Time-Lapse Photography – ExpertPhotography

5 Best GoPro Gimbals in 2024 (Compare GoPro Stabilizers)

Christopher Bryan-Smith — Wed, 20 Dec 2023 11:58:24 +0000

Using the best GoPro gimbal, you get incredibly smooth footage from your GoPro camera. You might not think you need a gimbal when recording with a GoPro, but they can make a huge difference. Many of the gimbals on this list are compatible with other devices, so they are great photography tools.

The Hohem iSteady Pro 4 is the best GoPro gimbal, easily taking the top spot on our list. It has a good range of shooting modes, is affordable, and is compatible with many types of cameras. This includes action cameras and GoPros.

Our Top 3 Choices for the Best GoPro Gimbals

Hohem iSteady Pro 4 Gimbal

Zhiyun Crane M3 Gimbal

FeiyuTech G6 Max Stabilizer

What Is the Best GoPro Gimbal?

The best GoPro gimbal gives you ultra-smooth, professional-grade footage from your action camera. The Hohem iSteady Pro 4 is our top pick. But there are four other options you can choose from, including the Zhiyun Crane M3 Gimbal and the FeiyuTech G6 Max.

You might not think you need a gimbal stabilizer to record with a GoPro. GoPro cameras have one of the best camera stabilization systems, with Hypersmooth 6.0 stabilization. But this is designed for recording action footage when the camera is attached to a helmet or handlebars.

Getting smooth, shake-free footage can be difficult when recording handheld footage. That puts people off using the GoPro as a videography camera. It’s a shame because the 5.7K video from the GoPro HERO12 Black is so fantastic.

The GoPro’s cubic design lends itself to action photography. But it isn’t great for recording movie-style videos by hand. That’s why a gimbal’s ergonomic, handle-like design is so beneficial to those shooting with a GoPro.

The best GoPro gimbals also have specific shooting modes to help you capture certain types of shots. Some have modes like Pan Follow, 3D Inception, and Sports that improve your GoPro videography. Knowing a gimbal’s shooting modes will help you find the best one.

Here’s a quick rundown of all the best GoPro gimbals. We look at each gimbal in more detail in the section after. And we have a buyer’s guide at the end. If you need more information before you buy, we answer common questions about gimbals.

Our Top Choice

Hohem iSteady Pro 4 Gimbal

Supports a wide range of action cameras
iSteady 5.0 anti-shake tech and splashproof design
Quick mounting with spring buckle release clip
Remote control, one-click shooting
Up to 14 hours of battery life

Best Camera Compatibility

Zhiyun Crane M3 Gimbal

Compact size with exceptional performance
3-second quick release for easy balancing
Built-in touch screen and LED lighting
Power Delivery Fast Charge for extended use

Best Gimbal Set

FeiyuTech G6 Max Stabilizer

Made of durable, lightweight, space-grade aluminum
Advanced photo, video, zoom, and focus controls
Splashproof and dustproof for action environments
High-capacity 8-hour battery with reverse charging

Best Pro-Grade Gimbal

Hohem iSteady MT2

Works with GoPros, smartphones, DSLRs, mirrorless
L-bracket included for low-angle shooting
AI tracking and composition features
17-hour battery life from 3-hour charge

Best Beginner GImbal

INKEE Falcon Plus Gimbal

Excellent range of shooting modes
Small, lightweight, and foldable design
Bluetooth connectivity
9-hour battery life

5 Best GoPro Gimbals

Now, we take a closer look at all the best GoPro gimbals. You can determine whether your action camera is compatible. We also list all the shooting modes of every gimbal. So you can decide which GoPro gimbal is right for you.

1. Hohem iSteady Pro 4

Brand	Brand Hohem
Compatibility	Compatibility GoPro HERO7 to HERO12, DJI Osmo Action, Insta360 ONE R, Sony XR0, SJCAM, Yi 4K
Stabilization	Stabilization 3-axis
Dimensions	Dimensions 11.8 x 5 x 2 inches / 30 x 12.7 x 5 cm
Weight	Weight 0.8 lb / 365 g
Battery Life	Battery Life 14 hours
Other Key Features	Other Key Features IPX4 water-resistant rating
Best For	Best For Anyone shooting with a GoPro or action camera

The Hohem iSteady Pro 4 is the best GoPro gimbal. It’s a well-made piece of equipment. And it’s compatible with a wide range of action cameras. Along with its affordable price tag, it has excellent shooting modes for specialized video capture.

It’s compatible with all the latest GoPro models, going back to the Hero7. Considering we’re now at the HERO12, that gives you a lot of freedom. You don’t need the latest model to use this GoPro gimbal.

The iSteady Pro 4 is also compatible with other action cameras and GoPro alternatives. These include the DJI Osmo Action, Yi 4K, AEE, SJCAM, Insta360 One R, and Sony RX0.

The iSteady’s 5.0 Anti-shaking Algorithm provides excellent stabilization. It is almost on par with more expensive gimbals. The small motors are also very quiet, which is an obvious advantage.

The mini-USB port in the head lets you charge your camera while it’s mounted on the gimbal. Although, one downside of this model is that the head is fixed. That means you can’t swap it for a smartphone-compatible head.

It has plenty of features for creative filmmakers, including the various shooting modes listed below. It also has a 600-degree panning range. And the battery life gives you 14 hours of uninterrupted use when fully charged.

You connect the device to your camera using the impressive Hohem Gimset iOS/Android app. It manages the following functions:

Gimbal Calibration
Remote Control (shooting mode)
Saved Profiles (a setup for action with a faster follow speed)
Settings (sensitivity, speed)
Firmware Update
User Manual

There are also several buttons on the grip to help you control the camera:

On/Off
Mode Toggle
Quick Lock
Custom F1 and F2 Function (controlled via the app)
Joystick
Trigger (on the front)

Plus, there are various shooting modes:

Pan Follow
Pan and Tilt Follow
All Lock
All Follow
3D Inception
Sports
Time-Lapse

The Hohem iSteady Pro 4 is a must-have for filmmakers using a GoPro camera. It has all the shooting modes you need, letting you shoot any footage you need with your action camera. It’s easy to use and affordable. What’s not to like?

2. Zhiyun Crane M3 Gimbal

Brand	Brand zhi yun
Compatibility	Compatibility GoPros, action cameras, DSLR and mirrorless cameras, smartphones
Stabilization	Stabilization 3-axis
Dimensions	Dimensions 11 x 6.2 x 3 inches / 28 x 15.7 x 7.6 cm
Weight	Weight 2.6 lb / 1.1 kg
Battery Life	Battery Life 8 hours
Other Key Features	Other Key Features Quick-release plate for cameras, mini tripod, Bluetooth connectivity
Best For	Best For GoPro users, videographers who use a wide range of cameras

The Zhiyun Crane M3 Gimbal is a professional-quality, handheld, three-axis GoPro gimbal. It works with all GoPro HERO models, from HERO5 to HERO12. It is also compatible with mirrorless cameras from top brands like Sony, Fujifilm, and Canon.

The only problem with using it for your GoPro is that you need an adapter (included in the Combo package). And you get limited functionality. But the white, black, and red design looks and feels good. Plus, the build quality and stabilization are excellent.

Other features include a 1.2-inch color touchscreen. It has a built-in 800-lumen LED light with dual color temperatures and variable brightness. And the eight-hour battery life is another positive. This lets you work for long periods without stopping to recharge.

The built-in Bluetooth connectivity lets you operate the camera or GoPro without a wireless connection. But if you prefer, you can still control it through a cable.

You connect the device to your camera using the Zhiyun Play smartphone app (available for Android and iOS). There are also several buttons on the grip:

Power Button
Photo/Video Button
M Button
Fill Light Control Wheel
Adjustment Wheel
Joystick
Trigger Button (on the front)

The touch screen is a little tricky to master. And sometimes, it can’t tell the difference between swipes and taps. But it’s divided into four convenient windows:

Mode (to switch shooting modes)
Balance (to see the balance status of the three gimbal axes)
Info (to change language, see device information, or do a factory reset)
Settings (including Auto Calibration, Parameter Settings, Parameter Reset, and Control Wheel customization)

There are also seven shooting modes:

Pan Follow Mode
Lock Mode
POV Mode
Follow Mode
Go Mode
Vortex Mode
Portrait Mode

The Zhiyun Crane M3 is fantastic if you need a gimbal that works with different types of cameras. Its build quality is excellent, and it has pro-level functionality. And while it is a bit pricey, it will undoubtedly improve your video recording.

3. FeiyuTech G6 Max

Brand	Brand FeiyuTech
Compatibility	Compatibility GoPros, action cameras, compact cameras, DSLR and mirrorless cameras
Stabilization	Stabilization 3-axis
Dimensions	Dimensions 11.8 x 7.9 x 3.2 inches / 30 x 20 x 8 cm
Weight	Weight 1.5 lb / 680 g
Battery Life	Battery Life 9 hours
Other Key Features	Other Key Features GoPro and smartphone adapters, splashproof, USB-C charging
Best For	Best For Videographers needing a full gimbal set with adapters and cables

The FeiyuTech G6 Max is a three-axis GoPro gimbal with adapters. It can mount action cameras, DSLRs, mirrorless cameras, and smartphones. Its heavy payload is 2.6 lbs (1.2 kg).

It’s made of dustproof, splashproof aerospace aluminum alloy and silicone. So, the IPX4-level construction promises excellent durability.

It also boasts plenty of features, including an OLED screen and several shooting modes. It has a three-axis lock and reverse charging. And you get a healthy nine-hour battery life.

The gimbal also comes with a quick-release plate for quick installation. Mounting or dismounting your camera only takes a few sections.

It works with all GoPro models from HERO5 to HERO12 (although the GoPro HERO9 is “uncontrollable”). It also works with other action cameras, including the Sony RX0 and RX0 II, the SJ6 LEGEND, and the YI 4K.

You can connect the G6 Max to your camera by cable or Wi-Fi. And you can always use the Feiyu ON smartphone app. But the grip lets you control most operations with one hand, including shooting and mode selection. Here’s the list of buttons and dials:

Power Button
Magic Focus Ring 2.0 (for zoom, focus, 3-axis rotation, and adjusting ISO, white balance, exposure, etc.)
Shutter Button
Function Button
Camera Mode
Joystick
Trigger (on the front)

The OLED screen displays the gimbal and camera settings. This includes the current working mode, power consumption, and Bluetooth status. It also controls vertical shooting, time-lapse, and the strength, hand wheel, and other camera settings.

There are various shooting modes:

Pan Mode (default)
All follow/POV
Follow
Lock
Manual Lock
Hunting
Inception (four clockwise and anticlockwise options with real-time speed control via the joystick)
Instant Vertical Photography
Self-timer
Motion Time-Lapse

The W6 Algorithm makes 10,000 calculations per second to stabilize the gimbal. That makes switching modes, panning, and general operation as smooth as silk with no video lag.

The FeiyuTech G6 Max isn’t exactly a budget option. But the price is justified thanks to the wide compatibility and the adapters that come with it. You have everything you need as soon as you get started.

4. Hohem iSteady MT2

Brand	Brand Hohem
Compatibility	Compatibility GoPro, action cameras, smartphones, compact cameras, DSLR and mirrorless cameras
Stabilization	Stabilization 3-axis
Dimensions	Dimensions 7 x 3.1 x 1.6 inches / 17.8 x 7.8 x 4 cm
Weight	Weight 1.4 lb / 635 g
Battery Life	Battery Life 17 hours
Other Key Features	Other Key Features Quick-install system, L-bracket, AI tracking, fill light, mini tripod, Bluetooth connectivity
Best For	Best For Experienced videographers who want a pro-level GoPro gimbal

The Hohem iSteady MT2 is a professional standard gimbal that delivers ultra-smooth footage. It’s compatible with GoPros and other action cameras. And you can also use it with compact cameras, full-frame DSLRs, and mirrorless cameras. You can even use it with smartphones.

Thanks to its excellent build quality, the gimbal feels sturdy when handheld. Its clever ergonomics make it comfortable to hold for long periods.

Installing GoPros and other cameras is quick and simple. This is because of the quick-release plate and the other mounts, which are straightforward. It also comes with an L-bracket, which helps you shoot at different angles. It lets you get low-angle shots without any trouble.

AI is everywhere these days. It’s even in this GoPro gimbal. It uses artificial intelligence to track subjects, keeping them perfectly framed as they move around the scene.

With built-in AI composition controls, you can use hand gestures to quickly frame your shots. You don’t have to spend ages making small adjustments to the camera and gimbal. The AI bot gives you a helping hand to speed up the process.

The built-in fill light is another fantastic feature. You can use standard white light. Or you can use red, green, and blue light to help you set the scene you want. It’s a handy feature that lets you work without additional lighting equipment.

These are the on-body controls on the iSteady MT2:

Control wheel for focus, CCT/RGB switch, and roll control
OLED display
A-B motion buttons
Trigger

The shooting modes are as follows:

Pan Follow
Pan & Tilt Follow
All Lock
All Follow
Sport
Inception mode

Professional videographers will love the Hohem iSteady MT2. You need a professional budget to buy one. But the quality and performance justify the price. And we haven’t even mentioned the 17-hour battery life. Professional filmmakers need to consider this GoPro camera gimbal.

5. INKEE Falcon Plus Gimbal

Brand	Brand INKEE
Compatibility	Compatibility GoPro HERO8 to HERO11
Stabilization	Stabilization 3-axis
Dimensions	Dimensions 2 x 5.9 x 9 inches / 5 x 15 x 22.9 cm
Weight	Weight 0.66 lb / 300 g
Battery Life	Battery Life 9 hours
Other Key Features	Other Key Features Mini tripod, USB-C port, Bluetooth connectivity
Best For	Best For Videographers looking for an affordable GoPro gimbal

The INKEE Falcon Plus is a compact three-axis GoPro gimbal. It supports the HERO8 to HERO11 and has a max payload of 7.1 oz (200 g). It works with GoPro HERO versions 5 to 12, DJI OSMO Action, Insta360 ONE R, and other similarly sized action cameras.

It’s not waterproof, which limits its appeal to extreme sports enthusiasts. But it’s small and lightweight with a foldable design.

The nine-hour battery life is a big positive. Reverse charging is another helpful feature. Plus, the quick and easy installation makes it easy for even inexperienced users.

You connect the gimbal to your camera using the Falcon app. But the app is limited compared to other companion apps, which is a shame.

The Falcon Plus‘s grip is small, so users with larger hands might find it uncomfortable if used for long periods. But the layout of the buttons is good:

On/Off and Power Display Button
Mode Button
Time-Lapse Button
REC Button
Shoot Button
Joystick Trigger (on the front)

There are various shooting modes:

Pan Following
Pan/Tilt Following
Horizontal Lock
Global Lock
First Person View
3-axis All Following
Vertical Mode
Flashlight Mode
Lock Mode

The Falcon Plus is a portable gimbal. It offers smooth footage, especially when paired with GoPro’s Hypersmooth stabilization. It’s also the only gimbal that works with GoPro Media Mod for better audio.

FAQs About the Best GoPro Gimbals

Here are the answers to a few frequently asked questions about GoPro gimbals.

What Are Gimbals Used For?

Gimbals stabilize GoPro cameras. They make video footage look silky, smooth, and professional rather than jittery and jerky. They use quiet, brushless motors to dampen or prevent rotation. This is usually found in all three axes—pan, tilt, and roll.

There are different shooting modes. So you can choose how the camera moves. A typical function might be to use Lock Mode for tracking and keeping a runner in the same position in the frame. There are also other modes to make your video look more cinematic or disorienting.

How Do I Know If I Need a Gimbal?

The simple answer is to look at your GoPro camera footage. Does it look jerky and unstable due to camera shake? Does it look “boring” without any variety? Do you always shoot from the same point of view? If so, a gimbal will smooth your footage and offer a few neat tricks to spice it up!

GoPro cameras generally have wide-angle lenses. This means they don’t need as much stabilization as longer telephoto lenses used in photography. You also might like the raw, amateurish Blair Witch Project look of handheld, first-person video.

But it’s nice to have the option of a gimbal that produces silky-smooth footage if you need it. And some of the shooting modes available are a lot of fun to play around with.

What Should I Look For in a Gimbal?

The most important factor is compatibility. Not every gimbal works with every GoPro model, let alone other action cameras, smartphones, mirrorless cameras, or DSLRs.

That means you must determine which models are supported and what the payload is. Does the gimbal support the weight of your camera? It’s also best to see whether you need to buy any extra cables or camera accessories for the versatility you’re after.

After you’ve found a gimbal that works with your camera, it’s best to check the image stabilization. There’s no point buying a gimbal if it doesn’t do the job properly!

At a minimum, you should make sure it has three-axis stabilization. But it’s also best to look at how smooth you think your footage will be. And how responsive is the gimbal in tracking fast-moving subjects like athletes or animals?

It’s also important to consider the build quality, usability, and features. The gimbal should be built to last, but it should also be easy and comfortable to use for long periods. Finally, you want a few shooting modes to add some pizzazz to your videos!

Our top choice for the best GoPro gimbal is the Hohem iSteady Pro 4. It has seven shooting modes.

Can You Use Gimbals to Take Pictures?

Yes, most gimbals let you take still photographs rather than videos. But it depends on the particular model and accompanying smartphone app. You might need to use the camera’s menu system and controls if you can’t do it via the gimbal or app.

Are Gimbals Waterproof?

Unfortunately, most are not. That means you should decide beforehand where and when you’ll use your action camera. If you’re unlikely to shoot video at the seaside or in bad weather, just about any gimbal will do.

But if you want an all-weather model, you must check the specifications carefully for the IPX rating. Here are the most common ones:

IPX4 gimbals are splashproof or water-resistant.
IPX7 gimbals can be submerged at a depth of one meter for half an hour. But they may still be damaged by a spray of water.
IPX8 gimbals can be submerged deeper than one meter (depending on the manufacturer’s instructions). But may still be damaged by a spray of water.

What Is Pan, Tilt, and Roll in a Gimbal?

Pan, tilt, and roll are different ways of turning the camera around a particular gimbal axis:

Pan: Turns the camera side to side around an imaginary vertical axis. This keeps the camera horizontal.
Tilt: Points the camera up and down. This turns it around an imaginary horizontal axis without moving it from side to side.
Roll: Spins the camera around an imaginary horizontal axis. This runs through the length of the lens so the horizon appears to tilt or even turn upside-down.

What Are the Different Shooting Modes in a Gimbal?

A gimbal offers four basic shooting modes that offer damped movement in certain directions:

Follow (Full Follow) Mode: This mode lets the gimbal tilt up and down and pan from side to side, but it won’t let it roll. It’s useful when you want to be free to point the camera in any direction.
Pan Follow Mode: This lets the camera turn left and right but not tilt up and down or roll from side to side. It’s suitable for “establishing shots” of a location or tracking a subject moving horizontally, like a runner or cyclist.
Lock Mode: This is designed to track subjects. This keeps them in the same position in the frame. As a result, you can’t pan, tilt or roll.
POV (Roll Rollow) Mode: POV stands for “point of view.” This lets the camera turn through all three different axes. The idea is to represent the point of view of an observer with full freedom to pan, tilt, and roll.

Manufacturers have also developed a few more specialized modes:

Inception Mode: Makes the camera do a barrel roll through 180 or 360 degrees, either clockwise or anticlockwise.
Selfie Mode: Turns the camera through 180 degrees so you can shoot a video of yourself.
Push Mode: This lets you physically “push” the camera around to protect the gimbal’s motors.
Underslung Mode: This mode lets you rearrange the handle to carry it low to the ground like a briefcase.
Inverted Mode: This lets you flip the gimbal upside down so you can film from close to the ground.
Sports Mode: Increases gimbal responsiveness when tracking fast-moving subjects like athletes.

Conclusion: The Best GoPro Gimbals

While GoPros have excellent built-in stabilization, using the best GoPro gimbal can take your footage to new levels. With specialist shooting modes and helpful features, gimbals make it easier to shoot pro-level videos with a GoPro camera.

In our opinion, the Hohem iSteady Pro 4 is the best GoPro gimbal. It’s user-friendly, affordable, has a decent collection of shooting modes, and is splash-resistant. Plus, it has a 14-hour battery life. It’s the perfect accessory if you want a gimbal for your GoPro camera.

Our Top 3 Choices for The Best GoPro Gimbals

Hohem iSteady Pro 4 Gimbal

Zhiyun Crane M3 Gimbal

FeiyuTech G6 Max Stabilizer

The Best Time Lapse Tripods in 2024 (For Time Lapse Photos)

Christopher Bryan-Smith — Mon, 03 Apr 2023 16:53:15 +0000

The best time-lapse tripod is essential for any photographer interested in time-lapse photography. There are plenty of excellent tripods on the market. But which tripod is best for time-lapse photography?

Do you need a light tripod for traveling? Do you want a heavy-duty tripod for your heavy camera? Or are you looking for something small for a compact camera? Thankfully, we’ve got all these bases covered in our article.

The Vanguard Alta Pro 263AB 100 is the best for time-lapse photographers. It’s a strong aluminum tripod with a good deal of flexibility. It has a smooth-motion ball head. And it provides a sturdy base for your camera on any terrain. It offers excellent value for time-lapse photographers.

Our Top 3 Choices for The Best Time-Lapse Tripod

Vanguard Alta Pro 263AB 100 Tripod

Manfrotto Element Traveler Tripod Kit With Ball Head

Neewer Mini DSLR Tripod

What Is the Best Time Lapse Tripod?

The best time-lapse tripod must hold your camera for long periods. And the slightest movement of your camera can ruin a time-lapse video. So that’s why you need to avoid cheap, flimsy tripods.

We’ve researched the best tripods to help you produce fantastic time-lapse videos. And we’ve found that the build material is a good indicator of strength and quality. Aluminum and carbon fiber are your best options, while you should avoid plastic.

You also need to consider the maximum load capacity. This tells you if the tripod can support the weight of your camera and lens.

You should also think about the size and weight of the tripod. You might have to hike some distance to get the best views for your time-lapse. And that means you need a lightweight and compact tripod.

The tripod head is less important with time-lapse than in other disciplines. But having a ball or fluid head can make composition easier. It allows you to get the perfect angle without much trouble.

You can see all the best time-lapse tripods in the table below. We look at each tripod in more detail in the section after. And there’s an FAQ section at the end if you want more information.

You can also check out our Total Time-Lapse video course. It’s a full and comprehensive course on time-lapse video making. And it’s the perfect place to start if you’re new to it. Even experienced time-lapsers will learn something new.

Our Top Choice

Vanguard Alta Pro 263AB 100 Tripod

Unmatched flexibility and stability for wide-angle shots
Multi Angle Center Column (MACC) system for more angle possibilities
Instant Swivel Stop'n'Lock (ISS) system for secure and fast repositioning of central column
25, 50 and 80° angles, quick-flip leg locks, and anti-shock ring

Best Travel Tripod

Manfrotto Element Traveler Tripod Kit With Ball Head

Three 5-section legs with adjustable angles adapt well to terrain
Telescopic column increases maximum height
Aluminum ball head features independent 360° pan lock
Compact size, fits in backpacks and suitcases

Best Mini Tripod

Neewer Mini DSLR Tripod

Upgraded design with 5-section, adjustable-height leg tubes
Panoramic panning with 360° swivel ball head and quick-release plate
Max load weight 11 lb / 5 kg and non-slip feet design
Solidly constructed with durable aluminum alloy

Best-Value Tripod

K&F Concept Lightweight Aluminum Tripod

High-quality, versatile, ball-head tripod at a good price
Quick-release camera plate, leg flip locks and angle adjustments
Large height range and extendable column
Lightweight and foldable with rubber feet

Best Flexible-Leg Tripod

Joby GorillaPod 3K Kit

Levelheaded, versatile, and lightweight tripod kit
360° panning head and 90° tilt for precision
Supports accessories up to 6.6 lb / 3 kg for versatile use
Flexible rubberized rings and foot grips for stability

Best Heavy-Duty Tripod

3 Legged Thing Winston 2.0

Supports up to 88.2 lb / 40 kg
Very sturdy carbon fiber tripod system with a 5-year warranty
Converts into a mini tripod and monopod
Counterfold legs fold down to 24" / 61 cm and have rubber, replaceable feet

Best Fluid-Head Tripod

Manfrotto Befree Advanced Camera Tripod Kit

High-performance photo and video tripod kit in an ultracompact size
Fluid head for smooth pan and tilt movements
Compatible with Arca-Swiss and Manfrotto 501PL video plate
Optimal combination of portability, solidity, and easy set up

7 Best Tripods for Time-Lapse Photography

Finding the best time-lapse tripod is about pinpointing the one that meets your needs. We’ve compiled a good selection of tripods, so photographers of all types can find the perfect tripod.

We list different constructions and strengths. And we show tripods of various sizes. We also suggest a tripod for all budgets.

1. Vanguard Alta Pro 263AB 100 Tripod

Material	Material Aluminum
Folded Size	Folded Size 28 inches / 71 cm
Maximum Height	Maximum Height 68 c / 1.72 m
Tripod Weight	Tripod Weight 5.3 lb / 2.4 kg
Max Load Capacity	Max Load Capacity 15.4 lb / 7 kg
Other Key Features	Other Key Features Multi-angle central column, 3 section legs and 3 angle options, flip locks, rubber feet with retractable spikes
Best For	Best For Photographers at all levels

The Vanguard Alta Pro 263AB 100 tripod is the perfect blend of build quality and value. It’s a strong aluminum tripod. It has a unique design that allows for various shooting setups. And you won’t have to break the bank to buy it.

The three legs are each made up of three leg sections. These can be adjusted to get the perfect height.

It has a maximum height of 68 inches (1.72 m), which is enough for most photographers. And the legs are easily adjusted with the quick-release flip locks.

The legs have three different spread angles. There are 25, 50, and 80-degree positions. And the 80-degree option spreads the legs wide, giving you a low shooting position.

You can remove the central column. And you can then position it horizontally or at an angle. This is perfect if you want a low-angle shot for your time-lapse. It also helps you find a sturdy position on uneven ground.

This tripod can carry anything up to 15.4 lb (7 kg). That’s more than enough for even a full frame DSLR camera. And it can hold your camera even with telephoto lenses attached. That gives you incredible freedom with equipment.

The tripod comes with a lovely ball head. It gives you 360 degrees of smooth rotation. And it has a wide range for tilting at all angles. The wide range of motion lets you get the perfect composition for your time-lapse photography.

It isn’t the most lightweight tripod at 5.3 lb (2.4 kg). But you can’t argue with the build quality. It’s strong and versatile. And it can hold any camera and lens combo. That’s why the Alta Pro 263AB 100 is the best time-lapse tripod.

2. Manfrotto Element Traveller Tripod

Brand	Brand Manfrotto
Material	Material Aluminum
Folded Size	Folded Size 12.6 inches / 32 cm
Maximum Height	Maximum Height 52 inches / 1.32 m
Tripod Weight	Tripod Weight 2.5 lb / 1.15 kg
Max Load Capacity	Max Load Capacity 8.8 lb / 4 kg
Other Key Features	Other Key Features Ball head, 5-section legs, twist locks, carry case
Best For	Best For Time-lapse photographers who travel

The Manfrotto Element Traveller is one of the best travel tripods on the market. It’s compact, lightweight, and comes with a carry case. Plus, It’s easy to attach it to your travel camera bag.

But Manfrotto has made no compromise in terms of quality. It’s a strong and sturdy tripod for travelers. And the aluminum body is solid yet lightweight.

Each of the three legs is made up of five sections with adjustable angles. This gives you excellent flexibility when setting up the tripod. And the simple twist locks keep each leg section in position. So you get no slippage, even over a long time.

The telescopic central column allows for extra height. It gives you a maximum height of 52 inches (1.32 m).

It’s not the tallest tripod on our list. But you can still get some creative angles for your time-lapse videos. And you get a minimum height of 14 inches (36 cm) if you need a lower angle.

With a load capacity of 8.8 lb (4 kg), it can carry all the best travel cameras. It might struggle with heavier telephoto lenses. But you won’t need a telephoto for time-lapse photography. You can use all the best travel lenses we suggest for time-lapse media.

There’s a ball head with smooth tilting and panning. And you get a quick-release plate, so attaching your camera only takes a second. All the joint locks are strong and secure. And it’s super easy to carry when folded away in its carry case.

The Manfrotto Element is the best time-lapse tripod for travel photographers who shoot time-lapses.

3. Neewer Mini DSLR Tripod

Brand	Brand Neewer
Material	Material Aluminum
Folded Size	Folded Size 6.9 inches / 17 cm
Maximum Height	Maximum Height 19.7 inches / 50 cm
Tripod Weight	Tripod Weight 1.7 lb / 453 g
Max Load Capacity	Max Load Capacity 11 lb / 5 kg
Other Key Features	Other Key Features Ball head, quick-release plate, bubble level, rubber feet
Best For	Best For Time-lapse photographers wanting a small and portable tripod

The Neewer Mini DSLR tripod is perfect if you want something small. It takes up barely any space in your camera backpack. But it provides a stable base for shooting time-lapse videos. It’s also a great price for a great product.

Despite being a mini tripod, it’s actually rather strong. The aluminum build is excellent. And it has an impressive 11 lb (5 kg) load capacity.

The name says it’s a DSLR tripod. And while it can support even full frame DSLRs, it can support mirrorless cameras too. The small size also makes it ideal for GoPros and compact cameras.

All three five-section legs can be adjusted for height. And there’s a ball head for smooth 360-degree, panoramic panning and tilting. The ball head also has a lock, which allows you to fix the camera at almost any angle.

Plus, the head has a quick-release plate attached. And this helps you attach and remove your camera quickly and easily.

The Mini DSLR tripod is a handy piece of equipment. It’s a convenient size yet strong enough for most cameras. And it has features like non-slip feet for grip on any surface. It’s the best mini tripod for time-lapse photographers.

4. K&F Concept 64 Tripod

Brand	Brand K&F Concept
Material	Material Aluminum and magnesium alloy
Folded Size	Folded Size 18.5 inches / 47 cm
Maximum Height	Maximum Height 63.8 inches / 1.6 m
Tripod Weight	Tripod Weight 2.4 lb / 1.27 kg
Max Load Capacity	Max Load Capacity 22 lb / 10 kg
Other Key Features	Other Key Features Ball head, quick-release flip locks, quick-release plate
Best For	Best For Photographers with a tight budget

The K&F Concept 64 is a fantastic tripod for a great price. And while it offers excellent value, it can’t be described as poor quality.

It has a robust build. The adjustment features make it a versatile tripod. And it’s strong enough for any time-lapse camera.

It has a big height range. The lowest mounting option is 18.5 inches (47 cm). And with the legs and central column extended, you get a max height of 63.8 inches (1.6 m). That gives you good shot versatility.

The flip locks on the legs make adjustment quick and painless. And with a max capacity of 22 lb (10 kg), it’s one of the strongest time-lapse tripods. It can hold full frame cameras with large lenses. And it can even hold specialist videography cameras.

The quick-release camera plate makes mounting easy. And the ball head joint gives you an excellent range of movement. It’s easy to get the perfect composition for your time-lapse.

The rubber feet give you a good grip on any surface. And it’s small enough to be strapped to your camera bag when folded down. The Concept 64 Tripod is the best value tripod for time-lapse photographers.

5. Joby GorillaPod 3K

Brand	Brand Joby
Material	Material Stainless steel, ABS plastic
Folded Size	Folded Size 12 inches / 30 cm
Maximum Height	Maximum Height 12 inches / 30 cm
Tripod Weight	Tripod Weight 0.86 lb / 400 g
Max Load Capacity	Max Load Capacity 6.6 lb / 3 kg
Other Key Features	Other Key Features Ball head, flexible rubberized legs, bubble level
Best For	Best For Photographers wanting a variety of mounting options

The Joby GorillaPod 3K is one of the most original tripods on the market. There’s nothing else quite like it. And you still get a stable platform to shoot your time-lapse videos from. It’s also a reasonably priced piece of camera equipment.

The unique selling point is the tripod legs. They have an incredibly flexible design. And each leg has 10 joints. This allows you to position the tripod however you like.

You can stand it up straight. It can be adjusted for uneven ground. And you can even wrap the legs around poles or tree branches.

It doesn’t have the strongest weight capacity. You’re limited to cameras weighing up to 6.6 lb (3 kg). That means APS-C DSLRs, mirrorless cameras, and compact cameras. It’s also good for GoPros and GoPro alternatives.

The height is also limited to 12 inches (30 cm). That doesn’t come up past your knee. But the flexible legs give you more mounting options. You also get a ball head with a lock. That means you can shoot from pretty much any angle.

The GorillaPod 3K is a lightweight tripod. It’s a fantastic piece of kit to have in your bag. And the versatility makes it one of the best time-lapse tripods for small cameras.

6. 3 Legged Thing Winston 2.0

Brand	Brand 3 Legged Thing
Material	Material Carbon fiber
Folded Size	Folded Size 24 inches / 61 cm
Maximum Height	Maximum Height 73 inches / 1.85 m
Tripod Weight	Tripod Weight 6.15 lb / 2.8 kg
Max Load Capacity	Max Load Capacity 88 lb / 40 kg
Other Key Features	Other Key Features Converts to a mini tripod, monopod functionality, replaceable, rubber feet
Best For	Best For Large and heavy cameras

You won’t find many tripods stronger than Winston 2.0 by 3 Legged Thing. It’s one of the best heavy-duty tripods on the market. And it can hold any time-lapse camera with all the accessories you need.

It isn’t the cheapest tripod. But it’s worth the cost if you want pure strength. The build quality is incredibly reassuring. It’s made of solid carbon fiber. So it’s strong without being too heavy.

It has a weight capacity of 88 lb (40 kg), more than you could ever need. And it can hold the heaviest high-resolution cameras without breaking a sweat.

The legs are made up of three sections. Each can be adjusted individually. And you can even detach them completely.

You can also detach the legs and add the feet to the tripod head. This gives you a mini tripod setup. And you can attach legs to the central column to create a camera monopod.

3 Legged Thing’s Winston 2.0 gives you the most sturdy platform to work from. It won’t budge an inch, even in tough conditions. And it can hold anything you mount on it. It’s worth every penny if you need a heavy-duty tripod for your time-lapse videos.

7. Manfrotto BeFree Advanced Camera Tripod Kit

Brand	Brand Manfrotto
Material	Material Aluminum
Folded Size	Folded Size 15.7 inches / 40 cm
Maximum Height	Maximum Height 59.4 inches / 1.5 m
Tripod Weight	Tripod Weight 5 lb / 2.3 kg
Max Load Capacity	Max Load Capacity 13.2 lb / 6 kg
Other Key Features	Other Key Features Fluid head with dual handles, quick-release flip locks, ARCA Swiss video plate
Best For	Best For Time-lapse photographers who want a fluid head tripod

The Manfrotto BeFree advanced camera tripod kit is the best fluid-head tripod. It’s a fantastic option with an excellent build quality. And it’s topped with a fluid head, making it one of the best video tripods.

The fluid head gives you smooth motion on both panning and tilting. And the two handles give you excellent control, so you can move while filming. That isn’t much use for time-lapse videos. But it does help you get the perfect composition.

The main tripod body has an aluminum construction. And it also has a built-in bubble level, so you can always keep it level.

Plus, each leg has three adjustable sections. The flip locks make it easy to adjust the legs for the perfect setup. And the central column can be raised to reach the max height of 59.4 inches (1.5 m).

The head is fitted with a pro-level ARCA Swiss video plate. This keeps your camera securely attached. But you can remove it quickly when you need to. The tripod also has rubber feet for extra stability.

The BeFree advanced camera tripod kit is the best choice for videographers. It’s exactly what you need, whether making films, music videos, or time-lapse videos.

FAQs About the Best Time-Lapse Tripods

We’ve answered the most frequently asked questions on time-lapse photography. This extra information will help you find the best tripod for time-lapse photography.

Do I Need a Tripod for Time-Lapse Photography?

Yes. It’s practically impossible to make a time-lapse without a tripod. Shooting a time-lapse video can take minutes or even hours. The camera mustt be in the same position for the entire duration. And the tiniest movement can ruin your time-lapse video.

That’s why you need a strong tripod for time-lapse videos. You need a tripod that holds the camera in the exact position over a long period. And it has to hold its position in poor weather like wind and rain.

Camera monopods are not good for time-lapse. They provide good stability when taking single pictures. But you can’t keep them in position long enough for time-lapse photography.

Camera gimbals are another gadget time-lapse photographers should avoid. They give you steady footage when filming. But time-lapse videos require rock-solid stability for long periods.

What Is the Best Frame Rate for Time-Lapse Videos?

Picking the best frame rate depends on the subject of your time-lapse video. If you’re shooting something that happens quickly, you need a faster frame rate. If you shoot something over a long time, you need a slower frame rate.

Using an intervalometer is the best way to get perfect time-lapse results. Many cameras have them built-in, so you don’t need any additional equipment.

But you can also buy them as a separate photography gadget. The JJC TC-80N3 is the best shutter remote with an intervalometer.

You can also use the time-lapse calculator on Photopills. It’s free to use. You can use it remotely on your smartphone. And it does all the difficult calculations for you.

Which Camera Is Best for Time-Lapse Videos?

There are plenty of time-lapse cameras to choose from. The Panasonic Lumix S5 II has some of the best time-lapse features built-in. And that includes an intervalometer for intervals of up to 99 minutes. And the results are 6K time-lapse videos.

The Olympus OM-D E-M5 Mark III is another top time-lapse camera. It’s more compact than the S5 II. But it still has high-quality time-lapse features as standard. There’s a built-in intervalometer. And it produces 4K time-lapse videos in-camera.

Check out our full list of the best time-lapse cameras.

What Is the Best Software for Editing Time-Lapse Videos?

Adobe Premiere Pro is the best video editing software right now. And it has the best features for editing and creating time-lapse videos. You can try a free 7-day trial.

We also recommend Adobe Photoshop. This program might offer more if you want to edit stills and other media. But it still has great options for time-lapse.

There are plenty of choices when selecting the best photo editing software. But it’s hard to look past Adobe software as being the best for editing time-lapse videos.

Conclusion: The Best Time Lapse Tripod

The best time-lapse tripod is essential for creating breathtaking time-lapse videos. Time-lapse is a tricky art form to master. But having a great tripod that keeps your camera in position gives you a big advantage. The camera can’t move an inch. So you need a strong and stable time-lapse tripod.

The Vanguard Alta Pro 263AB 100 is our top choice as the best time-lapse tripod. It’s a durable piece of equipment. And it gives you a wide range of mounting options. So you can create time-lapse videos in any environment. The price tag is more than reasonable. And it’s a must-have for time-lapse photographers.

Our Top 3 Choices for The Best Time-Lapse Tripod

Vanguard Alta Pro 263AB 100 Tripod

Manfrotto Element Traveler Tripod Kit With Ball Head

Neewer Mini DSLR Tripod

13 Best External Camera Screen in 2024 (Updated)

Christopher Bryan-Smith — Thu, 19 Jan 2023 12:43:54 +0000

Having an external camera screen is helpful for videographers and still photographers. There are several advantages, including better screen resolution and visualization. And an external camera screen gives you a larger display and better viewing angle options.

The Atomos Ninja V is our top choice for external camera screens. You can record 4K video at 60 fps with internal playback. And it has all the features and ports you need for high-quality photography and video recording.

Our Top 3 Choices for The Best External Camera Screen

Atomos Ninja V 4K Monitor

FeelWorld FW279 4K DSLR Monitor

Portkeys BM5WR Touchscreen Field Monitor

The Best External Camera Screen

An external camera monitor can be a game-changer for shooting video or stills. It gives you more freedom and flexibility. So they help improve your photography and videography.

First, you’ll see a quick rundown of our list of the best camera monitors. In the next section, we’ll look at each camera screen in more detail. And the final section looks at some key features you must consider when buying an external camera screen.

Our Top Choice

Atomos Ninja V 4K Monitor

10-bit 4K / 60p recording with Pro-Res / DNxHR
Assist tools for brightness, contrast, color, and focus
5" 1000-nit HDR touchscreen
AtomX connectivity for add-ons and control
Lightweight and durable aluminum body

Best for Direct Sunlight

FeelWorld FW279 4K DSLR Monitor

4K Ultra HD resolution with anti-glare coating
Wide viewing angle
Adjustable backlight brightness with a 2200-nit limit
3D LUT (look up table) support to map colors
HDMI and audio and visual inputs / outputs

Most Durable

Portkeys BM5WR Touchscreen Field Monitor

5.5" 1920 x 1080 Full HD display
Bright 1500 nits for outdoor use
Built-in dual-channel HD-SDI / HDMI inputs
Waveform, vectorscope, and False Color
Touchscreen and Peaking Focus Assist

Best Value

Lilliput A7s 4K Monitor

7" 1920 x 1200 IPS LCD panel
4K resolution with 10-bit color support
HDMI, SDI, and mini-HDMI inputs
High 400 cd/m2 brightness
Rugged metal housing and sunshade

Best High-End Monitor

Blackmagic Design HDR Monitor

15.6" 4K Ultra HD resolution
HDR capability for enhanced image details
Supports both HDMI 2.0 and SDI connections
Includes built-in scopes
Has a built-in calibration sensor

Best for Beginners

ANDYCINE A6 Plus 4K HDMI Monitor

15.6" IPS display with 4K resolution
Multiple tools for precise color calibration
Supports 4K HDMI input / output
300 cd/m2 brightness for clear visuals
Includes sunshade for outdoor use

Best for Pro Vloggers

Atomos Shinobi 7-inch 4K HDR Monitor

4K HDR monitor with 7” screen
1000-nit brightness for outdoor viewing
4K HDMI input / output
USB-C power delivery
Lightweight and portable

Best for DSLR Cameras

Desview R7 II Camera Field Monitor

Full HD resolution and supports 4K recording
178-degree wide viewing angle
Bright 2600-nit screen for outdoor shooting
Touchscreen with custom shortcut options
Full of advanced features like histogram, vectorscope, and waveform

Best Budget Screen with Arm Mount

FeelWorld T7 4K Camera Monitor

7" IPS panel with 4K Ultra HD resolution
10-bit color depth for improved accuracy
Built-in 3D LUTs for color grading
Dual-purpose sun hood for outdoor use
2x NP-F550 batteries for extended use

Best for Pro Canon Cameras

FeelWorld F6 Plus DSLR Monitor

6" IPS LCD HD monitor
4K HDMI input/output
Focus assist and false color
Waveform and vectorscope
Built-in battery and charger

Best Basic Option

Neewer F100 Camera Monitor

Crisp 1920 x 1200 IPS LCD display
Supports 4K input with HDMI
Lightweight and portable design
Built-in histogram, false color, and focus assist
Includes sun hood for outdoor use

Best for Cinematography

SmallHD Indie 7 On-Camera Monitor

7" HD monitor with 1280 x 800 resolution
1500-nit brightness for optimal viewing in any lighting
1/4 to 20" and 3/8 to 16" mounting points
Built-in waveform and vectorscope tools
Dual battery plate for Canon LP-E6 and Sony L-series

Highly Recommended for Professionals

SmallHD Cine 5 Camera Monitor

Bright 5" 1920 x 1080 display
Advanced focus tools for easier focusing
Flexible mounting options
Built-in scopes for easy exposure checks
High-quality construction and durable design

1. Atomos Ninja V 4K Monitor

Brand	Brand Atomos
Dimensions	Dimensions 8 x 6 x 6 inches / 20.3 x 15 x 15 cm
Weight	Weight 360 g
Screen Size	Screen Size 5 inches
Screen Resolution	Screen Resolution 1920 x 1080
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 1000 nits
Touchscreen	Touchscreen No
Ports	Ports HDMI (2.0) 4K / 60p input and output, 3.5mm stereo microphone, 3.5mm headphone, remote jack
Best For	Best For Enthusiast photography and videography, Panasonic Lumix cameras

The Atmos Ninja V is a popular monitor due to the well-calibrated HDR screen and support for the following:

4K video up to 60 fps
6K Apple ProRes RAW (from the Nikon Z6 and Z7)
10-bit 4:2:2 chroma subsampling
H.265, also called HEVC (High Efficiency Video Coding)
DNxHR
Log formats from ARRI, Canon, Panasonic, RED, and Sony

The maximum screen resolution is only 1080p. But it can still record 4K video at 60 fps and display anamorphic lens footage with 2x, 1.5x, 1.33x, or Panasonic’s 4:3 aspect ratio.

In fact, the Atomos Ninja V can even improve the quality of footage your camera can shoot! For example, if you have a Panasonic Lumix S5, you can shoot 12-bit RAW instead of 10-bit 4:2:2.

Many features are also available, including multi-level exposure tools and waveforms. There’s a built-in vectorscope. And you have tools for focus peaking, zebra stripes, and a false-color function.

It also has built-in playback options. So you can review your latest shots without exporting the media files to another device. And you have inputs for sound recording equipment.

The downsides are the lack of a touchscreen and the fan’s noise. But it’s a lightweight external camera screen for DSLR and mirrorless cameras. The performance is excellent. And the price is reasonable for the quality.

2. FeelWorld FW279 4K DSLR Monitor

Brand	Brand FEELWORLD
Dimensions	Dimensions 5.6 x 3.4 x 1.1 inches / 14.2 x 8.6 x 2.8 cm
Weight	Weight 365 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 10
Brightness	Brightness 2200 nits
Touchscreen	Touchscreen No
Ports	Ports 4K HDMI input and loop output, 3.5mm headphone jack
Best For	Best For DSLR cameras, shooting in bright sunlight, camera rigs

The real strength of the FeelWorld FW279 is its large, bright screen. It’s contrasty and the high resolution is perfect for shooting outside in direct sunlight.

The color calibration settings allow excellent color rendition. There are plenty of monitoring tools, like focus assist, zebra stripes, and histograms. It’s also designed to work with most DSLR and mirrorless cameras.

It’s a lightweight external camera screen. That makes it easy to attach to your DSLR camera rig or stabilizer setup. And there’s no need to transfer the media first.

It also has built-in speakers. This lets you watch playback with audio. Or you can also use the headphone jack for better audio playback.

The display isn’t a touchscreen, which is a drawback. But you get a lovely 160-degree viewing angle. This wide-angle view gives you more viewing options. And it makes it easier to get the exact shot you need.

3. Portkeys BM5WR Touchscreen Field Monitor

Brand	Brand Portkeys
Dimensions	Dimensions 5.7 x 4.7 x 1.8 inches / 14.5 x 12 x 4.5 cm
Weight	Weight 351 g
Screen Size	Screen Size 5.5 inches
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 2200 nits
Touchscreen	Touchscreen Yes
Ports	Ports HDMI and SDI input and loop output
Best For	Best For Outdoor shooting, remote shooting, photography and videography

If you’re looking for a bright, contrasty on-camera monitor, then the Portkeys BM5WR may be the right choice. Its brightness rating of 2200 nits is only beaten by the Blackmagic Video Assist listed below.

Its screen is only 5.5 inches, and it can’t record video. But it offers excellent connectivity, supporting 3G-SDI, HDMI, HDMI-SDI cross-conversion, and Bluetooth.

Other valuable tools include precision waveform, zooming, color temperature, ARRI false-color mode, and improved focus peaking. It also has underscan, OSD flip, image capture, and 3D LUT features.

When used with the Blackmagic Design Pocket Camera 4K or 6K, the Bluetooth connection lets you remotely control settings. These settings include zoom, shutter speed, codec, focus, and screen resolution.

The BM5WR gives you a nice wide viewing angle of 178 degrees. And the bright display is a touchscreen. This makes it super easy to use.

It’s also made with toughened glass. This means you get a productive viewing angle and extra protection. It’s why it’s one of the best camera screens for outdoor shooting. Plus, the 1000:1 low-contrast ratio is another spec that improves its outdoor use.

4. Lilliput A7s 4K Monitor

Brand	Brand LILLIPUT
Dimensions	Dimensions 7.5 x 31.5 x 0.8 inches/ 18 x 12.4 x 2 cm
Weight	Weight 320 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 10
Brightness	Brightness 500 nits
Touchscreen	Touchscreen No
Ports	Ports 4K HDMI 1.4 input and loop output, 3.5mm headphone jack
Best For	Best For Photographers and videographers on a budget, DSLR cameras, indoor shooting

The Lilliput A7s is the most affordable 7-inch on-camera monitor if you don’t need to record your footage. It has buttons and a scroll wheel rather than a touchscreen.

It also fits onto a DSLR hot shoe, can cope with 4K video (with loop-through HDMI output), and has two customizable function keys. It offers similar bells and whistles to more expensive on-camera monitors.

Advanced functions include the following:

Audio Level Meters: You can check if the audio is in sync and if there is room for it to be louder.
False Color: This helps you with proper exposure by showing colors and values.
Color Bars: Provides a consistent reference for post-processing.
Pixel Zoom: Allows a close-up view to see the focus distance and other small details.

There’s also focus peaking, a pixel-to-pixel scan, and an image flip. All these features are designed to make life easier for videographers.

The camera monitor has a good 170-degree viewing angle. It’s also lightweight yet durable. And it includes a Velcro sun hood, silicone case, and ball mount.

It isn’t the most advanced monitor. And it isn’t ideal for outdoor shooting. But it’s a good budget-friendly option for DSLR users.

5. Blackmagic Design HDR Monitor

Brand	Brand Blackmagic Design
Dimensions	Dimensions 8.3 x 7.8 x 3.3 inches/ 21 x 19.8 x 8.3
Weight	Weight 410 g
Screen Size	Screen Size 5 inches
Screen Resolution	Screen Resolution 1920 x 1080
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 2500 nits
Touchscreen	Touchscreen Yes
Ports	Ports HDMI input and output, BNC, SDI input and output, 3.5mm headphone jack, USB-C (3.1 Generation 1), UHS-II SD card slot
Best For	Best For Professional video and photography, RAW shooting

The Blackmagic Design HDR monitor is at the top end of the market for on-camera monitors. Plus, it’s the only one that can capture Blackmagic’s RAW code video. (When you shoot with a model from its Pocket Cinema Camera range.)

The screen resolution is Full HD. So it’s an excellent external screen display. It’s a good option for high-quality video recording. This monitor allows you to capture 4K at 60 fps. And you can use it with pro-level DSLR and mirrorless cameras.

It has RAW compatibility. It has all the ports you need for professional recording. And it also offers 3D LUTs, professional scopes, exposure tools, and focus-assist features.

The screen is incredibly bright. The brightness adjustment goes all the way up to 2500 nits. This strong illumination helps you see all the details of your shot. It also helps when shooting in direct sunlight.

6. ANDYCINE A6 Plus 4K HDMI Monitor

Brand	Brand ANDYCINE
Dimensions	Dimensions 7.7 x 5 x 4.1 inches / 19.5 x 12 x 10.4 cm
Weight	Weight 235 g
Screen Size	Screen Size 5.5 inches
Screen Resolution	Screen Resolution 1920 x 1080
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 450 nits
Touchscreen	Touchscreen Yes
Ports	Ports 4K HDMI input and loop output, 3.5mm stereo headphone jack
Best For	Best For Beginner photographers and videographers

The ANDYCINE A6 Plus offers a lot of features at a low price point. The video assist options include a histogram, a false-color function, and peaking tools. Plus, there is 3D LUT support via an SD slot.

The Full HD display gives you good color and detail. But with a max brightness of 450 nits, you will struggle in bright sunlight.

The built-in arm does give good flexibility. It gives you a good view when shooting from any angle.

It attaches to the hot shoe at the top of your DSLR or mirrorless camera. And it’s compatible with Nikon, Canon, Fujifilm, and Sony cameras. You can also attach it to a camera rig or gimbal. It also has an SD card slot built-in.

The A6 Plus monitor comes with a sun hood, carrying case, and rechargeable battery set. And you can also use the 8V DC output to charge DSLR cameras. It’s the perfect camera monitor if you’re a beginner.

7. Atomos Shinobi 7-inch 4K Monitor

Brand	Brand Atomos
Dimensions	Dimensions 9.6 x 7.2 x 3.9 inches / 24 x 18 x 9.9 cm
Weight	Weight 577 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 2200 nits
Touchscreen	Touchscreen Yes
Ports	Ports HDMI (2.0) 4Kp60 and 2Kp60 and input and output, 3.5mm stereo
Best For	Best For Enthusiast videographers, photographers, and vloggers

The Atomos Shinobi 5-inch and Atomos Shinbi 7-inch monitors are the equivalents of the Ninja V. But you can’t use them as an external recorder.

This bright, 7-inch version has log conversion. So you can preview the look of RAW footage and upload LUTs from an SD card.

There aren’t many major differences between the Shinobi 5 and 7. But the bigger screen does give you a better image.

The Shinobi 7-inch is an excellent device when shooting photography in Live View. You can shoot from more angles. And its brightness allows you to shoot outside in bright sunlight. It also has HDR settings for even better image viewing.

8. Desview R7 II Camera Field Monitor

Brand	Brand Desview
Dimensions	Dimensions 7 x 4.6 x 0.9 inches / 17.8 x 11.7 x 2.2 cm
Weight	Weight 400 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 10
Brightness	Brightness 2600 nits
Touchscreen	Touchscreen Yes
Ports	Ports 4K HDMI Type-A (HDMI 1.4) input and output, 3.5mm headphone output
Best For	Best For Photographers and videographers using DSLR cameras

The Desview R7 II is a big improvement from the original R7 monitor. The previous model only had a brightness of 450 nits. The R7 II has a brightness of 2600 nits. That’s incredible brightness. And it allows you to shoot outdoors in the brightest of sunlight.

We’re pleased to see this model has a touchscreen. That makes it simple and easy to use. You can also use it when wearing gloves, which is handy in cold weather. The menu systems are also straightforward and uncomplicated. And you can customize the shortcut buttons on the screen for quick access to your favorite features.

The external screen has Full HD resolution. And it supports 4K video recording. That’s ideal when using 4K DSLR cameras. You also get custom imports for 3D-LUT to help you preview the shooting image.

Other useful features include a histogram, waveform, and vectorscope. There are color temperature controls. And it supports HDR monitoring for better detail inspection.

The specifications are excellent. But it remains a compact and lightweight external camera screen. It’s more expensive than the original R7. But the Desview R7 II camera monitor is well worth the extra money if you can stretch your budget.

9. FeelWorld T7 4K Camera Monitor

Brand	Brand FEELWORLD
Dimensions	Dimensions 7.1 x 4.7 x 0.7 inches / 18 x 12 x 1.8 cm
Weight	Weight 320 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 10
Brightness	Brightness 450 nits
Touchscreen	Touchscreen No
Ports	Ports 4K HDMI input-output, 3.5mm stereo headphone
Best For	Best For Beginner photographers and amateur vloggers

The FeelWorld T7 is a budget-friendly version of the FW279.

It doesn’t have 2200-nit brightness. But it makes up for it with a large screen, slim design, and wide 160-degree viewing angle. It is also a lightweight external screen. So it’s not a burden when attached to your rig.

Despite being lightweight and compact, it’s a durable camera monitor. And it has a strong aluminum frame. This is reassuring when compared to some of the plastic-framed competitors.

You also get an excellent range of monitoring tools. It includes color calibration technology, a focus peaking filter, a histogram, exposure controls, and a false-color function.

The low-brightness level does let you down when shooting outside. But the Full HD resolution is sharp and vivid. The T7 can also cope with higher video resolutions, so you can pair it with your 4K camera.

10. FeelWorld F6 Plus DSLR Monitor

Brand	Brand FEELWORLD
Dimensions	Dimensions 5.7 x 3.4 x 1 inches / 14.2 x 8.7 x 2.7 cm
Weight	Weight 235 g
Screen Size	Screen Size 5.5 inches
Screen Resolution	Screen Resolution 1920 x 1080
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 500 nits
Touchscreen	Touchscreen Yes
Ports	Ports 4K HDMI and Type-C input, 4K HDMI and DC output, 3.5mm stereo
Best For	Best For Canon Users

The Feelworld F6 Plus is specifically designed for professionals using Canon DSLR cameras. The display supports Full HD screen resolution. And the input-output ports cover all the most popular options.

It has a built-in tilting arm that rotates 360 degrees. This means you can view the screen from any angle. And its slim, lightweight design makes it highly portable. So it won’t add much extra weight to your DSLR setup.

The screen is smaller than the 7-inch versions. But the Full HD resolution gives you a crisp and clear image for Live View and playback. The battery life is disappointing for a camera screen at this price. But overall, the F6 Plus does offer good value for your money.

11. Neewer F100 Camera Monitor

Brand	Brand Neewer
Dimensions	Dimensions 8.8 x 7.6 x 2.5 inches / 22 x 19 x 6.3 cm
Weight	Weight 866g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1200 x 800
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 450 nits
Touchscreen	Touchscreen No
Ports	Ports 4K HDMI input-output
Best For	Best For Beginners

The Neewer F100 is a basic monitor with a large screen. It’s ideal for beginner Canon cameras. It has various “extras,” including an AV-HDMI cable and a hot shoe ball head. You also get a shoe mount and a sun hood.

Screen resolution and brightness are limited. But this external camera screen does have a 1200:1 contrast ratio. It also offers basic features such as zoom assist, scanning, and focus peaking. These are excellent tools if you’re new to using an on-camera monitor for photography or video.

The F100‘s screen comes with a high-quality mental mount. It attaches to your camera’s hot shoe. And it’s strong and sturdy, so there’s no unwanted movement when viewing your picture.

It’s a basic camera monitor. But the build quality is strong overall.

12. SmallHD Indie 7 On-Camera Monitor

Brand	Brand SmallHD
Dimensions	Dimensions 7.1 x 4.7 x 1.3 inches / 18 x 12 x 3.3 cm
Weight	Weight 567 g
Screen Size	Screen Size 7 inches
Aspect Ratio	Aspect Ratio 16 • 10
Brightness	Brightness 1800
Touchscreen	Touchscreen Yes
Ports	Ports HDMI (Micro, Type-D), 3G-SDI input and output, 3.5mm headphone, USB 2.0, ethernet, SD card slot
Best For	Best For Professionals shooting outdoors

The SmallHD Cine 7 is a 7-inch Full HD touchscreen monitor for professionals. It’s an all-in-one wireless monitoring or transmission solution. And it’s aimed at assistant cameras (ACs), solo shooters, and directors.

The bright, high-resolution screen is ideal for outdoor shooting. And its features include framing guides and 3D LUT overlays. The only problem is that it doesn’t support 4K recording.

The brightness and resolution give you an accurate display. And the color rendition is close to perfect.

Plus, you get a wide 160-degree viewing angle. And the touchscreen makes it easy to navigate through the menus.

There are four other versions available besides the basic Cine 7. There are various “kits” offering camera control for different models:

Cine 7 RED RCP2 Kit (for RED KOMODO or DSMC3 cameras)
Cine 7 Sony VENICE Kit
Cine 7 ARRI Kit
Cine 7 RED DSMC2 Kit

13. SmallHD Cine 5 Camera Monitor

Brand	Brand SmallHD
Dimensions	Dimensions 7.1 x 4.7 x 1.3 inches / 18 x 12 x 3.3 cm
Weight	Weight 737 g
Screen Size	Screen Size 7 inches
Screen Resolution	Screen Resolution 1920 x 1200
Aspect Ratio	Aspect Ratio 16 • 9
Brightness	Brightness 1000 nits
Touchscreen	Touchscreen Yes
Ports	Ports HDMI (Type A) input and output, BNC (3G-SDI/HD-SDI) input and output, SDI and HDMI embedded audio, 1/8-inch (3.5 mm) headphone output, barrel (10 VDC) power input, and USB 2.0 (Micro-USB) input
Best For	Best For Big-budget photographers and videographers

The SmallHD Cine 5 camera monitor boasts a large, bright, crystal-clear display. And most users will appreciate the responsive touchscreen display.

It also has various video assist tools such as professional image analysis, advanced pixel zoom, color correction, and unlimited real-time 3D LUTs.

The 1000-nit brightness and 1000:1 contrast ratio make it a good option for outdoor shoots. And the long battery life allows you to work for longer without interruptions.

The Cine 5 has in-house software for its on-camera monitors. This gives you enhancement and editing tools without buying additional software. It is an expensive external camera screen. But it’s a pro-level piece of equipment for photographers and videographers.

How to Choose an External Camera Screen

There are several factors to consider when choosing an external monitor. These include size, weight, screen resolution, and brightness. It is also good to look for a touchscreen, recording capabilities, and the number of input and output ports available.

Screen Size

This is a trade-off. A smaller camera monitor will be lighter and more portable. But a larger one will give you a better view of your pictures or log footage.

The on-camera monitors in this list are all 5 to 7 inches in size (measured diagonally). But you still need to consider other factors.

These include the size and weight of your camera and how you plan to connect them. And you also want to consider whether you generally shoot handheld, with a gimbal, or from a tripod.

Features

There are three important factors for the optical features of external monitors.

Screen brightness: If you’re going to be shooting outdoors in bright sunlight, you want something offering at least 1000 nits and a 1000:1 contrast ratio. This way, you don’t get washed-out colors or have to dash into the shadows to see your footage!
Resolution: This is essential. And we mean the camera monitor’s screen resolution and the footage’s resolution. Most monitors have a 1920 x 1080 (16:9) screen. But that doesn’t mean they can’t display or record 4K Ultra HD (UHD) video (a resolution of 4096 x 2160).
Contrast

High-end DSLRs and mirrorless cameras now offer many monitoring tools to help videographers. They include zebra stripes and focus peaking. But an excellent external monitor will offer all that and more… plus the ease of use from a larger screen.

Two features that might be very important are touchscreen control and recording directly to the monitor. (The Atomos Ninja V, Blackmagic Design HDR, and the Atomos Shogun 7 can record.)

Wireless monitors have an added benefit. They allow you to walk around without being tied to the camera. Some even offer a “focus following” system. This lets you adjust the focus remotely from the camera monitor rather than the camera.

Click the photo to watch the video. © Nick Dale

Connections

In photography, compatibility is a big issue. This is especially true when it comes to external monitors.

It’s no good buying one if it won’t “talk” to your camera. So it’s important to work out which video formats and codecs you’ll use.

You also need to know which microphones and headphones you’ll use. And you want to determine whether your external camera monitor has all the right connections.

Some monitors are specifically designed to be on-camera monitors mounted on the hot shoe of a DSLR or mirrorless camera. It’s convenient if the external camera screen has a built-in “tilt arm.” It lets you spin the monitor 360 degrees (both vertically and horizontally).

Alternatively, you can link the camera and external monitor with an HDMI cable. And most monitors also allow you to “loop” footage to other monitors or devices. This is handy if you’re working with an assistant on set.

Benefits of External Monitors

Are you still on the fence about buying an external monitor? Here are the main advantages:

It’s easier to check composition, focus, exposure, etc.
It offers flexible positioning, so you no longer need to stand next to the camera
More suitable 16:9 aspect ratio than 3:2 camera LCDs
Easier to watch log footage with other people on set
Always visible if you’re doing a vlog with a fixed-screen camera
Helps visualize final output using built-in look up tables (LUTs)
Has monitoring tools that may not be available in-camera, e.g., waveforms and vectorscopes
Better video recording quality (higher bit rates in some instances)
Additional recording capacity
It helps avoid camera overheating when filming for long periods

Conclusion: The Best External Camera Screen

The best external camera screen is the Atomos Ninja V 4K monitor. It provides a 5-inch, 1000-nit HDR display. And it gives you 10-bit color and a Full HD resolution. It offers great value. And all considered, it’s the best camera monitor right now.

We’ve provided plenty of camera screen options. There are options for indoor and outdoor shooting. And we have monitors for beginners, enthusiasts, and professionals. So you won’t fail to find a fantastic external camera screen that meets your needs!

Our Top 3 Choices for The Best External Camera Screen

Atomos Ninja V 4K Monitor

FeelWorld FW279 4K DSLR Monitor

Portkeys BM5WR Touchscreen Field Monitor

5 Best Time-Lapse Cameras in 2024 (Updated)

Trevor Marshall — Thu, 03 Nov 2022 15:03:45 +0000

You don’t have to buy a specific time-lapse camera to take amazing footage. Many modern cameras offer the facility, and others can be used with an interval timer. This is a short round-up of some cameras that make the time-lapse genre easily accessible.

You do not have to look for a fast frame-per-second rate, speedy autofocus, or a tracking system. What is important is a high-resolution sensor, the ability to shoot in RAW, and work well in low light.

Our top pick is the GoPro Hero11. It combines amazing go-anywhere capabilities with simple time-lapse and hyper-lapse shooting:

Our Top 3 Choices for The Best Time-Lapse Camera

GoPro Hero11 Black

Nikon D850

Canon EOS 90D

What are the Best Time-Lapse Cameras for Photography?

This review looks at cameras for short-term time-lapse. Films that cover days, weeks, or months, like construction projects, use more specialized cameras. Before we look at the cameras in more detail, here’s a table with a summary of their features.

Our Top Time-Lapse Choice

GoPro Hero11 Black

Incredible photo resolution
Fantastic 5.3K video resolution for vivid action footage
1080p live stream and webcam
HyperSmooth image stabilization for smooth video recording
Waterproof down to 33 ft (10 m)
Best battery life from a GoPro

Best Full Frame DSLR for Time-Lapse

Nikon D850

Fantastic overall image quality
Excellent 3D continuous AF tracking
Long, 1,840-shot battery life
Durable, weather-sealed construction
Sharp 4K/30p Ultra HD video

Best APS-C DSLR

Canon EOS 90D

Excellent 32.5 MP APS-C sensor
Dual Pixel AF with eye detection
Decent frame rate of 10 fps
Good, 1,300-shot battery life
Live View and 4K/30p Ultra HD video

Best Mirrorless Camera

Sony a7 III

Quick and accurate 693-point AF
Wide ISO range with a low 50 setting
Outstanding dynamic range and low-light performance
Records stunning 4K video and has live stream capabilities

Most Adaptable Camera

DJI Action 2

4K video at 120 fps
Maximum 240 fps at 1080p
Waterproof to 33' (10 m) without a case
Modular design
Flexible mounting options

Now, starting with our top pick, let’s look in a little detail at our recommendations.

1. GoPro HERO11 Black

Brand	Brand GoPro
Megapixels	Megapixels 27 MP
Sensor Size	Sensor Size 1/1.9"
Field of View	Field of View 155
In-body Stabilization	In-body Stabilization Electronic Image Stabalization
Max Video Resolution	Max Video Resolution 5.3K
Slow Motion Speed	Slow Motion Speed 8x
Wi-Fi	Wi-Fi

The GoPro Hero11 Black makes time-lapse and hyper-lapse video super easy. Hyper-lapse is a time-lapse movie where the camera is not in a fixed position. GoPro calls its time-lapse “TimeWarp” and the software does a great job of smoothing out the changes in exposure.

The other thing the GoPro smoothes out is camera-shake. The HERO11 is probably unmatched in its image stabilization. It is almost unbelievably smooth, and horizon leveling can now keep the horizontals remaining that way, even as the camera rotates 360 degrees.

Added to this it the ease with which you can attach a GoPro almost anywhere—there’s even a harness for dogs—giving you a wealth of possibilities limited mainly by your imagination.

2. Nikon D850

Brand	Brand Nikon
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Nikon F FX
Megapixels	Megapixels 45.7 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 153
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 7 fps
Video	Video
Screen Size	Screen Size 3.2"

The Nikon D850 is not just an excellent pro-level DSLR, with all the features and capability you would expect. But it also has a built-in intervalometer and time-lapse movie shooting modes. The former allows you to take pictures at set intervals, then process them at a later date into a movie. The latter combines the images in-camera for ease of use.

You might want to choose the interval timer for capturing the best quality, or for processing individual frames (which are normal photos).

In every other respect, this is an excellent camera. It has a wealth of lenses to choose from, a top-quality sensor, and AF capability. You won’t be limited to time-lapse photos if you have the Nikon D850 in your bag.

3. Canon EOS 90D

Brand	Brand Canon
Sensor Format	Sensor Format APS-C
Lens Mount	Lens Mount Canon EF/EF-S
Megapixels	Megapixels 33 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 45
Minimum ISO (Native)	Minimum ISO (Native) 100
Maximum ISO (Native)	Maximum ISO (Native) 25,600
Frame Rate	Frame Rate 10 fps
Video	Video
Screen Size	Screen Size 3"

The Canon EOS D90 has the same time-lapse options as the Nikon. The main differences are in size—both of the sensor and body. The Canon has a 32.5 MP sensor, but it is APS-C rather than full frame.

One benefit of this is that the camera is lighter and easier to mount in places that might be appealing for a time-lapse video. It has similar advantages to the Nikon—a huge range of lenses available, highly-regarded AF and metering systems, and uses far beyond the one genre of time-lapse.

A great choice of camera which also includes the benefit of time-lapse photography.

4. Sony a7 III

Brand	Brand Sony
Sensor Format	Sensor Format Full Frame
Lens Mount	Lens Mount Sony FE
Megapixels	Megapixels 24.2 MP
In-body Stabilization	In-body Stabilization
Autofocus Points	Autofocus Points 693
Minimum ISO (Native)	Minimum ISO (Native) 100
Maximum ISO (Native)	Maximum ISO (Native) 51,200
Frame Rate	Frame Rate 10 fps
Video	Video
Screen Size	Screen Size 3"

Lots of people are fans of the Sony a7 III, and video is one of its main strengths. Its built-in intervalometer opens up the world of time-lapse as well. The full frame sensor produces images of the highest quality, and its low-light performance is excellent. This is important, as time-lapse really seems to come alive at night.

Like the other cameras in this review, the Sony a7 III is not a one-trick pony. It handles still and video photography with style, and it is a reassuringly well-made camera. Image quality is excellent, and its 693-point autofocus system is quick and reliable.

There aren’t as many E-mount lenses as you’ll find for Nikon and Canon cameras, but there are more than enough to meet your needs. And the Sony will deliver on a daily basis as an excellent camera whatever your needs.

5. DJI Action 2

Released	Released 2021
Megapixels	Megapixels 12 MP
Sensor Size	Sensor Size 1/1.7"
Field of View	Field of View 155
In-body Stabilization	In-body Stabilization Electronic Image Stabalization
Max Video Resolution	Max Video Resolution 4K
Slow Motion Speed	Slow Motion Speed 8x
Depth Rating	Depth Rating 10 m
Wi-Fi	Wi-Fi

Like the GoPro, the DJI Action II combines amazing image stabilization and super-easy time-lapse. It also comes with a range of modular options from front-facing screens to magnetic mounting systems. For time-lapse on the go or in tough environments, it’s a great alternative to the ubiquitous GoPro.

Other features such as 4K video at 120 fps or super slow-motion 1080p at 240 fps are great for action camera enthusiasts.

There are almost limitless ways of mounting the DJI Action II, allowing time-lapse photography in all sorts of unusual places.

Conclusion

There are all sorts of ways of getting into time-lapse photography. If you’re looking to buy a camera with time-lapse as the main feature, you won’t go far wrong with our top choice. It can produce jaw-dropping images in the most difficult of situations.

Our Top 3 Choices for The Best Time-Lapse Camera

GoPro Hero11 Black

Nikon D850

Canon EOS 90D

Effortlessly create stunning time-lapse video and photos with our Total Time-Lapse course!

How to Make a Time Lapse in Photoshop (Step By Step)

David Baxter — Wed, 03 Nov 2021 21:30:34 +0000

Time-lapse videos are becoming more popular all the time. Following this trend, most newer cameras have the ability to make a time-lapse video directly in-camera. But you can also create a time-lapse in Photoshop.
In-camera time-lapse is very convenient. All you need to do is to set up the interval and exposure settings, then let the camera do the rest. But it’s also easy to make amazing time-lapse videos in Photoshop CC too.

Creating a Time-Lapse In Photoshop

Photoshop has been with us for many years now. It’s become the industry leader in image manipulation. We’ve seen the addition of layers, layer styles, vector graphics, and smart objects. There’s also a host of new tools and refinements, including some 3D capability.
Adobe Photoshop is the Swiss Army knife of editing software. It can do pretty much anything. But for specific processes, sometimes it doesn’t reach the mark of more specialised programs.
When it comes to time-lapse videos, Photoshop is more than capable. There is an alternative in Time-Lapse Assembler, which is free for both Mac and Windows. But in this article, we’ll show you how to make a time-lapse video in Photoshop.
If you want to know the best settings for time-lapse photography, take a look at our post on the subject here. In this article, we’ll start from the beginning of the post-production process.

1. Prepare Your Images in Lightroom

It’s generally a good idea to make a new folder for each time-lapse sequence you shoot. It will help you keep things organised.
Click on the folder in the Library view to see your image sequence. Check all your images and discard any duff photos.
Apply some basic tonal adjustments and crop to a representative image that can be copied to all the other images in the sequence.
You can do this very easily using Lightroom.

Once you’ve adjusted one image and it’s still selected (as shown above), press CTRL+A or CMD+A to select all the other photos. Then click the Sync button.
Click ‘check all’ to tell Lightroom to copy all the possible adjustments. Then click Synchronize to copy these developed settings to the other images in your sequence.

2. Organize Your Image Files

Organizing your images is a crucial part of creating time-lapse videos. It’s not just about keeping things tidy, it’s an important step in the creative process.
Export your still images as JPEG files into one folder. Each image should have the same file name. But, they also have to be numbered in order of sequence.
The filename must have leading zeros, like this—flower-0001.jpg, flower-0002.jpg, flower-0003.jpg.
This numbering is important. Photoshop adds the images into the video sequence based only on the ASCII value of their filenames and not on any EXIF data.
Select all the images and hit Export to bring up the export dialogue.

Under File Naming, tick Rename To and select the ‘edit’ option from the drop-down list. It will bring up the Filename Template Editor (shown above).
Click the Sequence drop-down list and select a format with leading zeros.
A preview of the filename format will be shown at the top of the Filename Template Editor (in this example, it’s Lily-0001.jpg). When you hit ‘done’, this format will appear in the File Naming section of the Export dialogue.
Check that you’re exporting as JPEG images. And make sure the size is set up according to the resolution of the display device.
Set the long edge to 3840 pixels for 4K Ultra HD, 1920 pixels for Full HD, or 1280 for standard HD. In this example, I’ve chosen a width of 1280 for a standard HD video.
When the export is complete, you will have a numerically sorted list in your chosen folder. It’s now time to open Photoshop.

3. Import Your Images into Photoshop

Photoshop has a special workspace for dealing with motion graphics. You can activate it by clicking on the Window menu option. Then Workspace>Motion.
When you do this, you’ll notice a Timeline area appears at the bottom of your screen. Select File>Open and navigate to your image sequence folder to load your prepared photo sequence onto the timeline.
Select any image in the sequence, then click the Options button in the lower-left corner of the File navigator window. It will reveal some extra options, then tick the Image Sequence box.
Only select one image from the file. If you select more than one, the Image Sequence box will not be available.

Click ‘open’, and Photoshop will ask you to select a frame rate. The drop-down box contains many of the common frame rates such as 24, 25, and 30fps.
You can click ‘custom’ to set your own rate to speed up or slow down the final video. Here, I’ve selected 25fps.
When you hit OK, Photoshop will add all the images in the folder to the timeline. If you’re unsure what frame rate to use, you can pick one and modify it later.

Photoshop doesn’t import the images, but it does reference them. Don’t change any component file names or locations until after you’ve rendered your work as a video file.
The timeline will now contain your image sequence (‘Video Group 1’), ready for you to edit. The layer palette will also show a new group called Video Group 1.
If you’re familiar with using Photoshop for photos, you’ll find working with video fairly intuitive. You can apply masks, blending modes, and layer styles to a video in the same way you’d apply them to a photo.
You can also load multiple video clips and trim them to length. Or you can change their order and add keyframes and music.

4. Construct Your Timeline in Photoshop

The image sequence is shown as a blue bar. Above this, the play head indicates the currently displayed frame against a scale of seconds and frames. Click and drag the play head to jump around your sequence.

Clicking and dragging either end of the sequence will enable you to trim the length. Since the frames are just referencing the JPEG images, trimming is non-destructive. You can always restore the clip length later.
To play your entire sequence or position the play head on a specific frame, use the controls to the left of the timeline bar, seen below.

Under settings, set the resolution to 50%. If playback is not smooth and your computer is not able to display every frame, work at 25%. This only affects previews and will ease the load on your computer’s processor. It won’t reduce the quality of the final video.
Above each end of the bar, there are two work area markers. When you hit the Play key, Photoshop will play just the section between these two markers.
Drag the markers to define an area of interest to edit. Or you can use them to define a selected portion of your image sequence you want to be rendered into a video.

5. Create Convenient Shortcut Keys

Since video editing involves a great deal of play head shuffling, it makes sense to use shortcut keys to speed up the workflow.
While you’re in video mode, you have the option to reassign some of your existing shortcut keys. They will revert to their normal function again when you switch back to editing photos.
To enable this, select the timeline menu button as shown above and tick the Enable Timeline Shortcut Keys option.
You can now use:

the spacebar to start and stop playback;
left arrow key to move back one frame;
right arrow key to move forward one frame;
up arrow key to move to the start of a clip; and
down arrow key to move to the end of a clip.

6. Remove Unwanted Frames

Checking all the images in Lightroom before exporting them sequence means you can weed out any duff images. For example, the flash of a car’s headlights during a night shoot. Or that person wearing a hi-viz jacket in one photo.
But if you did miss one, you can remove it without generating the whole sequence again.
Use the play head controls to position it at the frame where you want to cut the content. Make sure the video group is selected in the timeline. Then click the Scissors button to split the sequence at the play head.
Move the play head to the end of the section you want to remove and click the Scissors button again. Now make sure that only the unwanted section is selected. Hit the delete or backspace key to remove it.

7. Export and Render Your Time-lapse

At this stage, we have a Photoshop file that references external media. The video we’ve been watching is just a preview containing our edits and effects.
The time has come to turn all this into a real video file. The exporting process is called ‘rendering’. Depending on the length and complexity of your video, it can take a while. It might even take a few hours.
Click the timeline video menu icon and select Render Video. Or, you can click on the little arrow icon at the bottom left of the screen to bring up the Render Video dialogue box.

Select a name and destination for your video file with an optional sub-folder. Make sure Adobe Media Encoder is selected in the Render Video dialogue box.
Under format, select H.264 to make an MP4 file (the most common format on the internet) or Quicktime if you want to make a .mov file.
I would recommend selecting H.264 as it’s so widely used. This also makes a huge range of presets available when you select the Preset drop-down box.

Selecting one of these presets will fill in the remaining details (such as resolution and frame rate) for you. If you don’t want to use any existing preset, just set the size to custom. Enter the pixel dimensions and frame rate you want.
Leave the Aspect set to ‘Document(1.0)’. This will produce square pixels. You don’t need to use rectangular pixels because you set the required video aspect ratio back in Lightroom.
Under the ‘range’ setting, you can opt to render ‘all frames’. Or, you can render the area specified by the Work Area markers on the timeline.
When you’re satisfied with the settings, hit the Render button to finish your video.
Once it’s created, you can safely delete the component JPEG images and associated Photoshop files. Keep them only if you want to make further video files from the same source images.
Now you have a fantastic time-lapse video made from still images in Photoshop.

Conclusion

Making a time-lapse in Photoshop is easy and painless. As long as you have the photo sequence ready, the process is simple.
For more interesting time-lapse videos, try using more than one camera or viewpoint for the same scene.
You can then assemble the images from each viewpoint into separate video files. And then import them into Photoshop as a sequence of clips to make a single epic video with an accompanying soundtrack.
We hope this article helps you create time-lapse videos of your own. And once you know how, you’ll be able to make lots of amazing time-lapse videos with Photoshop.
Use our Effortless Editing in Lightroom course to perfect your images before you turn them into a time-lapse video.

21 Most Influential Time Lapse Photographers to Follow in 2024

ExpertPhotography — Thu, 28 Jan 2021 14:47:05 +0000

Time-lapses speed up time and show us actions that normally happen at a much slower pace.

Everyone finds time-lapse photography fascinating. It can be surprising to see the most usual phenomenons, like a sunset, actually happening so fast. Our brain doesn’t see the huge changes when we are observing the slow progress of something.

If you are looking for inspiration, we have collected 21 of the most influential time-lapse photographers from across Instagram. Believe us, they are worth following!

What Is Time-Lapse Photography?

Time-lapse photography is a technique, where the artist takes photos during a longer period of time. Then, these frames are played right after each other, at a fast pace.

It seems fast because there is a certain time passing between taking two images. These are regular intervals. This allows us to compress hours or even days into a few seconds or minutes.

The results are videos, but we call it photography because the basis of these are photos. Some cameras are capable of immediately creating a video of the images, but with others, you’ll need special software.

There is another genre close to time-lapses, and it’s called hyperlapse. The main difference is that the making of hyperlapses requires movement, and they are not shot from the exact same place.

Who Are The Most Influential Time-Lapse Artists?

Let’s take a look at our 21 current favourite time-lapse photographers!

Emeric Le Bars

Emeric is a French, USA-based time-lapse creator and video editor. He has been working with famous companies, editing, for example, TV series, documentaries, short films and marketing videos. He has stunning videos from different places, mostly recording cityscapes, but you can find time-lapses of nature or even the moon among his works.

View this post on Instagram

A post shared by Emeric’s Timelapse (@emerictimelapse)

Artem Pryadko

Artem Pryadko is a time-lapse photographer from Minsk, Belarus. His work consists of amazing videos of cities and natural phenomenons, such as a comet. He is a master of drone-lapses, which are time-lapse videos recorded with drones. This way he can make breathtaking videos from unique perspectives.

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A post shared by Artem Pryadko (@zweizwei)

Rob Whitworth

Rob Whitworth is a BAFTA-winning and Emmy nominated filmmaker. He has been doing projects all over the globe, with highly acclaimed brands. He has been working with BBC, Netflix and Nikon, just to mention a few. His work is widely featured and he has won several awards. Watching his videos, simply makes the viewers say, “Wow, how?”.

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A post shared by Rob Whitworth (@robwhitworthproductions)

Dustin Farrell

Dustin Farrell is one of the pioneers of time-lapse photography. He is shooting and filming with a Phantom Flex 4K. Not everyone is running out there with a camera like this! You can find a lot of different things in his works. From time-lapses of cities to storms, his vision gives an unbelievable atmosphere to any subject.

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A post shared by Dustin Farrell (@dustin_farrell)

Mike Olbinski

Mike Olbinski is an Emmy-winner photographer. He is a wedding and portrait photographer, but what is most interesting for us now is his passion for storm photography. He captures incredible storms and makes time-lapses of them as well. His work has been featured worldwide, in movies, commercials, documentaries, and magazines.

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A post shared by Mike Olbinski (@mikeolbinski)

Vadim Tereshchenko

Vadim Tereshchenko is a hyperlapse artist living in Los Angeles. His videos introduce different cities, such as Las Vegas or Los Angeles. He also has amazing real estate hyperlapses which are just mesmerizing to watch. He also likes experimenting with surreal conceptions and manipulating his videos to create unreal scenes.

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A post shared by Vadim Tereshchenko (@vlvart)

Michael Shainblum

Michael Shainblum is a California-based landscape, time-lapse and aerial photographer. He has been working as a professional filmmaker and photographer since he was only 16. The videos made by him have been featured widely, his work appeared for example in National Geographic. His creativity and passion helped him to have clients like Nike, Apple or Google.

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A post shared by Michael Shainblum (@shainblumphotography)

Geoff Tompkinson

Geoff Tompkinson is a photojournalist, photographer and time-lapse video producer, who currently shoots during motorcycle tours. He has a greatly awarded 35-year career in photography and videography. He is the world’s first full-time professional digital time-lapse photographer! Before DSLRs were available, he already produced the first digital commercial time-lapse clips.

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A post shared by Geoff Tompkinson (@geofftompkinsonphotography)

Joseph DiGiovanna

Joseph DiGiovanna is the mastermind behind the amazing project, NYC TimeScape. His goal is to take one photo of New York every 30 seconds for 30 years. You might ask “how?”. Well, he has a camera set up in his living room, which he never moves, so it can record the images. This is a huge project, and it is going to make visible the changes that seem slow to us.

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A post shared by 30 Year Time-Lapse (@nyc_timescape)

Hal Bergman

Hal Bergman is a photographer based in Los Angeles. His work is mostly commercial photography, usually travel and industrial photography. He has worked with huge companies like Nike or American Express. He also has amazing time-lapse videos, and he likes experimenting with new techniques.

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Randy Halverson

Randy Halverson is a photographer, who produces wonderful time-lapse videos. He is a master of astrophotography, and he makes time-lapses in nature, mostly at night. His work is unique because he records movements of the night sky that wouldn’t be visible to the naked eye. If you want to learn how he does it, you are lucky because he also has workshops!

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Oliver Kmia

Oliver Kmia is a photographer and videographer, based in Miami, Florida. He has breathtaking time-lapse and hyperlapse videos from different parts of the world. For his works, he uses a drone, this lets him take the videos to an even more interesting level. From capturing sunrises to making travel videos, his work is always perfect.

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Babak Tafreshi

Babak Tafreshi is an Iranian-American science photojournalist, who is working with National Geographic. He is the founder and director of The World at Night (TWAN). His images and night time-lapses draw attention to the importance of preserving the natural night environment. His breathtaking work shows a piece of the true beauty of our world.

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Enrique Pacheco

Enrique Pacheco is a videographer and time-lapse artist, who moved to Iceland. He loves exploring and capturing the wonders of nature through time-lapse videos. He also travels a lot and you can find time-lapses from cities like New York or Hong Kong in his work. But mostly for him, it’s about landscapes and astonishing sites.

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Christoph Malin

Christoph Malin is a filmmaker and mountain biker, which two he combines perfectly. He is also an astrophotographer, a member of The World at Night (TWAN) organisation. He considers the mountains as his home and he manages to show their beauty through his amazing photos and time-lapse videos.

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Casey Kiernan

Casey Kiernan is a professional photographer since 2000. He has been filming in Joshua Tree National Park and the American Southwest for many years. His preferred genre is night photography, he is amazing in astrophotography. He produces breathtaking time-lapses, and he even has workshops you can join!

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Drew Geraci

Drew Geraci is a cinematographer and US Navy Veteran. He founded District 7, a company that specialises in time-lapse and aerial cinematography. He has worked with several famous clients, such as Netflix or HBO. Among many commercial productions, he produced the opening of the series, House of Cards, and three NFL Superbowl time-lapse intros.

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Morten Rustad

Morten Rustad is a professional time-lapse photographer, based in Oslo, Norway. Since he started his career on this path, he has been working full-time on his breathtaking videos. He is the CEO of VJUS, a Norwegian film production company. His videos show magical, dream-like landscapes, with rainbows, clouds, and anything nature can come up with.

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Keith Loutit

Keith Loutit is a time-lapse artist with huge projects. He started The Lion City Project in 2012, and he has been documenting the changing cityscape of Singapore for eight years. He captures skyscrapers growing from the ground, or sometimes disappearing. His videos almost seem surreal, you don’t see buildings growing this fast every day!

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Martin Heck

Martin Heck is a time-lapse cinematographer, based in the Bavarian Alps, and he travels the world to make amazing videos. He is the founder of Timestrom Films. He enjoys shooting among difficult environments, this is how he manages to capture such amazing scenes. Astrophotography stands close to his heart too, you can see night records in his work.

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Tyler Fairbank

Tyler Fairbank is an Emmy-winning cinematographer and video director. He is currently based in San Francisco, but he has worked all around the world. He specialises in time-lapse and stop motion techniques. His amazing work is featured widely by companies like Netflix, BBC Travel, National Geographic or Netflix.

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Conclusion

If you’re a time-lapse artist yourself, it’s a good idea to get inspiration by watching other photographers work. If you’ve never tried timelapse photography, you surely have the motivation now!

Go through these 21 time-lapse photographers work and see which techniques you want to learn. You can get to dream-like places by watching them and see the environment changing at a surreal pace.

Do you agree with our list? Drop us a comment with your favourite time-lapse photographer under this post!

We are always on the lookout for exciting new time-lapse photographers. If you are a time-lapse photographer, and you feel like you should be considered this list, make sure to drop us an email at emma@expertphotography.com with your bio, website, and Instagram link!

How to Create Time-Lapse Movies: A Complete Guide

Christopher Bryan-Smith — Fri, 08 Jan 2021 20:00:43 +0000

Time-lapse photography is a great way to add a new level of creativity to your work. You can create new types of media, venturing away from the standard still photography, and use your camera skills to make stunning video art.

The concept of time-lapse photography is simple. But mastering the art takes time, effort, and the right gear. Thankfully, we have all the information you need to start making your own breathtaking time-lapse movies.

Video Course

Total Time-Lapse

Discover the secrets to breathtaking time-lapse videos with this course:

Learn to capture stunning scenes with any camera in minutes.
Master the art of storytelling through motion and time.
Access award-winning techniques without expensive workshops.

What Is Time-Lapse Photography?

Time-lapse photography involves taking several still images in the same spot over a period of time. Afterward, you combine them to create a movie. Because the movie is a series of images taken from the same point, it looks like time is moving faster.

By taking pictures at set intervals, you’re condensing large periods of time into smaller ones. For example, you can take a sequence of images over days and produce a video that only lasts one minute.

You can choose the span of your time-lapse sequence. You can capture an image in the same spot over an hour or two or have the camera take a picture just once a day for a month or even a year. You can even show night falling or the seasons changing in one concise video.

Spacing the intervals is also up to you. Shorter intervals give you more shots in a shorter time, and longer intervals are used when documenting big swathes of time.

We won’t go too deep on the technicalities just yet. We’ll take you through time-lapse movie-making step by step so even absolute beginners can try this fantastic art form. Remember to click the links in each section to see the full, in-depth articles. Jump to the section you need:

Time-lapse vs speed-up video
How to shoot time-lapse photography
Types of time-lapse
Time-lapse photography gear
Editing time-lapse videos

Time-Lapse vs Speed-Up Video

Time-lapse and speed-up videos are two popular types of accelerated video media. Time-lapse photography requires more setup. It uses an intervalometer to calculate the length of the final video and set an interval between shots.

Speed-up videos are simpler to create because they record a scene without stopping. They are also better for capturing very fast subjects, as intervalometers have a minimum interval of one second.

Time-lapse photography has advantages. It takes up less storage space and allows access to long-exposure features to capture movement. It also provides more control over details when editing.

The best interval for time-lapse depends on the subject’s speed. Faster objects need shorter intervals. Both time-lapse and speed-up videos are useful in their own ways. The best option depends on factors like the time of day and desired results.

Check out our in-depth article to learn more about time-lapse vs. speed-up video differences.

Shooting Time-Lapse Photography

Time-lapse videos are a great way to express your creativity through photography. But even if you’re an experienced photographer, making smooth, exciting time-lapse videos can be tricky.

To make time-lapse videos in all conditions, you must know your camera settings and master time intervals. It’s also best to have the right tools, know how to use them and avoid common mistakes.

Camera Settings

When shooting time-lapse, it’s important to use the right camera settings. Set your camera to Manual mode and adjust the aperture, shutter speed, and ISO for the best exposure. Use manual focus to avoid the camera refocusing between shots.

Shutter speed is a key setting. A fast shutter speed makes moving subjects appear to jump between frames. A slower shutter speed of 1/15 s (seconds) or longer gives a more fluid motion effect. Use an ND filter if you need slower shutter speeds in bright light.

There are many great subjects for time-lapse photography, from cityscapes to nature. You can create amazing time-lapse videos with the right settings and some practice.

Interval Calculators

A time-lapse interval calculator is a useful tool for creating smooth time-lapse videos. It tells you how many frames you need and the time between each shot. The time-lapse photography calculator saves you from doing complicated math in your head.

To use a time-lapse calculator, input the length of your final video and the frame rate you want to use. The calculator then gives you the number of frames needed and the interval size between shots. If you know the file size for each shot, it can also tell you the total memory usage.

Time-lapse calculators make the process simple and quick. They let you focus on getting the right shots for your video instead of spending time on calculations. If you want to learn more about using a time-lapse interval calculator, click the link to see our full article.

Perfecting Intervals

Choosing the right time-lapse interval is key to making smooth videos. The interval is the time between each shot in a sequence. Longer intervals make the final footage appear faster.

To find the best interval, consider what you’re shooting and the desired speed of the final video. For example, fast-moving clouds look best with an interval of two seconds, while calm clouds need at least three seconds. Sunrises and sunsets shine with three- to five-second intervals.

Crowds and traffic need shorter intervals of one to two seconds to capture motion. Construction projects spanning months or years can use intervals of 10 to 20 images per day.

Selecting the right interval for your subject creates an engaging and dynamic time-lapse video. Our detailed guide covers more scenarios and allows you to delve deeper into time-lapse intervals.

Mistakes to Avoid

Time-lapse photography is a fun and creative way to capture the world around you. But sometimes, your time-lapse video can look choppy or laggy, usually due to a few common mistakes.

Always shoot in Manual mode and RAW format to avoid a laggy time-lapse video. These settings give you more control over your camera settings and preserve image data for later editing. Use a polarizer or ND filter in bright light to prevent overexposure.

Experiment with different locations and angles to keep your time-lapse interesting. Most importantly, take your time post-processing. Color correct and smooth out any flickering or choppiness.

Learn why your time-lapse lags to help you create stunning, professional-looking videos.

Types of Time-Lapse

We discuss the different types of time-lapse photography you can experiment with and provide tips for each niche. As needed, you can continue to our full articles.

Day to Night

Shooting a day-to-night time-lapse involves capturing a landscape as it transitions day to night. This type of time-lapse photography requires patience and the right equipment.

Set your camera to Manual mode and use an intervalometer to take photos at regular intervals. The interval length depends on the scene and how long you plan to shoot. Longer intervals work well for day-to-night time-lapse photography.

Cover your camera’s viewfinder to prevent light leaks from affecting the exposure. Use Live View mode to track the scene and adjust settings as the light changes. Once you have all the images, use software like LRTimelapse to seamlessly blend them into a stunning day-to-night time-lapse.

Hyperlapse

A hyperlapse is a more dramatic and cinematic version of a time-lapse. Unlike time-lapse photography, hyperlapses don’t need a tripod and involve moving the camera to create a sense of motion.

To make a hyperlapse, choose a location with lots of open space. Decide on the type of movement you want, such as moving towards, away from, or around a subject. Shoot in RAW and Manual mode for full control over your camera settings.

Select a focal point to keep your compositions stable, and use the grid display to keep it in place. Take a photo with every step to create the motion effect. You can take your hyperlapse to the next level with hyperlapse editing in Lightroom and a video editing program.

Hyperlapse With Dolly Zoom

You need a camera, tripod, zoom lens, and bubble level to create a dolly zoom effect in your time-lapse.

Choose a subject with distinct edges, like a building, and attach your camera to the tripod at eye level. Use grid lines to keep your photos consistent by aligning the subject with a specific line.

Take a step forward, zoom out slightly, and take a photo. Keep the subject aligned with the grid line and the bubble level centered. Repeat this process, taking at least 24 to 30 photos for a one-second video at 24 frames per second (fps).

Color-correct your photos in Adobe Lightroom to make them stand out. Use the bulk edit feature to adjust settings like contrast, saturation, and clarity. Import the photos into a video editing program like Adobe After Effects and stabilize them using the warp stabilizer.

Check out our in-depth article to learn more about the dolly zoom technique for hyperlapses.

Long Exposure

Long-exposure time-lapse photography combines their techniques to create surreal and captivating videos. You need a camera, lens, intervalometer, tripod, and ND filter to achieve this effect.

Choose a busy location to capture more movement and light trails in your time-lapse. Shoot in Manual mode to maintain consistent camera settings throughout the time-lapse.

Use a high ISO in low light conditions and a small aperture like f/11 to capture sharp details. A slow shutter speed of 3 to 10 seconds creates smooth light trails and seamless movement.

Manually focus your camera to avoid inconsistencies and use an ND filter to prevent overexposure in bright daylight. Set your intervalometer with the desired interval and the number of photos. Use a time-lapse calculator to determine the best settings for your desired video length.

With patience and experimentation, you can create stunning long-exposure time-lapse videos. They showcase the beauty of movement and light. Our comprehensive guide helps you dive deeper into the world of long-exposure time-lapse.

Night Sky

Capturing a stunning night sky time-lapse video is easier than you think. Start by finding a dark location away from built-up areas to avoid light pollution. Use a sturdy tripod to keep your camera still for the long exposures.

Set your camera to Manual mode and use a wide aperture like f/2.8 to let in as much light as possible. Keep the shutter speed under 30 seconds to avoid star trails. Take test shots and adjust the ISO until you get a well-exposed image.

Next, set up your camera’s built-in intervalometer or use an external one to take photos at set intervals. Let the camera run for at least an hour to capture the movement of the stars.

Finally, you must use editing software like Adobe Photoshop to stitch the photos together. Learn more about night sky time-lapse to create even more impressive videos.

Milky Way

To capture stunning Milky Way time-lapses, find a dark location away from light pollution. Use apps like Light Pollution Map or Dark Site Finder to locate the best spots. Bring a tripod, intervalometer, and torch to navigate in the dark.

Set your camera to Manual mode and shoot RAW for the best results. Use a high ISO to capture more light, but avoid the highest setting to minimize noise. Experiment with slow shutter speeds for star trail effects or faster speeds for sharper stars.

Include landscape elements or foreground objects to add interest to your composition. Special tools like motorized camera sliders and rotating bases can elevate your Milky Way time-lapses to the next level.

Explore our in-depth guide for more tips on creating breathtaking Milky Way time-lapse videos.

Sunset

You need a camera, tripod, intervalometer, and editing software to take stunning sunset time-lapse videos. Find a location with a great view and check the weather beforehand. Arrive at least an hour before sunset to set up your equipment and find the perfect composition.

Use Manual mode and set your interval to 5 to 10 seconds for a smooth time-lapse. Adjust your exposure every few minutes to ensure consistent photos as the sun sets. Find a beautiful focal point that tells a story, and get creative with angles.

Once you have your photos, use time-lapse software to turn them into a professional video. The correct sunset time-lapse settings can help you create spectacular videos that showcase the beauty of the setting sun.

iPhone Time-Lapse

Creating time-lapse videos on your iPhone is simple. Open the native camera app and select Time-lapse mode. Press the record button to start capturing photos every few seconds, then press it again to stop it.

For the best results, use a tripod to keep your iPhone steady. Consider using a fisheye lens for more engaging landscape shots. Remote triggers can also help avoid camera shake.

The iPhone automatically stitches the captured photos into a video. To improve your iPhone time-lapse skills, try using third-party apps. Hyperlapse provides image stabilization, and Frameographer gives you more manual controls.

Experiment with shooting stationary subjects in busy environments. You can also create hyperlapses by moving the camera during recording. Read our full write-up on iPhone time-lapse photography.

GoPro Time-Lapse

GoPro time-lapse settings let you create cool, fast-motion videos. To get started, put your GoPro in time-lapse mode. Then, choose an interval, like one photo every second. The longer the interval, the faster your video appears to move.

Mount your GoPro on a tripod to hold it steady. Frame your shot, then hit the shutter button to start recording. The camera automatically captures photos at your set interval until you stop it.

GoPro stitches the images into a video for you. For more control, use the Time-lapse Photo mode instead to get individual images you can edit into a custom GoPro time-lapse.

Drone Time-Lapse

Drone time-lapses take your videos to new heights. Shoot in Manual mode for full control over settings like shutter speed to get the best results. Use a slow shutter to create a dreamy effect with smooth motion.

Set your drone to take a photo every two seconds or less to ensure transitions between shots look natural. Shoot in JPEG mode to keep file sizes smaller, which speeds up editing later.

For an even more creative twist, try making a hyperlapse. Move your drone in a straight line or pattern while it takes photos at regular intervals. The result is an immersive 3D effect. We have a comprehensive article on drone time-lapse if you want to learn more.

Time-Lapse Photography Gear

Time-lapse photography requires specialist equipment. That doesn’t mean you must spend loads of money on new gear, but it is best to know what to look for before your next shopping spree.

Of course, you need a camera capable of taking time-lapse photos. It’s also best to have a tripod to hold your camera in position during the shoot. A remote shutter release is also useful.

Cameras

In theory, you can use any digital camera to create time-lapse videos. But the truth is that some cameras are better for this type of photography than others. And the best cameras have built-in features to help you create breathtaking time-lapse movies.

The GoPro Hero11 Black is our top pick. It makes time-lapse and hyper-lapse videos super easy. The image stabilization is unmatched, keeping your shots smooth as the camera moves.

The pro-level Nikon D850 DSLR has a built-in intervalometer and time-lapse movie modes. Its full-frame sensor delivers top image quality and produces beautiful 8K time-lapse movies. The Canon EOS 90D is a great APS-C DSLR with similar interval shooting options in a lighter body.

The Sony a7 III is a favorite mirrorless camera with a built-in intervalometer. It captures stunning time-lapses with excellent low-light performance. For a unique option, the modular DJI Action 2 offers amazing stabilization and easy time-lapse in a rugged, go-anywhere design.

Consider key features like interval shooting modes, sensor size, stabilization, and form factor. Read our full article to find the best time-lapse camera for your needs.

Our Top 3 Choices for the Best Camera for Time-Lapse Photography

GoPro Hero11 Black

Nikon D850

Canon EOS 90D

Tripods

A sturdy tripod is essential for capturing smooth time-lapse videos. The best time-lapse tripods are made from strong materials like aluminum or carbon fiber. They have a high load capacity to support your camera and accessories.

Look for a tripod with adjustable legs and a fluid head for smooth panning and tilting. Quick-release plates make it easy to attach and remove your camera. Rubber feet provide a stable base on any surface.

The Vanguard Alta Pro 263AB 100 is an excellent choice for time-lapse photography. It offers unmatched flexibility and stability, perfect for capturing stunning wide-angle shots. Our full write-up explains more about choosing the right time-lapse tripod.

Our Top 3 Choices for the Best Tripod for Time-Lapse Photography

Vanguard Alta Pro 263AB 100 Tripod

Manfrotto Element Traveler Tripod Kit With Ball Head

Neewer Mini DSLR Tripod

Remote Shutter Release

A remote shutter release is a handy tool for many types of photography. But they are particularly useful when creating time-lapse videos. This is especially the case if your camera doesn’t have a built-in intervalometer.

The Pixel TW-283 E3/N3 is the best camera remote for time-lapse shooters. It has an intervalometer for perfectly spaced time-lapse intervals. But it also has other creative shooting modes, making it a versatile photography tool. It also has wired and wireless connectivity options.

Our full article has more options, so read on to see all the best remote shutter releases.

Our Top 3 Choices for the Best Camera Remote for Time-Lapse

Pixel TW-283 E3/N3 Camera Remote

Canon BR-E1 Remote Control

CamKix Camera Shutter Remote

Apps for Time-Lapse

As mentioned, you don’t need a fancy camera to make incredible time-lapse videos. All you need is a half-decent smartphone. Many time-lapse apps are available for Android and iPhone smartphones, making the process simple.

Some native camera apps on iPhone and Android have a built-in time-lapse setting that is easy to use. Find the time-lapse option, press record, and choose how long to capture the video. You can then edit the video in the app or another video editor.

Other popular time-lapse apps offer more features and customization options. Many let you adjust settings like focus, ISO, white balance, resolution, and frame rate. Some also have extra tools like adding audio, filters, and effects.

Read more about the best time-lapse apps to improve your time-lapse photography skills using only your smartphone!

Smartphone Tripods

If you make time-lapse videos with your smartphone, you need a mini tripod with a phone holder attachment. These accessories are great for anyone making content with their mobile. But they’re essential if you want to make time-lapse videos!

The Joby GripTight is our favorite mini tripod due to its versatility. It’s also lightweight and easy to pack into your kit bag. The Manfrotto Mini is a great alternative if the Joby Tripod doesn’t float your boat.

Our full article includes even more smartphone tripods, so click the link for all the best options.

Our Top 3 Choices for the Best Smartphone Tripod for Time-Lapse

Joby GripTight Tripod

Manfrotto PIXI Mini Tripod

UBeesize Tripod

Editing Time-Lapse Videos

Taking pictures for your time-lapse is only part of the process. Editing and combining the images to make a video is another essential part of creating breathtaking time-lapse videos.

Adobe Photoshop and Lightroom are two of the most popular photo editing programs. You can use either to make time-lapse videos. We have tutorials on both programs, so click the links for the full how-to guide.

Photoshop Editing

To create a time-lapse in Photoshop, prepare your images in Lightroom. Apply basic adjustments and crop them, then sync the settings across all photos. Export the images as JPEGs with sequential file names.

In Photoshop, open the image sequence and select a frame rate. The images are added to the timeline, where you can trim the length and remove any unwanted frames. Use shortcut keys to speed up your workflow.

When you’re done editing, render the video by selecting a format like H.264 and choosing your desired settings. With practice, you can easily edit Photoshop time-lapses and make amazing videos from your still images.

Lightroom Editing

Creating a stunning time-lapse video in Lightroom is a simple process with LRTimelapse. This powerful software uses parts of Lightroom to transform a series of images into a captivating time-lapse sequence.

To get started, import your images into LRTimelapse. Then, create keyframes to ensure consistent exposure throughout the video. Next, edit these keyframes in Lightroom. Adjust settings like exposure, highlights, shadows, blacks, and whites to achieve a cohesive look.

After editing, save the metadata and reload the sequence in LRTimelapse. Use the Auto Transition feature to smoothly apply the adjustments across all images.

Finally, use the Visual Deflicker tool to minimize flicker and export your stunning time-lapse video. Explore our comprehensive tutorial for a more in-depth guide on creating a Lightroom time-lapse.

Deflickering Time-Lapse Videos

Time-lapse flicker happens when the exposure changes between frames. This is usually hard to see in photos but is obvious in a video. Many things can cause flicker, like changes in light or using the wrong camera settings.

To avoid flicker, don’t shoot in auto mode. Use manual or aperture priority instead. Manual works best when the light won’t change much. Use a slow shutter speed and the widest or narrowest aperture on the lens.

Use aperture priority if the light changes, like during a sunset. Some cameras have built-in tools to help, like Nikon’s exposure smoothing option. If you still have a flicker in your time-lapse, you can use software to deflicker time-lapse in post-processing.

Inspirational Time-Lapse Photographers

Time-lapse photography is a fascinating technique that speeds up time to show actions happening much faster. It can be surprising to see the most usual phenomena, like a sunset, occurring so quickly.

If you’re looking for inspiration, we list 21 of Instagram’s most influential time-lapse photographers. Artists like Le Bars and Farrell take time-lapses of stunning cityscapes and unbelievable storms.

Another notable photographer is Rob Whitworth, who has worked with BBC and Netflix. And we also list Michael Shainblum, whose creativity has earned him clients like Nike and Apple.

Astrophotography is another popular subject for time-lapse artists. Randy Halverson, Babak Tafreshi, and Christoph Malin all produce breathtaking videos of the night sky. They reveal movements that wouldn’t be visible to the naked eye.

Learn more and be inspired by these time-lapse photographers. Check out their work for inspiration and techniques you can apply to your own photography.

Video Course

Total Time-Lapse

Discover the secrets to breathtaking time-lapse videos with this course:

Learn to capture stunning scenes with any camera in minutes.
Master the art of storytelling through motion and time.
Access award-winning techniques without expensive workshops.

How to Use a Time-Lapse Interval Calculator for Photography

Christopher Bryan-Smith — Tue, 05 Jan 2021 22:05:52 +0000

A time-lapse video can look fantastic, but they can be difficult to make. But a time-lapse interval calculator can simplify the process.
Whether you’re charting the movement of the milky way or documenting the growth of a flower, they’re magical and captivating. Making a seamless time-lapse video can involve some complicated calculations.
Unless you’re a master of math, a time-lapse calculator can save you a lot of head-scratching.

What is a Time-Lapse Interval Calculator?

A time-lapse calculator tells you how many frames you need for a time-lapse video. You input how long you want your final video to be, and it tells you how many frames you’ll need to achieve a smooth video.
As well as telling you the number of frames you need, it will tell you the time you need between each shot. For a smooth time-lapse, you need the intervals correctly separated with the right amount of time in between.
A video, unless slow-motion, requires at least 24 frames per second. If you’re making a 10-second video, you’ll need 240 frames. And that’s without any intervals in between shots.
When you add intervals, the mathematical formula becomes more complicated. You can work it out in your head. But that’ll take some brainpower, and you might get the calculation wrong.
A time-lapse calculator will save you time and trouble. And it’s far more risk-free than doing the math in your head. It gives you the exact information you need so you can create fantastic time-lapse videos.

Why You Need a Time-lapse Calculator

Time-lapse photography isn’t always easy. And creating time-lapse footage can be a drain on your battery life and memory usage. But the hardest part is calculating the shooting interval length between shots.
If you want a time-lapse video that runs at 30 fps with a duration of 30 seconds, setting a shooting interval of eight seconds will give you an event duration of 2 hours.
We want a video that lasts 30 seconds. And each of those seconds needs 30 frames.
30 x 30 = 900 images. 900 images x 8 seconds = 7200 seconds or 2 hours.
You might be asking, why isn’t it the time it takes one image PLUS the 8 seconds? The maths behind photographing 900 images at 1/250th of a second means 900 images would take 3.6 seconds in total.
But, it isn’t 7203.6 seconds. This is because the shooting interval starts at the beginning of the capture, not at the end. The interval is actually 8 seconds minus 1/250th of a second.
If you’re finding this complicated and confusing, that’s because it is.
We can also look at how long an interval takes to create. Let’s say you’re capturing an event that lasts four hours, and you want to create a 45-second video. You’ll need to work out how big your shot intervals must be.
If you’re working with a 24 fps frame rate, you can calculate that your intervals need to be 13.3 seconds. The mathematical breakdown is 4 hours = 14,400 seconds. We divide 14,400 seconds by 24 as that is our frame rate per second. 14,400 divided by 24 is 600 seconds.
Then, we divide 600 seconds by 45 seconds, which gives us the final answer of 13.3 seconds.
That’s a lot to work out for each time-lapse video you want to create. Using a calculator removes the trouble and speeds up the process. It allows you to focus on photography, not math.
Another benefit is that a time-lapse calculator can also give you memory usage information. If you know the file size for each shot, the calculator can tell you how much memory the shots will take up.
It’s useful information, so you know how much memory you need before you start shooting. You’ll avoid the nightmare scenario of running out of memory halfway through a shoot. With a time-lapse video, that means starting all over again.

How to Use a Time-Lapse Calculator

Time-lapse calculators are straightforward tools to use. You insert the necessary variables, and the calculator gives you the exact information you need for your time-lapse video.
If you’re working out the shooting intervals, you input the desired clip length and the event duration time. Then you add the frame rate you want to use. And for memory information, you need to insert the file size in MB for each shot.
The calculator will then tell you the size of the intervals, the number of photos, and the total memory usage. You can see the results in the image below, where we used the time-lapse calculator from PhotoPills.com.
You can also work out the event duration or the video length, depending on the information you have.

https://www.photopills.com/calculators/timelapse

Time-Lapse Calculator Recommendations

PhotoPills is an excellent app for all photographers to have on their phones. They have a time-lapse calculator that’ll work out intervals, the event duration, and clip length.
They also have depth of field calculators. And a 500 rule calculator for astrophotography. Along with their calculators, PhotoPills can help you with location shoots by giving you sun and moon information.
PhotoPills is available for both Android and iOS smartphones. Or you can use their calculators for free on their website.
There are also specialized time-lapse photography apps that work really well. There’s Framelapse for Android and Lapse It for iPhone users.

Conclusion

For time-lapse photographers, time-lapse interval calculators are a godsend. You no longer need to spend hours crunching the numbers to get a smooth and spectacular time-lapse video.
Calculators take the pain out of time-lapse video creation. And they allow you to focus on getting the right shots for a perfect video.
There are some great free time-lapse calculators you can use. And they’re all simple and straightforward. They will definitely help you with your next time-lapse project.
Check out our Total Time-Lapse video course to create stunning time-lapse videos every time!
The images in this article are partly provided by depositphotos.com

How to Remove People from Photos with ND Filters

Chad Verzosa — Thu, 06 Aug 2020 13:46:34 +0000

Taking photos of scenic spots can be quite challenging if there are crowds of people in your frame. But did you know that you can remove people from photos using a neutral density filter?

We’ll show you the step-by-step process for applying this technique in your photography.

Effective People Removal

Neewer 52mm Fixed ND Filter Kit

“Remove people from photos with ease using a neutral density filter kit. This solution reduces light without affecting color, giving you more control over exposure settings.”

How to Use an ND Filter to Remove People From Photos

Before we begin our tutorial, let’s talk about is what a neutral density filter is and what it does.

A neutral density filter, also known as an ND filter, acts like sunglasses for your lens. In other words, it limits the amount of light coming into your camera.

This filter’s primary purpose is to help you create well-exposed photos when the light source is too intense.

Since an ND filter limits the light from coming into your camera, it’s also ideal for creating long exposures in the daytime. In contrast, creating a long exposure image without it will simply result in an overexposed image.

ND filters have different grades, which are called ND numbers. It starts with ND2 and can go all the way up to ND100,000. But keep in mind that most filter kits can only go up to ND8 or ND10.

The higher the ND filter’s ND number, the higher the f-stop reduction.

F-Stop reduction refers to the number of stops an ND filter shaves off from your exposure.

An ND2 filter has an F-Stop reduction of 1. So if your current setting has an aperture of f/22, adding the filter will lower it to f/20, which is equivalent to 1 stop. If you use an ND8, which has an f-stop reduction of 3, then you’ll end up with f/16.

What Are the Different Types of ND Filters?

ND filters come in a variety of shapes and sizes. We will not discuss all of them, but we will include the ones that are relevant to this technique.

Screw-On Filter

This type of filter is the most common in photography. As the name suggests, it screws on to the front of your lens. They are available in different sizes that fit specific lenses. If you use a lens with a 52mm diameter, then you’ll need to get one with the same measurement.

In most cases, these ND filters often come in a kit featuring at least four options – each with a designated ND number.

Variable ND Filter

This filter is a variation of the screw-on option. The only difference is that it comes with an adjustment ring that lets you change the ND number by twisting it. With this accessory, you won’t need to carry around an entire kit.

Slot-In ND Filter

This type of ND filter is square rather than round. Instead of screwing it on, you slot it into a filter holder installed in front of the lens. What makes this option better than the last two, is that you can use it on any lens whether the diameter is 52mm or 72mm.

How Does a Neutral Density Filter Remove People from Images?

When you look at long exposure images, you’ll notice moving objects appear as blurry streaks. If you open your shutter long enough, all that movement may not even register in your picture at all.

With this concept in mind, you can use an ND filter to lengthen your exposures and remove moving people in your images.

Can ND Filters Remove People from any Shot?

The simple answer is no. You see, several elements need to come together for this technique to work.

First, your shutter has to be open for at least a few seconds to remove people. For that to be possible, you’ll need to make sure that the light isn’t too bright even with ND filters.

Next, you need to make sure that moving objects don’t stay in the frame for the duration of the exposure.

In this image below, you can see a busker and his dog in the shot. Even though he’s moving, he stays in the same position throughout the exposure. As a result, he appears prominently in the final image.

It will also help if the number of moving elements in your image is low. If there are lots of people, you can’t guarantee they will all be out of your frame once your exposure ends. That’s why if you look at the photo above, the pedestrians still appear as blurry streaks as well.

Now that you know the limitations of this technique, you’ll know when and when not to use it.

Steps for Using ND Filters to Remove People in Photos

1. Wait for Sunrise to Avoid Bright Light and Big Crowds

Remember when we mentioned that ND filters aren’t foolproof if you want to remove people in photos? Well, going out during sunrise will help increase your chances of success.

You see, there aren’t many people in the morning. Even the most popular tourist spots tend not to be as busy during this time of day. The less you have to deal with the crowds, the better your photos are going to become.

During sunrise, you also have less light. And that’s good because that means you don’t have to use ND filters with high ND numbers.

Photo by Roman Kraft

2. Set Up Your Camera on a Tripod to Prevent Blurry Shots

We know that long exposures cause motion blur. This principle applies even when you just press the shutter with your finger.

When photographing buildings, you don’t want even the slightest motion blur. So make sure you place your camera on a tripod to keep it stable.

It will also help if you use a wireless remote to trigger the shutter. If you don’t have one, then you can try a self-timer instead. That way, your finger isn’t on the button by the time the exposure starts.

Photo by Patrick Tuka

3. Adjust Your Camera Settings for Long Exposure

Your ISO is responsible for controlling your camera sensor’s ‘sensitivity’ to light. So if you’re doing long exposures, you need to make sure you adjust it to the lowest setting. In most cases, the lowest ISO value is 100.

Since you now just made your camera less sensitive to light, you can keep your shutter open for longer.

The next step is to switch your camera to Shutter Speed Priority. You can choose anywhere between 4 to 30 seconds, depending on the scene you’re shooting.

The secret is to time the people walking in and out of the frame. How long does it take them to walk from point A to point B on average? If it takes them about ten seconds, then maybe you can adjust your shutter speed to 12 or 15 seconds. Adding extra time helps you take care of the slower pedestrians.

A word of caution: You shouldn’t exclusively rely on the speed of walking pedestrians when adjusting your shutter speed. Think of it more as a guide.

What’s more crucial is that you tweak your settings to make sure your exposure is correct. It doesn’t matter if people walk in and out of your frame for ten seconds. If your shot ends up overexposed, then it wouldn’t work. So choose the shutter speed that’s long enough for pedestrians but would still achieve a good exposure.

Once you set your shutter speed, look at your aperture value. Has it reached the minimum aperture of either f/22 or f/32? If you see those numbers blinking on your screen, that means you will end up with an overexposed image.

So the next step is to install an ND filter on your lens.

4. Install an ND Filter to Correct Your Exposure

The goal is to get that f/32 to stop blinking because it means that you’ll finally get a correct exposure. And the best way to do that is to screw on your ND filter (since it limits the light coming into the lens, remember?).

Since you’re shooting in the daytime, a high ND number would work best. So feel free to screw on an ND4 or an ND8 right away.

Now look the screen and see if your aperture value is still blinking. If it stops or if it goes down to f/20 or lower, then that means you’re ready to take photos. If it doesn’t, go to the next higher ND filter.

But what if you’re already using the highest ND number in your kit, and the aperture value is still blinking? Then it’s time to start stacking!

5. Stack ND Filters to Cut Down the Light Even More

If even your highest ND filter isn’t enough to limit the light coming in, then it’s time to do some stacking.

Stacking is a technique that involves screwing a filter on top of another.

If you already have an ND8 on your camera, you can stack an ND4 on top of it. Doing so allows you to increase your f-stop reduction even more.

The issue with stacking is that the more filters you screw on, the poorer the quality of your image. This problem becomes even more apparent when you have a cheap filter kit.

To retain your image quality, consider limiting your stacking to two filters. Adding more may start to degrade your photo’s sharpness and even compromise the colors.

6. Switch to Manual Mode to Dial In Your Exposure

At the start of the tutorial, we told you to use Shutter Speed Priority to achieve the correct exposure. But it may not always get the results you want.

If you want more control over your exposure, then you’ll need to switch to Manual Mode.

The trick is to remember the aperture and shutter speed values from Shutter Speed Priority Mode. That way, you don’t have to guess where to start with your settings.

Once you switch to Manual Mode, set your aperture and shutter speed to the same settings you had in Shutter Speed Priority. From there, you can adjust the values up or down to nail your exposure.

Of course, you have the freedom to choose whether to adjust the shutter speed or the aperture. But I suggest that you start with the aperture first before we tinker with the shutter speed.

Why? Because the shutter speed is the key to creating the motion blur. And if you end up using the wrong value, then you will not be successful in removing people from your pictures.

7. Take the Money Shot!

Now that you have your ND filter on the lens and your settings dialled in, it’s time to take the shot.

This process requires a lot of trial and error. So if you want to remove people from your shots, it would help if you take a few photos instead of one.

Always wait for the least amount of people before you press the shutter. That way, you have a better chance to remove them in your shot.

Conclusion

Remember that the best way to remove people from your shot is to avoid them in the first place.

The ND filter approach is not perfect. So you should only use it to remove people when you don’t have any other alternatives.

The secret is to make sure you stay away from bright light and heavy foot traffic. If you keep these two factors in mind, then you have the best chance to remove people from the scene.

Still interested in learning more about ND filters? Check our article on using neutral density filters for landscape photography! You can also try this alternative to remove people and objects from photos.
Learn the secrets of long exposure photography with our course – Infinite Exposures!

What is an Intervalometer? (How to Choose and Use One)

Chad Verzosa — Wed, 17 Jun 2020 08:40:10 +0000

The term intervalometer sure sounds intimidating for a beginner. But an intervalometer is an essential tool in long exposure and time-lapse photography.

The good news is that it’s quite easy to use and we’ll show you how.

Wireless Control

Neewer LCD Remote Shutter Release

An intervalometer is essential for long exposure and time-lapse photography. This remote shutter release allows you to release the camera shutter from a distance, preventing camera shake and ensuring sharp images.

What Is an Intervalometer?

Intervalometers are a particular type of timer. They trigger cameras to take a series of photos in a specified length of time.

Now you’re probably wondering, your camera has a timer too. So why not use that instead?

As the name suggests, you can set intervalometers to take pictures in intervals. And that’s one feature that regular built-in timers can’t do. Intervalometers allow you to take hundreds of images without touching the camera shutter. That’s why they are perfect for timelapse photography.

Some high-end cameras now have built-in intervalometers. The best ones right now are the 5D Mk IV for Canon and D850 for Nikon.

So what if your camera doesn’t have a built-in interval function? Then external intervalometers are your next best option.

Below is a typical intervalometer Canon Neewer LCD Timer Shutter Release Remote.

What Does an Intervalometer Do?

You can think of intervalometers as beefed-up timers. They can do all sorts of tasks that a regular self-timer can’t accomplish. Let’s take a look at some of their best features.

Locking Mechanism – Holds the shutter for minutes or hours at an end.
Self-Timer – Sets the time for the shutter to go off.
Shot Interval Timer – Sets the time between shots.
Number of Shots – Allows you to take up to 999 images in one session.
Reduced Camera Shake – Functions as a remote to prevent camera shake and motion blur.

All the features we mentioned above are useful in long exposure photography. That’s why intervalometers are indispensable for photographers who use slow shutter speeds all the time.

When Should You Use an Intervalometer?

Long Exposures

As we mentioned before, Canon or Nikon intervalometers are essential for long exposures.

When using slow shutter speed, even slowly pressing the shutter can cause camera shake. So even if you’re extra careful, you could quickly end up with a blurry image.

To avoid that problem, you can quickly turn on your camera’s built-in self-timer. That way, the shutter goes off by itself without you even touching it.

But what if you’re using a really slow shutter speed or even Bulb Mode? Now that’s when intervalometers come in handy.

With intervalometers, you can activate the self-timer and ‘press and lock’ the shutter mechanism. Doing so keeps the shutter open without you physically touching the camera and cause motion blur.

One perfect use for intervalometers is star trail photography.

Time-Lapse

Time-lapse photography involves taking a series of photos over a specified period.

Cinematic videos come to us at the frame rate of 24 images a second. So, if you want to create a 10-second time-lapse video, you will need 240 images. Now that’s almost double for slow-motion videos!

To create a time-lapse without intervalometers is difficult. Without their help, you’ll need to click the shutter 240 times precisely at every few seconds.

By using an intervalometer, you can freely set the number of images and intervals. It will then start taking pictures without you having to hold it.

What’s great about using this device is that the intervals stay constant. And it stops once it reaches the number of images you set.

Studio Photography

Remember that intervalometers also have a remote shutter release function. That means you don’t even have to be close to the camera to take pictures in the studio.

You see, studio photography often requires you to be precise. There are times that even accidentally slightly moving your camera can ruin a photo.

But using remote lets you take pictures without even having to touch the camera. Consequently, you can be confident that every one of your shots would stay the same every time.

How Do You Set up an Intervalometer?

Now we know a lot about intervalometers. But how exactly do you use a Canon or Nikon intervalometer?

If you already have an interval function in the camera, all you have to do is look for it in the menu.

Once you activate it, you can set the time between each shot. You can choose between one second to a few hours. Then, you can set the number of images you’d like to take. It could be from one to 900 photos or more depending on the camera.

What if your camera doesn’t have a built-in interval timer? Then, you’ll need an external intervalometer like the one below.

To set it up, simply plug one end of the cable into the intervalometer and the other into the camera. Once you turn it on, you can then select the mode you want to use.

The first one is Delay, which is another term for ‘self-timer’. The other one is the ‘interval timer’.

To set the Delay, simply key in the time you want before the shutter goes off. For the ‘interval timer’, select the intervals and the number of photos you need. That’s it!

Some intervalometers also have wireless remotes. That way, you can activate your camera from afar.

Conclusion

Intervalometers are surprisingly affordable. You can get one for as cheap as 30$. That’s cheap, especially considering what it can do.

If you’re thinking of learning long exposures, consider getting one of these devices. It will make your life a little easier while taking pictures.

Want learn how to shoot breath-taking time-lapse photography? Why not check out our course Total Time-Lapse next!