will help keep the sides of the buildings straight.

By keeping your camera level, the sides of the buildings will not lean into the middle of the frame. But, if you want to emphasize the height or status of a building, use converging lines as a compositional tool. The latter also offers a unique angle of the city.

9. Include People in Cityscapes to Show Scale

People are a big part of city life. Including people in your cityscape images will also help show the scale of your cityscape subject. A tiny figure walking, running, or jumping in front of a large facade is an interesting contrasting element in the photo. The immensity of a wall or building is better emphasized.

10. Use Reflections to Add Compelling Details

A good place to look for reflections is along waterfronts or near bridges over bodies of water. They can add balanced symmetry and depth to a cityscape. Reflections in windows, shiny buildings, and puddles also help create abstract images.

These added reflections make people see the city in new and exciting ways. Use a polarizing filter to control reflections. As you rotate the filter, reflections in windows and water appear and disappear.

11. Shoot Cityscapes During Golden Hour and Blue Hour

The best time to photograph a cityscape is during golden hour. It is the time after sunrise and before sunset when soft, golden light can enhance any scene.

Blue hour is the perfect time to shoot cityscapes with water. It is just after the sun goes down and lasts five to forty minutes. Reflections take on the magic quality of residual, ambient sunlight.

12. Use Neutral Density Filters for High Contrast Scenes

If your sky is too bright and your foreground is too dark, neutral density (ND) filters are handy. They darken half of the image to balance your highlights and shadows.

With your ND filter on, widen your aperture for slow shutter speeds. Aperture Priority mode can help you get the correct exposure.

13. Take Long-Exposure, Night Shots with Light Trails

City lights will come on as the sky gets dark, meaning you can shoot with slower shutter speeds for creative results. Use long-exposure night photography to create stunning cityscapes. Use traffic to create light trails in your scene for added drama.

Make sure you stabilize your camera with a tripod. We find 15 seconds or longer to be the best shutter speed for photographing a cityscape at night. And be sure to take plenty of batteries, as long-exposure photography in low-light conditions uses more power than usual.

DepositPhotos

14. Shoot Landmark Photos With a Wide Angle Lens

A wide-angle lens lets you get much more city in the frame, creating breathtaking vistas of the concrete jungle. But wide-angle lenses make the center of your image seem far away, so you may need to crop the image in post-processing.

Use a wide-angle lens to capture unique compositions of landmarks. Get close or zoom in to fill the frame.

15. Enhance Cityscape Photography with Edits

An important decision in post-processing your cityscape photography is white balance. You can keep the ambiance and warmth of the artificial light or cool the image to correct colors and take out the orange glow.

Boost vibrancy and saturation, and add brightness or contrast to help the final result. Or try editing some images in monochrome. Removing the distraction of color can enhance the textures in your photo.

16. Keep Trying Until You Get the Shot You Want

Great photos come from persistence. There will be occasions when you get frustrated by the outcome of a shoot. Maybe the weather isn’t great, or construction is obstructing your view. This happens to all cityscape photographers. The key is to try repeatedly until you achieve the shot you want.

Conclusion: Cityscape Photography

Cityscape photography can encapsulate the energy and feel of a city with both vast skylines and isolated details. Your cityscape photography can give others a new perspective on familiar places.

Don’t worry if you don’t have an expensive, professional setup. The best camera is the one you have. Even shooting on your smartphone can give incredible results. With good techniques, sound research, and the right attitude, you will capture amazing cityscape shots!

Are you wondering how to take beautiful compositions with your camera phone? Check out our Urban Smartphone Minimalism eBook. Learn how to take exciting photos each time you leave your home!

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Hoya 77mm PRO1 Polarizer Filter

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How to Use Form and Shape in Photography Composition

Hillary Grigonis — Thu, 28 Oct 2021 23:30:39 +0000

Shape is an important element of photography composition. It can be used to create balance and symmetry in your photos or to lead the viewer’s eye towards the main subject. And that’s just a few ways you can use shape and form.

In this article, we will discuss how you can use shape in photography for more interesting images.

eBooks and Courses for Everyone

Shape in Photography: Classic Design Elements All Photographers Should Know

There are six classic art and design elements. Shape is our main focus in this article. But we’ll have a quick look at all six elements to better understand the broader design principles.

All six elements are closely connected. So to get a deeper understanding of shape and form in photography, we will look at all six.

1. Shape

A shape is two-dimensional. Yes, a photograph itself is two-dimensional. But a shape in a photograph doesn’t have any depth.

You can use lighting or perspective to give a two-dimensional shape depth. But if you apply a sense of depth, a shape becomes a 3D form.

2. Form

Objects with the appearance of depth are 3D forms rather than shapes. So, despite being part of a two-dimensional image, the viewer can detect depth beyond the object’s front surface.

Light and shadow give forms their depth. Or a change of perspective reveals the form’s angles and edges rather than having a head-on view.

3. Line

Lines form the edges of shapes, but they also form shapes of their own. Lines can lead the eye in a photograph. And you can use lines to dissect and frame your photos. Lines serve as a powerful compositional tool in photography.

4. Pattern

When lines, shapes, or forms repeat, they create a pattern. Patterns can create a sense of calm. But when you break a pattern, it can cause a feeling of unease.

5. Texture

Texture creates a sense of depth in a two-dimensional image. Texture in photography can also be accentuated by light and shadow.

6. Color

Color may not be among the geometrical design elements. But color (or a lack of color) is still important in design and photography. Color can attract attention or evoke emotion.

The 4 Types of Shapes in Photography Composition

Shape in photography has several different elements. But these aren’t the shapes you learned in elementary school. In photography, we categorize shapes in a few different ways.

Geometric Shapes

Geometric shapes have straight, defined edges. They are comprised of clear and uniform angles and lines.
You’ll often find geometric shapes in artificial structures. These shapes are often featured in abstract and architectural photography.

Organic Shapes

Organic shapes are full of curves and may not be geometrically perfect. They’re natural and non-uniform.
We find organic shapes in nature. For example, you’ll find them in the curve of a tree branch or the shape of a flower petal.

Positive Shapes

A positive shape is what we think of first when we think of a shape. The object itself makes a positive shape. If we see the object, we see its positive shape.

Negative Space

Negative space is any area of the photo that isn’t occupied by objects. Negative space could be a crack in a canyon wall, for example, or a shape created from the outline of two positive shapes.

10 Ways You Can Use Shape and Form in Photography Composition

All these concepts and ideas are interesting. But how do you put them into practice? The first step is to understand that the objects we see are made up of shapes, forms, and lines. Deconstructing images in this way will help you understand composition in photography.

You can examine your own work, looking for shape and form in your photography. And you can study the work of other photographers to see how they use the form in photography.

The next step is to add these concepts to your photography. Here are a few tips for using shape and form in photography composition.

1. Use Shape and Form to Affect Mood in Your Photography

We know specific colors can awaken our emotions. But shape and form also contribute to a photograph’s overall mood.

Understanding how shape and form can contribute to a photograph’s mood gives you more tools to work with. You can find new ways of expressing emotions and telling stories.

Rounded shapes create a sense of movement because of the lack of corners and edges. Rounded forms also relate to calmness and tranquility.

Squares and rectangles tend to create a feeling of stability. Straight lines imply assurance and strength. They also have a harsh quality that relates to stubbornness or anger.

Triangles in photography direct the eye like an arrow. You can flip the triangle upside down so that it’s resting on its point. This signifies a loss of balance.

Irregular shapes, where sides are different lengths, can also create a tense and uneasy feeling in your photography.

Photographers can also use lines to influence the mood of their images. The direction of the line can determine the mood of the image.

Diagonals appear to be going somewhere, so they create a feeling of movement and direction. Diagonal lines and shapes lead the eye in certain directions, depending on where they’re pointing. A diagonal leading line that heads into the distance will give a photograph a sense of depth.

A vertical line tends to build a feeling of strength and stability. A horizontal line, on the other hand, is associated with a calm or peaceful image. A distant horizon line of the sea is a great example.

Curved lines create a similar feel to circles and ovals, building a sense of motion. Curved lines create organic shapes, which have more natural and peaceful connotations.

2. Manipulate Shape and Form in Photography

You can’t always change the shape of the objects in your images. You can scrunch a piece of paper into a ball or slice an apple in half. But it’s much harder to round the edges of a square block of concrete.

That doesn’t mean you can’t change the role of shape and form in photography. For example, you could photograph the broadside of a barn to create a rectangular shape. Or you can change your perspective to manipulate the shape of the same barn. For example, you can stand at a corner to create diagonal lines and elongate the shape.

You can photograph a ball as a solid, round shape by backlighting it. Or you can use side-lighting to give the form more depth.

You can also use this technique to change the round shape into a crescent using light and shadow. This is what happens with sunlight on the Moon.

3. Play With Perspective to Find Different Shapes and Forms

A 3D form will appear to take on different shapes when you shoot it from different angles. A coffee mug, when viewed from the side, is a cylinder. That same cup, viewed from above, is a perfect circle. Adjusting your perspective can change the shape of many objects.

Explore the object from every angle. Find the shape that intrigues you the most or the shape that creates the mood you are looking for.

Again, perspective allows you to choose between photographing a shape or a form. Shoot straight on for a shape. Or move until you can see multiple sides at once for a sense of depth.

4. Use Light to Add a Third Dimension

The second way photographers can turn shapes into 3D forms is with light. If you want to emphasize shape, place the light directly in front or behind the subject. That will create a silhouette or a front-lit shape.

If you want to show a 3D form, move the light to hit the subject at an angle. The side lighting will create shadows that show our brain that a flat subject is actually a 3D form.

5. Use Focal Length to Play with Shape and Form

The lens you use plays a significant role in how shapes appear in your image. For example, wide-angle lenses tend to distort straight lines. And tilt-shift lenses correct that distortion.

But lens choice goes beyond the distortion. The focal length of the lens will either amplify distance or minimize it.

Wide-angle lenses make the distance between objects appear greater than it really is. A telephoto lens makes different shapes appear closer together.

If you want two objects to look closer together without moving the objects, use a longer lens. To create more distance, use a wider lens. When working with form, the same concept applies to parts of the same object.

6. Use Lines in Your Photography Composition

Shapes and forms are strong compositional tools in photography. But a single line can also be a helpful compositional tool.

You can look for lines in the same way you look for shapes. Look for lines that could lead the eye toward the subject. Learn to spot straight lines that go into the distance and create depth.

Lines can create textures. And groups of lines can create new shapes. Change your perspective to give the lines a new axis. This can help change the lines’ purpose in your photography.

Think about what you want your image to say. Are you looking for shapes or lines? If you’re unsure, simplify your photos. One way to do this is to experiment with abstract photography by shooting basic shapes and lines.

©Karen Vikke

7. Look for Multiple Shapes to Create Patterns

Chances are, you’re not photographing a single shape on an empty background. Be conscious of the shape repeating itself or echoes of the shape occurring in different areas of the shot.

You can use repeated shapes to create patterns in your photographs. They can be abstract patterns. Or the patterns can lead the eye or create illusions.

Look for shapes that contrast with each other. You might find different kinds of geometric shapes. Or you can contrast geometric and organic shapes.

Your compositional skills will improve when you start looking for shapes in photography. You can begin with minimalist shots. Then you’ll be able to apply the skills you develop to different areas of photography.

8. Look For Negative Shapes

Negative shapes are less common because they are harder to spot. But that doesn’t mean you should ignore them.

When the empty space between two objects creates a recognizable shape, it can make a strong composition. And a negative shape can often have a more significant impact than a positive shape.

When you’re looking at shape and form, note the space between the objects. What shapes can you find in those areas?

9. Find Balance in Your Composition

Think about how shape and form influence your photographs. Are they a small part of the image? Or do they fill the entire photo?

Balance is all about what space you leave around the shapes. You can have sparse, minimalist compositions focusing on the shapes in photography. Or you can use shapes and forms in photography to build more complex images.

Experiment by zooming in or switching to a wide-angle lens. How does the feel of that shape change?

A wide-angle shot of a simple geometric shape can create a sense of minimalism. Or you can try a close-up of the shape to bring out the texture or strengthen the lines.

Balance can help determine the aspects of a shape that draw the viewer’s attention. For example, you can exaggerate the perfectly spaced shape in a piece of architecture by leaving space around the object. You can leave space that is equal to the size of the object. Or you can use more negative space to create a sense of scale or imbalance.

Build on the emotion of a curvy form by using the rule of thirds. Or exaggerate a shape’s perfect symmetry by centering the composition.

10. Harness the Power of Triangles

Every shape has a role in photography, but triangles are one of the most powerful. They create a point that leads the eye. And they can direct the viewer or draw their attention to a specific point.

Because of that movement, portrait experts often suggest posing a group of people in a triangular arrangement. It encourages the eye to move through the entire group.

You can find triangles in geometric or organic spaces. And they can be brought together to create 3D forms in photography, such as pyramids.

Conclusion—How to Use Form and Shape in Photography

In everyday life, we tend to see things for what they are. But as photographers, we need to change the way we see the world. We need to look more carefully at shape and form. We can look a little deeper to see what shapes and forms make up the world we see.

The composition will always be influenced by what inspires you as an individual. But learning how to use shape and form in photography can help you develop your compositional style.

Shape and form in photography are essential parts of image composition. Once you understand the shapes and forms that build the world around us, you can construct powerful photographs.

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What Is Rhythm in Photography? (And How to Use It)

Christopher Bryan-Smith — Tue, 26 Oct 2021 21:15:03 +0000

Rhythm is something found throughout the creative arts. We tap our toes and snap our fingers to the rhythm of the music. We find rhythm in poetry and stories. And we have rhythm in photography, too.

Visual rhythm brings photographs to life. Rhythmic photography is about visual storytelling and composition building. It’s the beating heart of the imagery. And knowing how and when to use it can add dynamism and intrigue to your photos.

What Is Rhythm in Photography?

Much like rhythm in music, rhythm in photography brings structure and stability to your images. The rhythm can hold the viewer’s gaze to a steady beat. Or it can quicken the pace as your eyes move around the image.

Rhythm in photography has elements that repeat or echo throughout the image. It could be a series of shapes that repeat to make a pattern. Or you could have multiple subjects that appear at different points in the frame.

Bringing rhythm into photography can help you make conscious decisions when it comes to your composition. You can think about how you want your photographs to flow. And you can add repeating elements that punctuate your images, like a drummer adding a flourish of cymbal crashes.

Rhythm in photography isn’t limited to one particular niche. You’ll find rhythm in street, architecture, and photojournalism. Portrait and landscape are also examples of rhythm photography.

Continue reading for some of the ways to add rhythm to your photography.

Regular Rhythm

With rhythm in photography, the easiest rhythm structure to identify is regular rhythm. A photograph with this kind of rhythm will feature many identical elements that repeat.

They repeat at regular intervals, giving you a steady, uniform rhythm. The elements can be geometric shapes or concentric circles. Or they can be humans or animals situated in lines or rows.

These elements bring structure to the composition. The lines and shapes created by the rhythmic elements lead the eye in a certain direction. And they can focus your attention on a specific area of the image.

In the architectural image below, repeated shapes create the rhythm. They’re identical in shape and are equally distanced. This creates a steady visual rhythm. The fact the shape repeats so many times sends the eye in different directions and gives the photo a fast rhythm.

Random Rhythm

A random rhythm in photography is less structured. It still has elements that repeat, but they appear at irregular intervals. They don’t lie in straight lines or conform to a rigid structure.

An image with randomly situated elements can still have a steady rhythm. Their position may not be uniform. But they can create a rhythm that leads the viewer through the image.

The picture of the cows at the beginning of the article is an example of a random rhythm. The cows stand irregularly in the field. There is no form to their position. But there is a repetition of shape that draws the eye towards the horizon.

In the photo below, we have a number of hot air balloons. Like the cows, they are spread randomly across the picture. We have similar shapes echoing through the image’s foreground and background. Each balloon is a beat of a random rhythm.

Alternating Rhythm

Alternating rhythm in photography is where the image has two different rhythms. They can work together, providing structures that mirror one another. Or they can work against each other.

Alternating rhythms can bring harmony or discord to your images. The repetitive elements of one rhythm can direct our eyes in one direction. Then, the second can intersect or redirect. Their beats can match or they can counter and clash.

The image below is a perfect example of clashing alternative rhythms. We have a series of circles that draw the eye inward, towards the center. But the shadows create a pattern of straight diagonal lines that cut across each circle. These lines draw our eyes in a different direction.

Progressive Rhythm

A progressive rhythm in photography uses patterns that progress into the photo. They’re repeated beats that form a progression in the photo.

These can be regular rhythms but with a change of perspective. The change of angle can help lead the viewer’s eye towards the subject. Or the progressive structure can be the subject.

A progressive rhythm in photography has a clear direction. The visual rhythm creates diagonal lines that cut across the image, drawing the eye with them.

We can see this in the scene of harvesters at work below. They are all bent over and working in a row. The rhythm this creates draws our eye down the line. When we look at the closest person, our natural reaction is to continue down the progression.

Undulating Rhythm

Undulation is another visual rhythm we find in photography. This rhythm in photography is about soft shapes that roll through the images.

Undulating visual rhythm is common in landscape composition. We often see rolling hills that undulate from foreground to background. It’s a soft visual rhythm that creates a gentle and harmonious feeling.

In the landscape below, we see the undulating rhythm of the snowy hills. Each white mound leads us to another. And without sharp breaks, we arrive gently at each beat of the rhythm.

Broken Rhythm

When it comes to rhythm in photography, breaking a steady rhythm can have a big impact. The repetition of a pattern can lull us into a stupor. But when that rhythm is broken, it gives us a visual shock.

For photography composition, breaking a steady rhythm can add emphasis. And it can create points of interest in your images. Breaking a rhythm can even bring more attention to the rhythm in the photograph.

The example below shows two tractors breaking the rhythm of the rows of wheat. We have two patterns on either side, each broken by the tractors. And they add new shapes to the visual rhythm.

Conclusion: Rhythm in Photography

There are no strict rules for rhythm photography. It’s an aspect of photography that can strengthen your composition in many different ways. It’s about looking for patterns that lead or finding shapes that echo.

Train your eye to look for repetition and progression. Find visual rhythms that beat and pulse across your frame. You can explore rhythm in street or landscape photography and even introduce rhythm into portraits.

Check out our Intuitive Composition eBook to learn how to incorporate rhythm and other composition techniques into your photos!